Название | About Grace |
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Автор произведения | Anthony Doerr |
Жанр | Классическая проза |
Серия | |
Издательство | Классическая проза |
Год выпуска | 0 |
isbn | 9780007405114 |
“What is it? Why are you watching him?”
He said nothing. He heard the tires of the bus hum over the ice.
“What do you see?”
The man stepped from the curb and began to cross the street. He walked carefully so as not to slip. A van passed and left a short-lived cloud of vapor and exhaust in the man’s path but he did not slow. His skin was pale at his throat and his hair looked thick and glossy and lacquered. His lips were almost orange. The sound of the bus came whistling down from the man’s right.
“Oh my God,” his mother said, and added something else in Finnish. Already she was lunging forward, too late, her hands waving in front of her as if she might wipe the whole scene away. The bus entered the boy’s field of vision, bearing down, but the man in the brown suit kept walking forward. How could he not see? The sun flashed a square of light from the toe of his shoe. The hatbox swung forward on his arm. The bus’s horn sounded once; there was the wrenching, metal-on-metal shriek of brakes, the whisper of space being compressed. The bus lurched on its frame and began its skid. All too quickly the man was struck. The hatbox flew, making an arc through the air, catching a star of sun at its apex, then falling to the street, landing on a corner, and denting the box. A fedora spilled out, gray with a black band, and wobbled in the road. The bus slid to a stop—nearly sideways now—thirty feet farther on. His mother had knelt and taken up the dying torso of the man in her arms. The fists at the ends of the man’s arms closed and unclosed automatically. A first thread of blood had appeared beneath one of his nostrils, and finally a lock released somewhere in the boy’s chest and he began to scream.
In the deepest part of that midnight there was no sound but a water pipe ticking somewhere in the walls. His mother stood with him by the big parlor windows. She had changed her clothes but there was still a spot of the man’s blood on her wrist, perfectly round and toothed at the circumference, a tiny brown saw blade. Winkler found himself incapable of taking his eyes from it. In his mind, over and over, the hatbox sailed through the air, caught a star of sunlight, and came down uncaught. The man had been George DelPrete, a salmon merchant from Juneau. For years the boy would keep a clipping of the obituary in his pencil box.
“How did you know?” she asked.
Winkler began to cry and raised his hands to cover the tears.
“No, no,” she said. She reached for him and stroked his hair. His eyeglasses were hard against her side. Her eyes were on the window. The space above the city appeared to stretch. The moon stepped lower. Any moment, it seemed, something could tear the sky and whatever was on the other side would push through.
Once, a year before, her son had told her, as they sat on the rooftop watching the sun settle behind Susitna, that the tumbler of iced tea she held in her hand would slip through her fingers and fall to the street. Not three minutes later, the glass fell, each chip of ice spinning and sending back light before disappearing, the tea falling in a spray, the tumbler exploding on the sidewalk. Her hands shook; she had hurried downstairs to fetch a broom.
Even though it was beyond the range of her understanding, she had the evidence before her, and intuition filled in the gaps. Two weeks after George DelPrete was killed, she sat beside David at the big dining table as he ate graham crackers. She watched him until he was done. Then she took his empty plate to the sink and said, “You dreamed it, didn’t you? That night. When you got up and opened the door with your shoes half on?”
The color rose in his cheeks as if he were choking. She came to him and knelt beside him and pried his hands from the arms of the chair and embraced him. “It’s okay,” she said. “It’s okay.”
From then on she slept out in the main room, on the sofa outside David’s bedroom door. She had always slept lightly, and David’s father did not complain. She slept there for the rest of her life. Even then it was clear David could not talk about it, was too afraid. Only rarely would she bring it up: “Do you have the dreams often?” or “Did you sleep through the night?” Once she said, “I wonder if the things could change. Between the time you dream them and the time they happen,” but by then, after George DelPrete, the dreams had ceased coming, as they often did, retreating somewhere else for years, until another event of sufficient significance neared, and the patterns of circumstance dragged them to the surface again.
Dust shifting and floating above the bed, ten thousand infinitesimal threads, red and blue, like floating atoms. Brush it off your shelves, sweep it off your baseboards. Sandy dragged sheets of tin across the basement floor. Winkler cleaned the house, fought back disorder in all its forms, the untuned engine, the unraked lawn. All the chaos of the world hovering just outside their backyard fence, creeping through the knotholes; the Chagrin River flashing by back there, behind the trees. Wipe your feet, wash your clothes, pay your bills. Watch the sky; watch the news. Make your forecasts. His life might have continued like this.
In October of 1976, Sandy was in the last, engorged weeks. Winkler coaxed her into walking with him through a park above the river. A generous wind showed itself in the trees. Leaves flew around them: orange, green, yellow, forty shades of red, the sun lighting the networks of veins in each one; they looked like small paper lanterns sailing on the breeze.
Sandy was asking about the anchor of the morning show who always had two cigarettes burning beneath the desk, and why she couldn’t see any smoke on TV. She walked with her hands propped beneath her distended abdomen. Winkler gazed up periodically at the twin rows of clouds, altocumulus undulatus, sliding slowly east. As they crested a hill, although this was a place he had never been, he began to recognize things in quick succession: the enameled mesh of a steel trash can, broken polygons of light drifting across the trunks, a man in a blue windbreaker climbing the path ahead of them. There was a smell like burning paper in the wind and the shadow of a bird shifted and wheeled a few yards in front of them, as—he realized—he knew it would.
“Sandy,” he said. He grabbed her hand. “That man. Watch that man.” He pointed toward the man in the wind breaker. The man walked with a bounce in his step. All around him leaves spiraled to earth.
“He wants to catch leaves. He’ll try to catch leaves.”
A moment later the man turned and jumped to seize a leaf, which sailed past his outstretched hand. Another fell, and another, and soon the man was grasping around him and stepping from the path with his hands out in front of him. He lunged for one and caught it and held it a moment in front of his eyes, a bright yellow maple leaf, big as a hand. He raised it as if hoisting a trophy for cheering onlookers, then turned and started up the hill again.
Sandy stood motionless and quiet. The wind threw her hair back and forth across her face. Her cheeks flushed.
“Who is he?”
“I don’t know. I saw him in a dream. Two nights ago, I think.”
“You saw him in a dream?” She turned to look at him and the skin across her throat tightened—she looked suddenly, he thought, like Herman, standing in the doorway to his house, looking him over.
“I didn’t even remember it until just now, when I saw him again.”
“What do you mean? Why do you say you saw him again?”
He blinked behind his eyeglasses. He took a breath. “Sometimes I dream things and then, later, they happen in real life. Like with you, in the grocery store.”
“Huh,” she said.
“I tried to tell you. Before.”
She shook her head. He exhaled. He thought he might say more, but something in her face had closed off, and the opportunity passed.
She went on, walking ahead of him now. Again she laced her hands at her belt, but this time it struck him as a protective