Название | The Complete Plays of Robert Browning |
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Автор произведения | Robert Browning |
Жанр | Языкознание |
Серия | |
Издательство | Языкознание |
Год выпуска | 0 |
isbn | 9788027236534 |
But while Browning was thus standing alone in his view of the matter, while Edward Barrett had to all appearance on his side a phalanx of all the sanities and respectabilities, there came suddenly a new development, destined to bring matters to a crisis indeed, and to weigh at least three souls in the balance. Upon further examination of Miss Barrett’s condition, the physicians had declared that it was absolutely necessary that she should be taken to Italy. This may, without any exaggeration, be called the turning-point and the last great earthly opportunity of Barrett’s character. He had not originally been an evil man, only a man who, being stoical in practical things, permitted himself, to his great detriment, a self-indulgence in moral things. He had grown to regard his pious and dying daughter as part of the furniture of the house and of the universe. And as long as the great mass of authorities were on his side, his illusion was quite pardonable. His crisis came when the authorities changed their front, and with one accord asked his permission to send his daughter abroad. It was his crisis, and he refused.
He had, if we may judge from what we know of him, his own peculiar and somewhat detestable way of refusing. Once when his daughter had asked a perfectly simple favour in a matter of expediency, permission, that is, to keep her favourite brother with her during an illness, her singular parent remarked that “she might keep him if she liked, but that he had looked for greater self-sacrifice.” These were the weapons with which he ruled his people. For the worst tyrant is not the man who rules by fear; the worst tyrant is he who rules by love and plays on it as on a harp. Barrett was one of the oppressors who have discovered the last secret of oppression, that which is told in the fine verse of Swinburne: —
“The racks of the earth and the rods
Are weak as the foam on the sands;
The heart is the prey for the gods,
Who crucify hearts, not hands.”
He, with his terrible appeal to the vibrating consciences of women, was, with regard to one of them, very near to the end of his reign. When Browning heard that the Italian journey was forbidden, he proposed definitely that they should marry and go on the journey together.
Many other persons had taken cognisance of the fact, and were active in the matter. Kenyon, the gentlest and most universally complimentary of mortals, had marched into the house and given Arabella Barrett, the sister of the sick woman, his opinion of her father’s conduct with a degree of fire and frankness which must have been perfectly amazing in a man of his almost antiquated social delicacy. Mrs. Jameson, an old and generous friend of the family, had immediately stepped in and offered to take Elizabeth to Italy herself, thus removing all questions of expense or arrangement. She would appear to have stood to her guns in the matter with splendid persistence and magnanimity. She called day after day seeking for a change of mind, and delayed her own journey to the continent more than once. At length, when it became evident that the extraction of Mr. Barrett’s consent was hopeless, she reluctantly began her own tour in Europe alone. She went to Paris, and had not been there many days, when she received a formal call from Robert Browning and Elizabeth Barrett Browning, who had been married for some days. Her astonishment is rather a picturesque thing to think about.
The manner in which this sensational elopement, which was, of course, the talk of the whole literary world, had been effected, is narrated, as every one knows, in the Browning Letters. Browning had decided that an immediate marriage was the only solution; and having put his hand to the plough, did not decline even when it became obviously necessary that it should be a secret marriage. To a man of his somewhat stormily candid and casual disposition this necessity of secrecy was really exasperating; but every one with any imagination or chivalry will rejoice that he accepted the evil conditions. He had always had the courage to tell the truth; and now it was demanded of him to have the greater courage to tell a lie, and he told it with perfect cheerfulness and lucidity. In thus disappearing surreptitiously with an invalid woman he was doing something against which there were undoubtedly a hundred things to be said, only it happened that the most cogent and important thing of all was to be said for it.
It is very amusing, and very significant in the matter of Browning’s character, to read the accounts which he writes to Elizabeth Barrett of his attitude towards the approaching coup de théâtre. In one place he says, suggestively enough, that he does not in the least trouble about the disapproval of her father; the man whom he fears as a frustrating influence is Kenyon. Mr. Barrett could only walk into the room and fly into a passion; and this Browning could have received with perfect equanimity. “But,” he says, “if Kenyon knows of the matter, I shall have the kindest and friendliest of explanations (with his arm on my shoulder) of how I am ruining your social position, destroying your health, etc., etc.” This touch is very suggestive of the power of the old worldling, who could manoeuvre with young people as well as Major Pendennis. Kenyon had indeed long been perfectly aware of the way in which things were going; and the method he adopted in order to comment on it is rather entertaining. In a conversation with Elizabeth Barrett, he asked carelessly whether there was anything between her sister and a certain Captain Cooke. On receiving a surprised reply in the negative, he remarked