The Bandbox. Vance Louis Joseph

that time, Staff, all unconscious of his honourable peril, was standing in the middle of the floor of the inner room (his lodgings comprised two) and likewise in the approximate geographical centre of a chaotic assemblage of assorted wearing apparel and other personal impedimenta.

      He was wondering, confusedly, how in thunderation he was to manage to cram all that confounded truck into the limited amount of trunk space at his command. He was also wondering, resentfully in the names of a dozen familiar spirits, where he had put his pipe: it’s simply maddening, the way a fellow’s pipe will persist in getting lost at such critical times as when he’s packing up to catch a train with not a minute to spare… In short, so preoccupied was Staff that the knocking had to be repeated before he became objectively alive to it.

      Then, confidentially, he said: “What the devil now?”

      In louder tones calculated to convey an impression of intense impatience, he cried: “Come in!”

      He heard the outer door open, and immediately, upon an impulse esoteric even in his own understanding, he chose to pretend to be extravagantly busy – as busy as by rights he should have been. For a minute or longer he acted most vividly the part of a man madly bent on catching his train though he were to perish of the attempt. And this despite a suspicion that he played to a limited audience of one, and that one unappreciative of the finer phases of everyday histrionic impersonation: an audience answering to the name of Milly, whose lowly station of life was that of housemaid-in-lodgings and whose imagination was as ill-nourished and sluggish as might be expected of one whose wages were two-and-six a week.

      Remembering this in time, the novelty of make-believe palled on Staff. Not that alone, but he could hear Milly insisting in accents not in the least apologetic: “Beg pardon, sir …”

      He paused in well-feigned surprise and looked enquiringly over his shoulder, as though to verify a surmise that somebody had spoken. Such proving to be the case, he turned round to confront Milly – Milly true to type, wearing a grimy matutinal apron, an expression half sleepy, half sullen, and a horrid soot smudge on her ripe, red, right cheek.

      In this guise (so sedulously does life itself ape the conventions of its literature and drama) Milly looked as lifelike as though viewed through the illusion of footlights. Otherwise, as Staff never failed to be gratified to observe, she differed radically from the stock article of our stage. For one thing, she refrained from dropping her aitches and stumbling over them on her first entrance in order merely to win a laugh and so lift her little rôle from the common rut of “lines” to the dignity of “a bit.” For another, she seldom if ever brandished that age-honoured wand of her office, a bedraggled feather-duster. Nor was she by any means in love with the tenant of the fust-floor-front.

      But though Staff was grateful for Milly because of this strong and unconventional individuality of hers, he wasn’t at all pleased to be interrupted, and he made nothing whatever of the ostensible excuse for the interruption; the latter being a very large and brilliantly illuminated bandbox, which Milly was offering him in pantomime.

      “It have just come,” said Milly calmly, in response to his enquiring stare. “Where would you wish me to put it, sir?”

      “Put what?”

      Milly gesticulated eloquently with the bandbox.

      “That thing?” said Staff with scorn.

      “Yessir.”

      “I don’t want you to put it anywhere. Take it away.”

      “But it’s for you, sir.”

      “Impossible. Some mistake. Please don’t bother – just take it away. There’s a good girl.”

      Milly’s disdain of this blandishment was plainly visible in the added elevation of her already sufficiently tucked-up nose.

      “Beg pardon, sir,” she persisted coldly, “but it’s got your nime on it, and the boy as left it just now asked if you lived here.”

      Staff’s frown portrayed indignation, incredulity and impatience.

      “Mistake, I tell you. I haven’t been buying any millinery. Absurd!”

      “Beg pardon, sir, but you can see as it’s addressed to you.”

      It was: the box being held out for examination, Staff saw plainly that it was tagged with a card inscribed in fashionably slapdash feminine handwriting with what was unquestionably the name and local address of Benjamin Staff, Esq.

      Because of this, he felt called upon to subject the box to more minute inspection.

      It was nothing more nor less than the everyday milliners’ hat-box of commerce: a capacious edifice of stout pasteboard neatly plastered with wall-paper in whose design narrow stripes of white alternated with aggressive stripes of brown, the whole effectively setting off an abundance of purple blossoms counterfeiting no flower known to botanists. And one gibbous side was further decorated with bold black script advertising the establishment of its origin.

      “Maison Lucille, New Bond Street, West,” Staff read aloud, completely bewildered. “But I never heard of the d – the place!”

      Helplessly he sought Milly’s eyes, and helpfully Milly rose to the occasion.

      “Nossir,” said she; and that was all.

      “I know nothing whatever about the thing,” Staff declared severely. “It’s all a mistake. Take it away – it’ll be sent for as soon as the error’s discovered.”

      A glimmer of intelligence shone luminous in Milly’s eyes. “Mebbe,” she suggested under inspiration of curiosity – “Mebbe if you was to open it, you’d find a note or – or something.”

      “Bright girl!” applauded Staff. “You open it. I’m too busy – packing up – no time – ”

      And realising how swiftly the golden minutes were fleeting beyond recall, he cast desperately about for his pipe.

      By some miracle he chanced to find it, and so resumed packing.

      Behind him, Milly made noises with tissue-paper.

      Presently he heard a smothered “O sir!” and looked round to discover the housemaid in an attitude of unmitigated adoration before what he could not deny was a perfect dream of a hat – the sort of a hat that only a woman or a society reporter could do justice to. In his vision it bore a striking resemblance to a Gainsborough with all modern improvements – as most big hats do to most men. Briefly, it was big and black and trimmed with an atmosphere of costly simplicity, a monstrous white “willow” plume and a huge buckle of brilliants. It impressed him, hazily, as just the very hat to look ripping on an ash-blonde. Aside from this he was aware of no sensation other than one of aggravated annoyance.

      Milly, to the reverse extreme, was charmed to distraction, thrilled to the core of her and breathless – though by no means dumb. Women are never dumb with admiration.

      “O sir!” she breathed in ecstasy – “it’s a real creashun!”

      “Daresay,” Staff conceded sourly. “Did you find a note?”

      “And the price-tag, sir – it says twen-ty five pounds!”

      “I hope there’s a receipted bill, then… Do you see anything remotely resembling a note – or something?”

      With difficulty subduing her transports – “I’ll see, sir,” said Milly.

      Grunting with exasperation, Staff bent over a trunk and stuffed things into it until Milly committed herself to the definite announcement: “I don’t seem to find nothing, sir.”

      “Look again, please.”

      Again Milly pawed the tissue-paper.

      “There ain’t nothing at all, sir,” she declared finally.

      Staff stood up, thrust his hands into his pockets and champed the stem of his pipe – scowling.

      “It is a bit odd, sir, isn’t it? – having this sent to you like this and you knowing