About Grace. Anthony Doerr

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Название About Grace
Автор произведения Anthony Doerr
Жанр Классическая проза
Серия
Издательство Классическая проза
Год выпуска 0
isbn 9780007405114



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on top of the television, went to the Chrysler, and guided it not toward home, but east. He kept his hands firmly on the wheel and at dawn did not turn back. I have run away before, he thought. It is merely a matter of keeping your foot on the accelerator and not letting it off. The clouds had pulled back and there were only the occasional trucks rumbling in the night, last fall’s leaves blowing across the interstate.

      All that day he drove, stopping only for gas and to buy chocolate bars, which he ate mindlessly, dropping the wrappers to the floor between his legs. Scranton? Philadelphia? New York? He settled on the latter, as much for its size as anything, its supposed impassiveness, its positioning at the terminus of the freeway. At dusk he brought the Chrysler up through the northern miles of New Jersey and soon was navigating beneath the Hudson in the Lincoln Tunnel, where exhaust-caked girders groaned past in the blackness above him, and when he emerged he was in Manhattan. He was drained and his vision was lapsing badly behind his glasses and what he saw appeared as little more than a hubbub of steel and mirrors, as if he were entering some vast and awful funhouse that would soon seal him into a dead end and pinch off the exits.

      He parked the Chrysler in an alley and left it. On the street, big band music played from a portable stereo and the people on the sidewalks appeared to step in concert with the song—a nun with a blue backpack, an Indian man in a tracksuit carrying flowers, a woman ducking into the backseat of a cab—all of them seeming to fulfill some greater orchestration, stepping up, stepping down, swinging their arms, blinking their eyes, oblivious, hurrying to their ends.

       15

      Above a tavern he found a cheap room with a bricked-over window and a hot plate and an orchestra of crickets performing beneath the cot. He lay on his back and watched the cracks in the ceiling as if they might hand down a sentence that did not come. The light, from a dusty and naked bulb, was constant, day or night; he couldn’t find a switch or reach the fixture to unscrew it. Every few hours he descended the iron staircase to the bar in his rumpled suit to order coffee and scan the newspapers like some deranged businessman. He dialed home from the pay phone in the back but service must still have been interrupted by the flood—a buzz rose in the line, each time, electrons piling up against a resistor, and the signal clicked off. At the motel on Eaton the clerk said that he could not reach anyone in room 7, that the room had not been paid for, that no one had yet checked out.

      Directory Assistance got him the number of Tim Stevenson, the neighbor six houses up. Tim answered on the second ring. “We haven’t seen anyone. Your place is a mess. The whole street is a mess. There’s crap everywhere; all the septics are backed up.”

      “A mess?”

      “Where are you?”

      “Have you seen my wife?”

      “Haven’t seen anyone. Where are you staying?”

      “And my daughter?”

      “No one. Are you okay? Hey, which insurance were you on?”

      Winkler washed his face and armpits in the bathroom sink; graffiti had been etched into the mirror: CHUCK WANTS SUE BUT CAN'T HAVE HER. CANDY IS EASY. On the national news the Ohio flooding warranted seventeen seconds, the rushing falls, the half-drowned street signs, a clip of two firemen in a skiff coaxing a Doberman off a garage roof. An anchor came back on; stock indices rolled across the screen.

      A telegram:

      Sandy

      I know you must think what I’ve done is unforgivable. Maybe it is. But I had to go. In case. I think I would have harmed Grace. I’ll be back as soon as it is safe.

      The first bank wouldn’t let him transfer funds; the second allowed him a one-day maximum withdrawal of seven hundred dollars. From a corner stand he bought a sheaf of newspapers and read that the flood had receded. The thawing soil was choking it down, funneling the water into its aquifers. Only two deaths, the paper reported, old men unwilling to leave their homes.

      He dialed from a dozen different payphones but no operator could get a call through. Had he gone far enough? Would time take care of itself? Somewhere was there a tally of souls that had marked his daughter’s and would seize it regardless of agent?

      What if Sandy had drowned in the basement and doomed them both in the process? But wouldn’t their deaths have been reported? Not if they hadn’t been found. Not if he was the one who should have been reporting them.

      A greater fear: What if by leaving he had somehow tampered with the order of things, removed a thread and left the fabric snagged and incomplete?

      Or worse—maybe worse than anything: What if years of studying water had manifested themselves into a dream that was nothing more than a nightmare, something to wake from and shake off, a manifested fear, merely an instance of what could be? What if he had left his daughter in that house to die?

      It didn’t matter. What mattered was that his daughter might still be breathing somewhere, smiling, sleeping, grasping Sandy’s ear, gurgling some unintelligible communication.

      He wandered the thronged sidewalks and peered up at the sky: spring in New York, the first trees unfolding their leaves, a depthless, pristine blue poised between buildings. Tulips rising from beds on Park Avenue, a woman laughing in an open window—these things seemed impossible, unreal.

      During three and a half days, he did not sleep more than twenty minutes at a time. Finally his body gave out on the floor in front of the bed. He managed to haul a chair in front of the door, and sleep took him, and when he woke he had slept twelve hours. What he could remember of his dream was that Sandy had stormed the hall toward his room, the arm that did not hold Grace swinging violently as if to clear demons from her path, her hair standing uncombed and snarled above her head. She was beautiful in her fury; she kicked a hole in his door with the toe of her boot. In the dream he was lying on the cot and she stood over him and unleashed a thousand curses. He raised his hands over his face: spittle flew from between her lips. Grace had begun to scream. He sat up.

      “Not in front of the baby,” he said, and in his dream was overcome with happiness—his daughter was saved, the flood had passed, they could begin again. But Sandy was shaking Grace; he rose and gathered her from her mother’s arms, wrapped her in a blanket and was leaving the room, moving down the hall, Sandy’s voice behind him cracking at its peaks, as if her voice somehow had become the arc of her welding torch, sizzling and snapping, and the child still screaming in his arms, reaching the top of the iron stairs—he would get them all out of there, they would find the Chrysler and drive home, or all the way back to Anchorage if Sandy wanted—and he tripped. Horror plunged through him. The blanket unraveled; Grace hovered, out of his arms, for an instant, her forehead wrinkling. Sandy screamed. He tried to close his eyelids but in the dream they were wide open, as if propped by invisible toothpicks. Grace dropped spinning down the flight of stairs and landed with a muffled crack, an egg breaking inside a towel.

      What was sleep? What was sentience? He studied his reflection and realized he was not sure if this was a dream—would he wake at any moment and find himself somewhere else? Was he sleepwalking even now? That night in a state near desperation he crouched in his doorway with his hands wrapped around a quart of coffee. He had stacked the frame of the bed and chair against the door.

      Each time a cupboard closed somewhere in the building, or a siren started, or footsteps emerged from the stairwell, an impulse shivered through him: Run. Run farther. It was only a matter of time until he would wake and Sandy would be at the door and he would kill his daughter.

      In the morning he roved the city. He rented two more hotel rooms and each time the dream was the same with the setting altered. In the second dream he was sleeping on a sidewalk grate with steam rising around him. Beside him slept another man, wrapped in an orange plastic raincoat. Down the sidewalk came the echoing footsteps of his wife, each heel clapping the pavement, and she was shaking him awake, shouting, he was taking the child from her arms, dropping her,