Shadow Of The Wolf. Rebecca Flanders

texture of satin, her nose a perfect button, her face round and ingenuous. Her eyes were large and fringed with thick dark lashes, and the only thing that kept them from being breathtaking was the fact that they were more hazel than green. She had flawless Fortenoy porcelain skin, and a perfect size-six figure, which was due as much to her own efforts and the demands of the camera as it was to the Fortenoy genes.

      In a business that values physical attractiveness at least as much as it did ability, if not more—there were, after all, very few ugly news anchors—being a cute blonde might not be considered a disadvantage. But cute was the operative word, and Amy was a reporter. She was tough, ambitious, alert and perceptive. All she wanted was a chance to prove what she could do, yet she had spent her career fending off advances, fighting the stereotype and being offered jobs as the weather girl by station directors who took one look at her and wondered if she could read…or if it mattered.

      But the prejudices she fought in the work force were nothing to the disapproval—indeed, the disappointment—with which she had to contend in her own family. The Fortenoys were a grand old Southern family who bred tradition, snobbery and intellectuals. Amy had two brothers and three sisters, all of whom had earned at least one Ph.D. in suitably exalted subjects like philosophy or mathematics. Two were university professors, one was a doctor like their father, one was a museum curator, one was the director of a major European symphony orchestra. Among her cousins, aunts and uncles were bank presidents, Supreme Court justices, research scientists and poet laureates. Not one of them worked in television. Most of them, in fact, did not even own television sets, and those who did, only brought them out on the occasion of a presidential election or a particularly compelling PBS special.

      Amy’s Grandmama Fortenoy still lived in one of those wonderful old antebellum houses on St. Charles Avenue, shaded by creeping ivy and oaks dripping with Spanish moss. On Sunday afternoons she served tea from bone china that had been in the family for three hundred years, and friends and relatives and the social elite would gather in her high-ceilinged parlor with its small brocaded chairs, and speak, in their soft sugared accents, of things lofty and genteel and utterly civilized. The Werewolf Killer would never be among their topics of conversation. And if, by chance, some well-meaning soul asked about “poor little Amy,” throats would be cleared, eyes would be averted and the subject delicately changed.

      Amy was a source of bafflement and embarrassment to her family, but no more so than they were to her. Sometimes she felt like a changeling, and she could no more understand how that most carefully regulated Fortenoy family tree had come to produce her than they could.

      Amy had wasted far too much time and energy early in her career fighting the tide of other people’s prejudices against her, but when she had finally realized she could do nothing about either her looks or her family, the solution to her difficulties was clear: She simply started using both to her advantage, instead of allowing them to work against her. No one expected a petite, blond, wide-eyed young woman with a sparkling smile and bubbly personality to be a crime reporter. And nobody expected her to be any good at it. Thus she was not only allowed into places a more experienced-looking reporter could never go, she actually, more often than not, had the door held for her as she went in. No one expected Byron Fortenoy’s daughter—Joseph Fortenoy’s granddaughter—to sully her hands with anything as distasteful as the news. She was therefore privy to certain information relevant to scandal, corruption and white-collar crime that would be guarded furiously from an “outsider.”

      People expected Amy to be dumb, so she played dumb. They expected her to be helpless, so she acted helpless. They wanted her to be a socialite, a dilettante, a hothouse flower, and she was more than happy to play the part—when it suited her purpose. Only one thing mattered to Amy Fortenoy: success. And she knew that with the werewolf killings, she was as close to that elusive goal as she had ever been, maybe as close as she would ever get.

      So, if she was a little obsessed with the case, there was more than one reason. If, like Devereaux had suggested, she had been a little overzealous in reporting the story, she had good cause. After all, the story of a lifetime only came along once, and this was hers.

      Amy was on the air at six, giving her report and showing the tape. There was, of course, nothing new at all to report—the full moon was still almost two weeks away—but it was important to keep the story in the public eye. To her credit, she did not make Devereaux look like too much of a jackass on the final edit, and she left in the part about the sick, deranged individual being glorified by the media. She was trained to be fair, after all.

      She left the studio at six forty-five, which left just under an hour to get across town, put on her party dress and get back downtown in time to get a quote from the mayor for the eleven o’clock news. She would also love to get a reaction to Devereaux’s remarks this afternoon from the chief coroner, and it was possible she would be able to catch him at home if she didn’t spend too much time at the party. He had been ducking her calls all day.

      During Mardi Gras, Amy gave up trying to drive to work. It was impossible to keep up with which streets would be closed for what parade or for how long. It was easier and faster to simply take public transportation. She took the St. Charles trolley as far as Jackson Square and then had to walk a block and a half to catch the streetcar to Midcity. Ordinarily, this was no problem; the streets were well traveled and well lighted, and Amy enjoyed the brief walk. It gave her the chance to unwind from a busy day or, as tonight, to organize an even busier evening. But for some reason, she had forgotten about the parade.

      Mardi Gras in New Orleans. Music, laughter, crowds and lights, extravagant costumes, gala parades. To the several hundred thousand visitors who packed the city streets every year, Mardi Gras was magic, pure and simple. To New Orleans residents like Amy, however, Mardi Gras was traffic jams, missed appointments and dancing in the streets until 4:00 a.m. when she had to get up at six. To her, there was nothing romantic about the shoulder-to-shoulder bodies that screeched and waved and cheered and blocked the sidewalk as she tried to elbow her way past, nothing thrilling about the towering floats and harlequins on stilts and fire-eating jugglers that inched down the street, blocking off both foot and vehicular traffic for six blocks in each direction.

      The noise was deafening. A Dixieland band blared its trumpets in her ears as it passed less than five feet in front of her; the stereo speakers on a float a dozen yards behind roared out a marching tune. Grinning masks bobbed and leered, street lamps glinted eerily off of glass eyes. The air was alive with writhing strips of pink and purple confetti, dragons and mermaids danced in the street. Behind her, the door to a pub opened and a new mass of screeching, jostling, beer-cup-waving bodies spilled out. Amy felt as though she had stumbled into a madman’s nightmare and she thought, I don’t need this!

      Gauging a break in the procession between a float featuring a giant Poseidon and a gaggle of acrobats in silver suits, Amy prepared to dash across the street. Her foot had barely left the curb when something grabbed her hard from behind.

      “Hey!” she cried. Amy tried to spin around, but someone held her firm. She tried to jerk away, but an iron arm clamped around her ribs, dragging her back and jerking her off her feet.

      She cried out, struggling. No one in the jostling, excited crowd seemed to notice. She wrenched around, flinging out a hand to strike, but stopped, gasping and disoriented, as she found herself staring into the grinning face of a wolf.

      CHAPTER TWO

      Ky Londen knew something was wrong when he was halfway up the stairs. He might have blamed it on the reaction of Voodoo, the half mutt, half black Lab at his side, but it was more than that. The minute they reached the landing and the door to Ky’s apartment came into view, man and dog froze in place. The dog dropped into a half crouch, pressing himself against Ky’s knee, his hackles rising. Though there was absolutely no visible reason for it, Ky felt his hackles rise, too.

      Ky’s apartment was on the second floor of what once had been a fruit market on the corner of Rampart and Canal streets. The first floor was home to nothing but rats now, completely boarded up and always locked. The entire building might have been condemned long ago had not the Historical Preservation Society taken a particular, and in Ky’s opinion, inexplicable, interest in