Victor Serenus. Henry Wood

Читать онлайн.
Название Victor Serenus
Автор произведения Henry Wood
Жанр Зарубежная классика
Серия
Издательство Зарубежная классика
Год выпуска 0
isbn



Скачать книгу

id="n4">

      4

      Professor Plumptre supposes the Urim to have been “a clear and colorless stone set in the breastplate of the high priest as a symbol of light, answering to the mystic scarab in the pectoral plate of the ancient Egyptian priests, and that the Thummim was an image corresponding to that worn by the priestly judges of Egypt, as a symbol of truth and purity of motive. By gazing steadfastly on these, he may have been thrown into a mysterious, half-ecstatic state, akin to hypnotism, in which he lost all personal consciousness, and received a spiritual illumination and insight.”

      5

      It is probable that no race—whatever its religion—ever existed, among which there were not some who craved mystical and psychical developments, and who often carried them to excess. Temperaments of ardent and imaginative quality are swayed with an overpowering desire to delve into the fut

1

Besides the history contained in the New Testament Scriptures, the grateful obligations of the author are due, in varying degree, to Farrar’s “Life and Work of St. Paul,” his “Darkness and Dawn;” the “Life and Epistles of St. Paul,” by Conybeare and Howson; “Paul the Missionary,” by the Rev. W. M. Taylor, D.D.; “The Ideas of the Apostle Paul,” by Rev. James Freeman Clarke, D.D.; various works by Stanley, Jowett, Arnold, Martineau, Lytton, and Brewer; besides Josephus, Strabo, and other ancient historical authorities.

2

There were only seven of the Rabbis to whom the Jews gave the title of Rabban; and three of these were Gamaliels of this family, who each in turn rose to the high distinction of Nasî, or President of the School.

3

A ten-minute hour-glass.

4

Professor Plumptre supposes the Urim to have been “a clear and colorless stone set in the breastplate of the high priest as a symbol of light, answering to the mystic scarab in the pectoral plate of the ancient Egyptian priests, and that the Thummim was an image corresponding to that worn by the priestly judges of Egypt, as a symbol of truth and purity of motive. By gazing steadfastly on these, he may have been thrown into a mysterious, half-ecstatic state, akin to hypnotism, in which he lost all personal consciousness, and received a spiritual illumination and insight.”

5

It is probable that no race—whatever its religion—ever existed, among which there were not some who craved mystical and psychical developments, and who often carried them to excess. Temperaments of ardent and imaginative quality are swayed with an overpowering desire to delve into the future and unseen. We may well suppose that the Rabban would have disapproved of the excesses of this society had he been aware of them; but what teacher, ancient or modern, was ever able to curb and control, or even to find out, the devices of his youthful students?

It is well known that crystal-gazing and some other mechanical expedients, under certain conditions, produce hypnosis, clairvoyance, visions, trances, and other unusual and abnormal psychical phenomena. In many cases they seem to include truthful hints and foregleams of future events or distant scenes. Like attracts like, and sometimes gives it symbolic embodiment. An objective vision may come from subjective roots, and its creations often haunt the consciousness.