Local Color. Cobb Irvin Shrewsbury

he studied, he analysed, he planned and platted out his book; and at night he slept, or tried to sleep.

      At first he slept poorly. Bit by bit he accustomed himself to the bad air; to the pent closeness of his cell; to the feeling in the darkness that the walls were closing in on him to squeeze him to death – a feeling that beset him for the first few weeks; to the noises, the coughing, the groaning, the choking, which came from all about him; to the padding tread of the guards passing at intervals along the balcony fronting his cell. But for a long time he could not get used to the snoring of his cellmate.

      Sing Sing being overcrowded, as chronically it is, it had been expedient to put Looms in a cell with another prisoner. To the constituted authorities this prisoner was known by a number, but the inner society of Tier III knew him as The Plumber. The Plumber was a hairy, thick-necked mammal, mostly animal but with a few human qualities too. The animal in him came out most strongly when he slept. As the larger man and by virtue of priority of occupancy he had the lower bunk, while Looms, perforce, took the upper.

      The Plumber slept always on his back. When his eyes closed his mouth opened; then, hour after hour, unceasingly, he snored a gurgling, rumbling drone. It almost drove Looms crazy – that snoring. In the night he would roll over on his elbow and peer down, craning his neck to glare in silent rage at the spraddled bulk beneath him. He would be seized with a longing to climb down softly and to fix his ten fingers in that fat and heaving throat and hold fast until the sound of its exhaust was shut off forever.

      After a while, though, he got used to The Plumber’s snoring, just as he had got used to the food and the work and the heavy air and the cell and all. He got used to being caged with a companion in a space that was much too small, really, for either of them. A man can get used to anything – if he has to. He even came to have a sort of sense of comradeship for his cellmate.

      The Plumber was not a real plumber. By profession he was a footpad, a common highwayman of the city streets, a disciple in practice of Dick Turpin and Jack Sheppard; but possessed of none of those small graces of person, those prettified refinements of air and manner with which romance has invested these masters of the calling.

      His title was derived from his method of operation. Dressed in the overalls of an honest workingman and carrying in his pocket a pair of pliers, a wrench and a foot-long scrap of gas pipe, he ranged the darker streets of his own East Side at night on the lookout for business. Spying out a prospective victim, he would first wrap the gas pipe in a handy newspaper; then, stalking his quarry from behind, he would knock him cold with one blow of the gas pipe on the skull, strip the victim’s pockets of what cash they contained, and depart with all possible despatch, casting aside the newspaper as he went. If there was any blood it would be on the newspaper; there would be none on the gas pipe.

      Should suspicion fall on its owner – why, he was merely a straight-faring artisan, bound homeward, with certain of the tools and impedimenta of his trade on his person. It had been The Plumber’s own idea, this device of the gas pipe and the evening paper, and he was proud of it and derisive of the imitators who had adopted it after he, growing incautious, had been caught, as it were, red-handed and sent up the river.

      With pride and a wealth of detail he confided these professional secrets to his spectacled little bunkie after he came to know him. A fragment at a time he told Looms of his life, his likes and dislikes, and his associates in crimedom. He taught Looms the tricks of the prison, too – how to pass messages; how to curry the favour of the keepers; how, when so desiring, to smuggle contrabands in and out; how to talk with one’s neighbours while at work or at mess, where silence is demanded, which same is accomplished with the eyes facing straight ahead and the words slipping sidewise from the corners of the mouth, the lips meantime moving but little. Considering the differences in them, they came to be pretty good friends.

      Evenings and Sundays and holidays The Plumber would take the floor, literally as well as figuratively. He would stand at the door of their cell, shifting from foot to foot like a caged cat-animal in quarters too small for it, and sniffing like an animal through the small squares of the iron lattice; or else he would pace back and forth the length of the cell, constantly scraping his body between the wall and the edge of the upper berth. In these movements he found relief from his restlessness.

      And while The Plumber walked and talked Looms would lie prone on his bed listening or making notes. For making these notes he used an indelible pencil, and for greater security against discovery he set them down in shorthand. The shorthand was partly of his own devising and partly based on an accepted stenographic system. As fast as he filled one sheet of paper with the minutely done, closely spaced lines he pasted it to another sheet; so that in time he had a long, continuous strip, all written over thickly with tiny, purplish-blue characters. Being folded flat and thin and inclosed in an envelope made of thin leather pilfered from the shoe shop, this cipher manuscript was carried by Looms inside his shirt during the day, and it went under his pillow when he slept. Once a week he was sent to the baths. At such times he hid the precious packet beneath his mattress.

      The Plumber, of course, had abundant opportunity to examine these notes; but naturally enough he could make nothing of them. Privily he catalogued Looms – or Williams, which he thought was his cell-mate’s name – as a sort of harmless lunatic; in short, a nut. Looms meantime made copy out of The Plumber. He meant to use The Plumber as a character in his book – as one of the principal characters. A criminal of the type of The Plumber ought to furnish much material; and without his suspecting it he did furnish much.

      At the end of nine months they parted. The Plumber, having completed his term, went forth to sin some more. Thereafter Looms had a cell to himself. Before very long, his record being clean, he was the recipient of a mark of favour from the warden’s office. He became a trusty. As a trusty he was doubly alert to win special privileges for himself. He knew all the tricks and devices of the place by now. Outwardly he was every inch a convict – a commonplace convict if not a typical one. Inwardly he now frequently caught himself slipping into a convict’s mode of thinking – found himself viewing his prison existence, not as an observer of the system but as an integral part and parcel of the prison machine.

      Drugged by the stupefying monotony of it he felt sometimes as though he had always been a convict. The days passed, leaving no conscious impressions on the retina of his brain. It was as though he rode on an endless band, which circled once in twenty-four hours, never changing its gait or its orbit. It took an effort to rid himself of this feeling.

      The graybacks which crawled over his body at night, coming out of the cracks of the wall and the folds of his blanket to bite his flesh, no longer made him sick, for they were part of the system too.

      Not once did he regret what he had done to get himself into Sing Sing.

      The first year went by thus, and the second, and Looms entered on the third. He still kept his flat packet of manuscript close and safe, wearing it in its leather envelope next to his skin; but now he added no more notes in his cryptic shorthand code. He told himself he added no more because he already had at his fingers’ ends, waiting to be transcribed into copy, the whole drama of prison life – the poisons it distills; the horrors it breeds; its qualities and its inequalities; its wrongs that might be reformed and its wrongs that can never be reformed. This was what he told himself. The fact remained that for the last seven months of his imprisonment he set down no notes.

      At the end of the third year he was discharged.

      The man who had entered Sing Sing three years before was not the man who came out. The man who went in had been slender and quick of movement, careful of his personal appearance, almost old-maidish in his neatness. He carried himself erectly; he walked with rather a brisk tread. This man had shapely hands.

      The man who came out resembled the other in that he was small of frame and wore thick-lensed glasses. In nearly every other essential regard he differed from him. Even his height seemed less, for now he moved with a stoop in his shoulders and with his head sunken. His hands dangled at his sides as though they had grown too heavy for the arms on which they were hung. They were the hands of one who has done coarse manual labour – the nails were blunted and broken, the palms bossed with warty calluses. This man walked with a time-killing shamble, scraping his feet along. Beneath the natural sallowness of his skin his face had the bleached,