The Binding. Bridget Collins

shavings and feel that I was in the right place. I knew what I was meant to be doing, and I was doing it – even if I was only practising. I could do it. That hadn’t happened since before I was ill.

      I missed home, of course. I wrote letters, and was half glad and half miserable to read their replies. I would have liked to be at the harvest supper, and the dance; or rather, I would have liked it, before … I read that letter over and over again, before I crumpled it up and sat looking out past my lamp-flame into the blue dusk, trying to ignore the ache in my throat. But the part of me that yearned for music and noise was the old, healthy part; I knew that silence, work and rest were what I needed now. Even if, sometimes, it felt so lonely I could hardly bear it.

      The quiet days wore on, as if we were waiting for something.

      When was it? Perhaps I’d been there a fortnight or a month, the first day I remember clearly. It was a bright, cold morning, and I’d been practising gold tooling on a few odd scraps of leather, concentrating hard. It was difficult, and when I peeled away the foil to see an uneven, indistinct print of my name I cursed and rolled my neck to ease the ache out of it. Something moved outside, and I looked up. The sun dazzled me, and for a moment all I saw was a shape outlined against the light. I narrowed my eyes and the glare softened. A boy – no, a young man, my age or maybe older – with dark hair and eyes and a pale, gaunt face, watching me.

      I jumped so much I nearly burnt myself on the tool I was using. How long had he been there, watching me with those black stony eyes? I put the tool carefully back on to the brazier, cursing the sudden tremor that made me as clumsy as an old man. Who did he think he was, lurking there, spying?

      He knocked on the glass. I turned my back on him, but when I looked over my shoulder he was still there. He gestured sideways to the little back door that opened on to the marshes. He wanted me to let him in.

      I imagined him sinking gently into the mud, up to his knees, then his waist. I couldn’t bear the thought of speaking to him. I hadn’t seen anyone except Seredith for days; but it wasn’t just that, it was his stare, so steady it felt like a finger pressing between my eyes. I kept my face averted from the window as I swept the parings of leather to the ground, tidied the scraps of gold foil into their box, and loosened the screw of the hot type-holder so that I could tap the letters out on to the bench. In a minute they’d be cool enough to put back into their tray. A spacer, like a tiny brass splinter, fell to the floor and I bent to pick it up.

      When I straightened to flick it on to the bench, his shadow still hadn’t moved. I sucked the sting out of my burnt finger and conceded defeat.

      The back door had swollen – when was the last time it had been used? – and stuck in the frame. When I managed to get it open my heart was drumming with exertion. We stared at each other. At last I said, ‘What do you want?’ It was a stupid question; he clearly wasn’t a tradesman with a delivery, or a friend of Seredith’s here for a visit.

      ‘I …’ He looked away. Behind him the marsh shone like an old mirror, tarnished and mottled but still bright. When he turned back to me his face was set. ‘I’ve come to see the binder.’

      I wanted to shut the door in his face. But he was a customer – the first one since I’d arrived – and I was only an apprentice. I stepped back, opening the door wider.

      ‘Thanks.’ But he said it with a sort of effort, and stood very still on the step, as if walking past me would soil his clothes. I turned and went back into the workshop: now he was inside he was no longer my problem. He could ring the bell or call for Seredith. I certainly wasn’t going to stop work for his sake. He hadn’t apologised for disturbing me, or watching me.

      I heard him hesitate, and follow.

      I made my way back to the bench and bent over the piece of tooling I’d been working on. I rubbed at one of the words to see if I could make the letters a bit clearer. The tool had been too hot on the second try – or I’d let it linger too long – and the gold had blurred; the third was a little better but I hadn’t pressed evenly. There was a chilly draught from the open workshop door, and quiet footsteps. He was behind me. I’d only looked at him for a second, but I could still see his face as clearly as if it was reflected in the window: white, smudged with shadows, with red-rimmed eyes. A deathbed face, a face no one would want to look at.

      ‘Emmett?’

      My heart skipped a beat, because he shouldn’t have known my name.

      Then I realised: the tooling. EMMETT FARMER. It must have been just large enough for him to read from a few feet away. I picked up the leather and slammed it over, face down. Too late, of course. He gave me a crooked, empty smile, as if he was proud of noticing, as if he was pleased that I’d blenched. He started to say something else.

      I said, ‘I don’t know if the binder is taking commissions at the moment.’ But he went on looking at me with that odd, thirsty half-smile. ‘If that’s what you’ve come for. And she doesn’t sell books.’

      ‘How long have you been here?’

      ‘Since harvest-time.’ He had no right to ask; I didn’t know why I answered, except that I wanted him to leave me alone.

      ‘You’re her apprentice?’

      ‘Yes.’

      He looked round at the workshop, and back at me. There was something too slow, too deliberate in his look to be mere curiosity. ‘Is it a – good life?’ A twist of contempt in his voice. ‘Here, alone with her?’

      The sweet scorched smell of the tools on the stove was making my head ache. I reached for the smallest, an intricate centre-tool that never came out properly in gold. I wondered how it would feel to bring it down on the back of my other hand. Or his.

      ‘Emmett—’ He made it sound like a curse.

      I put the tool down and reached for a new piece of leather. ‘I have to get on with this.’

      ‘I’m sorry.’

      Silence. I cut the leather into a square and fixed it to a piece of board. He was watching me. I fumbled and nearly caught my thumb with the scalpel. It felt as if there were invisible threads tangled between my fingers. I turned to him. ‘Do you want me to go and find Sere— the binder?’

      ‘I – not yet. Not just yet.’

      He was afraid. The realisation took me by surprise. For an instant I saw past my own resentment. He was as frightened and miserable as anyone I’d ever met. He was desperate. He stank of it, like fever. But I couldn’t pity him, because there was something else, too, in the way he looked at me. Hatred. He seemed to hate me.

      ‘They didn’t want me to come,’ he said. ‘My father, I mean. He thinks binding is for other people, not us. If he knew I was here …’ He grimaced. ‘But it’ll be too late when I get home. He won’t punish me. How could he?’

      I didn’t answer. I didn’t want to wonder what he meant.

      ‘I wasn’t sure. I didn’t think …’ He cleared his throat. ‘I heard she’d chosen you and I thought I’d come and – but I didn’t think I wanted – until I saw you there …’

      ‘Me?’

      He took a breath and reached out to brush a speck of dust off the nipping press. His forefinger trembled, and I could see the pulse beating at the base of his neck. He laughed, but not as if anything was funny. ‘You don’t care, do you? Why should you? You’ve got no idea who I am.’

      ‘No, I haven’t.’

      ‘Emmett,’ he burst out, stumbling on the syllables, ‘please – look at me, just for a second, please. I don’t understand—’

      I had the sensation that I was moving, the world racing past me too quickly to see, the speed drowning out his words. I blinked and tried to hold on, but a sickening current lifted me up and whirled me downstream. He was still talking but the words sang past me and away.

      ‘What’s