Last of the Incas: A Romance of the Pampas. Gustave Aimard

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Название Last of the Incas: A Romance of the Pampas
Автор произведения Gustave Aimard
Жанр Зарубежная классика
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Издательство Зарубежная классика
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he was seeking. As time pressed, he pretended, to be mortally wounded, and both friends and enemies had been duped by his stratagem.

      So soon as he had slipped down off his horse, by favour of the darkness and combat, he was able, either by crawling like a lizard, or leaping like a cougar, to hide himself in the hollow trunk of the tree of Gualichu. There he buried himself beneath a pile of objects offered by the devotion of the Indians, and was as safe as in the fortress of Carmen. However, like a bold hunter, who has always time to be killed, he had not thrown his weapons away. His first care was, without respect for Gualichu, to wrap up his arm in a piece of cloth, in order to prevent the flow of blood from his wound; then he arranged himself as well as he could, with his head thrust slightly forward, to see the scene that was about to take place.

      All the chiefs were already assembled, and Lucaney, Ulmen of the Puelches, was the first to speak.

      "The Spaniard who dared to introduce himself among us, in order to violate the secret of our deliberations, is dead; we are alone; let us begin the ceremony."

      "It shall be done, according to the desire of my brother, the Ulmen of the Puelches," Nocobotha answered; "where is the wise matchi?"

      "Here," said a tall, thin man, whose face was striped in different colours, and who was dressed like a woman.

      "Let the wise matchi approach and accomplish the rites."

      "A matchitun is necessary," the sorcerer said, in a solemn voice.

      The usual preparations for this conjuration were immediately made. Two lances were planted, one on the right, one on the left of the sacred tree; on the left hand one were hung a drum, and a vessel filled with fermented liquor; twelve other vessels, containing the same liquor, were ranged in a circle from one lance to the other. A sheep and a colt were brought in, and deposited near the vessels, and two old squaws placed themselves by the side of the drum. The preparations terminated, the matchi turned to Nocobotha.

      "Why does the Ulmen of the Aucas ask for the matchitun?" he asked.

      Metipan stepped out of the circle.

      "An hereditary hatred has for a long time separated the Aucas and the Pehuenches," he said; "the interest of all the great nations desires the end of this hatred. Kelzulepan, my ancestor, Ulmen of the Pehuenches, carried off a white slave belonging to Medzeliputzi, Toqui of the Aucas, and great grandfather of Nocobotha."

      "Before the assembled chiefs, in the face of heaven, I have come to tell Nocobotha, the descendant of Yupanqui, the son of the sun, that my ancestor behaved badly to his, and I am ready, in order to extinguish all discord, past, present, and future, to give him here a white, young, lovely, and virgin slave."

      "I give up, before Gualichu," Nocobotha answered, "the hatred which my nation and I had sworn against you and yours."

      "Does Gualichu approve our conduct?" Metipan asked.

      The matchi seemed to reflect profoundly.

      "Yes," he replied, "you have gained the protection of Gualichu; let the white slave be brought up; perhaps he will demand that she should be surrendered to him, instead of belonging to a man."

      "His will be done," both Ulmens said.

      Two warriors led up a girl of about seventeen, and placed her between the lances, with her face turned to the tree of Gualichu. On seeing her, Pedrito felt a cold perspiration break out all over him, and a mist covered his eyes.

      "Whence comes this strange emotion?" the bombero muttered to himself.

      The girl's large black eyes had an expression of gentle melancholy. She was dressed after the fashion of the Pehuenche women; the woollen quedito was rolled round her body, fastened on the shoulders by two silver pins, and on her limbs by a kepike, or silken girdle, six inches in width, and secured by a buckle. The two ends of a square pilken, like a cloak, was fastened on her chest by a topu, adorned with a magnificent head in gold. She had on her neck two collars of beads, and on each of her arms four bracelets of glass, pearls, and silver balls. Her long black hair was parted down the centre into two tresses, tied up with blue ribbons, which floated on her shoulders, and terminated in bells; on her head was a conical cap of blue and red beads.

      At this graceful apparition the Indians, who are very fond of white women, could not, despite their natural stoicism, restrain a murmur of admiration.

      At a signal from the matchi the ceremony began. The two old squaws beat the drum, while the spectators, guided by the sorcerer, struck up a symbolical song while dancing round the captive.

      The drum ceased with the song; then the matchi lit a cigar, inhaled the smoke, and thrice perfumed the tree, the animals, and the maiden, whose bosom he at the same time laid bare. He put his mouth to it and began sucking till he drew blood, and the poor child made superhuman efforts not to shriek. The dancing, accompanied by song, began again, and the old women beat the drum with all the strength of their arms. Pedrito, full of compassion for the innocent victim of Indian superstition, longed to fly to her help.

      In the meanwhile, the matchi, with his swollen cheeks, gradually became more excited; his eyes grew bloodshot, he seemed possessed by the demon, and all at once became furious; he writhed and behaved like an epileptic. Then the dance ceased, and Metipan, with a stroke of his machete, cut open the flank of the colt, tore out its still palpitating heart, and gave it to the sorcerer, who sucked the blood, and employed it to make a cross on the maiden's brow. The latter, suffering from inexpressible terror, began to tremble violently.

      The storm, which had been gathering in the clouds, at length broke out. A blue flash shot athwart the sky, the thunder rolled with a terrible din, and a blast of wind dashed over the plain, sweeping away the toldos, the fragments of which it dispersed far and wide.

      The Indians stopped, terrified by the storm. All at once a formidable voice, that appeared to issue from the tree of Gualichu, uttered the ill-omened words.

      "Retire, Indians! My wrath is let loose upon you. Leave here this miserable white slave as an expiation of your crimes! Fly, and woe to those who look back. Woe! Woe!"

      A livid flash and a violent peal of thunder served as peroration to this harangue.

      "Let us fly!" said the matchi, who in his terror was ready to believe in his god.

      But, profiting by this unexpected intervention to enforce his own power, he continued —

      "Fly, brothers! Gualichu has spoken to his servant. Woe to those who resist his orders."

      The Indians had no need of this recommendation from their sorcerer; a superstitious terror lent them wings. They rushed tumultuously toward the horses, and soon the desert echoed again with their wild flight. The tree of Gualichu was deserted, and the maiden alone lay fainting on the ground, with her bosom still bare.

      When all was quiet on the Pampa, and the sound of the horses' gallop was lost in the distance, Pedrito gently thrust his head out of the tree, examined the black depths of the night, and reassured by the silence, ran up to the girl. Pale as a beauteous lily laid low by the storm, the poor girl had her eyes closed, and did not breathe. The bombero raised her in his muscular arms, and transported her close to the tree, laying her on a pile of skins belonging to a destroyed toldo. He placed her cautiously on this softer couch, and her head hung insensibly on his chest.

      It was a strange group, in the midst of this devastated plain, only illumined by the lightning flashes. This young and lovely girl, and this rude wood ranger, offered a touching picture.

      Pain and sorrow were delineated on Pedrito's face. He, whose whole life had been but one long drama, who had no faith in his heart, who was ignorant of gentle feelings and sweet sympathies, he, the bombero, the slayer of Indians, was moved and felt something new stir within him. Two heavy tears ran down his bronzed cheeks.

      "Can she be dead? Oh Heaven!"

      This name, which he had hitherto only used in blasphemy, he uttered almost with respect. It was a sort of prayer and cry from his heart. This man believed.

      "How to help her?" he asked himself.

      The rain that fell in torrents eventually restored the maiden, who, half opening her eyes, murmured