From Place to Place. Cobb Irvin Shrewsbury

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Название From Place to Place
Автор произведения Cobb Irvin Shrewsbury
Жанр Зарубежная классика
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Издательство Зарубежная классика
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dangled a veritable jumping-jack of a silhouette, turning and writhing and jerking, with a shape which in one breath grotesquely lengthened and in the next shrank up to half its former dimensions, which kicked out with indistinct movements of its lower extremities, which flapped with foreshortened strokes of the shadowy upper limbs, which altogether so contorted itself as to form the likeness of a thing all out of perspective, all out of proportion, and all most horribly reminiscent.

      A heart with valves already weakened by a chronic affection can stand just so many shocks in a given time and no more.

      A short time later in this same night, at about eight-forty-five o'clock, to be exact, a man who lived on the opposite side of the unfenced common gave the alarm of fire over the telephone. The Chickaloosa fire engine and hose reels came at once, and with the machines numerous citizens.

      In a way of speaking, it turned out to be a false alarm. A bonfire of leaves and brush, abandoned at dusk by the boys who kindled it, had, after smouldering a while, sprung up briskly and, flaming high, was now scorching the clap-boarded side of the Dramm house.

      There was no need for the firemen to uncouple a line of hose from the reel. While two of them made shift to get retorts of a patent extinguisher from the truck, two more, wondering why Uncle Tobe, even if in bed and asleep at so early an hour, had not been aroused by the noise of the crowd's coming, knocked at his front door. There being no response from within at once, they suspected something must be amiss. With heaves of their shoulders they forced the door off its hinges, and entering in company, they groped their passage through the empty front room into the bedroom behind it, which was lighted after a fashion by the reflection from the mounting flames without.

      The tenant was in bed; he lay on his side with his face turned to the wall; he made no answer to their hails. When they bent over him they knew why. No need to touch him, then, with that look on his face and that stare out of his popped eyes. He was dead, all right enough; but plainly had not been dead long; not more than a few minutes, apparently. One of his hands was shoved up under his pillow with the fingers touching a small roll containing seven ten-dollar bills and one five-dollar bill; the other hand still gripped a fold of the coverlet as though the fatal stroke had come upon the old man as he lifted the bedclothing to draw it up over his face. These incidental facts were noted down later after the coroner had been called to take charge; they were the subject of considerable comment next day when the inquest took place. The coroner was of the opinion that the old man had been killed by a heart seizure, and that he had died on the instant the attack came.

      However, this speculation had no part in the thoughts of the two startled firemen at the moment of the finding of the body. What most interested them, next only to the discovery of the presence of the dead man there in the same room with them, was a queer combination of shadows which played up and down against the wall beyond the bed, it being plainly visible in the glare of the small conflagration just outside.

      With one accord they turned about, and then they saw the cause of the phenomenon, and realised that it was not very much of a phenomenon after all, although unusual enough to constitute a rather curious circumstance. A crippled, tailless rat had somehow entangled its neck in a loop at the end of the dangling cord of the half-drawn shade at the side window on the opposite side of the room and, being too weak to wriggle free, was still hanging there, jerking and kicking, midway of the window opening. The glow of the pile of burning leaves and brush behind and beyond it, brought out its black outlines with remarkable clearness.

      The patterned shadow upon the wall, though, disappeared in the same instant that the men outside began spraying their chemical compound from the two extinguishers upon the ambitious bonfire to douse it out, and one of the firemen slapped the rat down to the floor and killed it with a stamp of his foot.

      CHAPTER II

      THE BROKEN SHOELACE

I

      IN the aching, baking middle of a sizzling New York's summer, there befell New York's regular "crime wave." When the city is a brazen skillet, whereon mankind, assailed by the sun from above and by the stored-up heat from below, fries on both sides like an egg; when nerves are worn to frazzle-ends; when men and women, suffocating by tedious degrees in the packed and steaming tenements, lie there and curse the day they were born—then comes the annual "crime wave," as the papers love to name it. In truth the papers make it first and then they name it. Misdeeds of great and small degree are ranged together and displayed in parallel columns as common symptoms of a high tide of violence, a perfect ground swell of lawlessness. To a city editor the scope of a crime wave is as elastic a thing as a hot weather "story," when under the heading of Heat Prostrations are listed all who fall in the streets, stricken by whatsoever cause. This is done as a sop to local pride, proving New York to be a deadlier spot in summer than Chicago or St. Louis.

      True enough, in such a season, people do have shorter tempers than at other times; they come to blows on small provocation and come to words on still less. So maybe there was a real "crime wave," making men bloody-minded and homicidal. Be that as it may, the thing reached its apogee in the murder of old Steinway, the so-called millionnaire miser of Murray Hill, he being called a millionnaire because he had money, and a miser because he saved it.

      It was in mid-August that the aged Steinway was choked to death in his rubbishy old house in East Thirty-ninth Street, where by the current rumour of the neighbourhood, he kept large sums in cash. Suspicion fell upon the recluse's nephew, one Maxwell, who vanished with the discovery of the murder.

      The police compiled and widely circulated a description of the suspect, his looks, manners, habits and peculiarities; and certain distant relatives and presumptive heirs of the dead man came forward promptly, offering a lump sum in cash for his capture, living; but all this labour was without reward. The fugitive went uncaptured, while the summer dragged on to its end, burning up in the fiery furnace of its own heat.

      For one dweller of the city—and he, I may tell you, is the central figure in this story—it dragged on with particular slowness. Judson Green, the hero of our tale—if it has any hero—was a young man of some wealth and more leisure. Also he was a young man of theories. For example, he had a theory that around every corner of every great city romance lurked, ready for some one to come and find it. True, he never had found it, but that, he insisted, was because he hadn't looked for it; it was there all right, waiting to be flushed, like a quail from a covert.

      Voicing this belief over a drink at a club, on an evening in June, he had been challenged promptly by one of those argumentative persons who invariably disagree with every proposition as a matter of principle, and for the sake of the debate.

      "All rot, Green," the other man had said. "Just plain rot. Adventure's not a thing that you find yourself. It's something that comes and finds you—once in a life-time. I'll bet that in three months of trying you couldn't, to save your life, have a real adventure in this town—I mean an adventure out of the ordinary. Elopements and automobile smash-ups are barred."

      "How much will you bet?" asked Judson Green.

      "A hundred," said the other man, whose name was Wainwright.

      Reaching with one hand for his fountain pen, Judson Green beckoned a waiter with the other and told him to bring a couple of blank checks.

II

      So that was how it had started, and that was why Judson Green had spent the summer in New York instead of running away to the north woods or the New England shore, as nearly everybody he knew did. Diligently had he sought to win that hundred dollars of the contentious Wainwright; diligently had he ranged from one end of New York to the other, seeking queer people and queer things—seeking anything that might properly be said to constitute adventure. Sometimes a mildly interested and mildly satirical friend accompanied him; oftener he went alone, an earnest and determined young man. Yet, whether with company or without it, his luck uniformly was poor. The founts of casual adventure had, it seemed, run stone dry; such weather was enough to dry up anything.

      Yet he had faithfully tried all those formulas which in the past were supposed to have served the turns of those seeking adventure in a great city. There was the trick of bestowing a thousand-dollar bill upon a chance vagrant and then trailing after the recipient to note what happened to him, in his efforts to change the bill. Heretofore, in fiction at least,