30 лучших рассказов американских писателей. Коллектив авторов

fight fast enough if anyone wants it. Anybody can get a fight out there in the street. There’s a fight just waiting.’

      The drummer seemed to be swayed between the interest of a foreigner and a perception of personal danger.

      ‘What did you say his name was?’ he asked.

      ‘Scratchy Wilson,’ they answered in chorus.

      ‘And will he kill anybody? What are you going to do? Does this happen often? Does he rampage around like this once a week or so? Can he break in that door?’

      ‘No, he can’t break down that door,’ replied the barkeeper. ‘He’s tried it three times. But when he comes you’d better lay down on the floor, stranger. He’s dead sure to shoot at it, and a bullet may come through.’

      Thereafter the drummer kept a strict eye upon the door. The time had not yet been called for him to hug the floor, but, as a minor precaution, he sidled near to the wall. ‘Will he kill anybody?’ he said again.

      The men laughed low and scornfully at the question.

      ‘He’s out to shoot, and he’s out for trouble. Don’t see any good in experimentin’ with him.’

      ‘But what do you do in a case like this? What do you do?’

      A man responded: ‘Why, he and Jack Potter – ’

      ‘But,’ in chorus, the other men interrupted, ‘Jack Potter’s in San Anton’.’

      ‘Well, who is he? What’s he got to do with it?’

      ‘Oh, he’s the town marshal. He goes out and fights Scratchy when he gets on one of these tears.’

      ‘Wow,’ said the drummer, mopping his brow. ‘Nice job he’s got.’

      The voices had toned away to mere whisperings. The drummer wished to ask further questions which were born of an increasing anxiety and bewilderment; but when he attempted them, the men merely looked at him in irritation and motioned him to remain silent. A tense waiting hush was upon them. In the deep shadows of the room their eyes shone as they listened for sounds from the street. One man made three gestures at the barkeeper, and the latter, moving like a ghost, handed him a glass and a bottle. The man poured a full glass of whisky, and set down the bottle noiselessly. He gulped the whisky in a swallow, and turned again toward the door in immovable silence. The drummer saw that the barkeeper, without a sound, had taken a Winchester from beneath the bar. Later he saw this individual beckoning to him, so he tiptoed across the room.

      ‘You better come with me back of the bar.’

      ‘No, thanks,’ said the drummer, perspiring. ‘I’d rather be where I can make a break for the back door.’

      Whereupon the man of bottles made a kindly but peremptory gesture. The drummer obeyed it, and finding himself seated on a box with his head below the level of the bar, balm was laid upon his soul at sight of various zinc and copper fittings that bore a resemblance to armor-plate. The barkeeper took a seat comfortably upon an adjacent box.

      ‘You see,’ he whispered, ‘this here Scratchy Wilson is a wonder with a gun – a perfect wonder – and when he goes on the war trail, we hunt our holes – naturally. He’s about the last one of the old gang that used to hang out along the river here. He’s a terror when he’s drunk. When he’s sober he’s all right – kind of simple – wouldn’t hurt a fly – nicest fellow in town. But when he’s drunk – whoo!’

      There were periods of stillness. ‘I wish Jack Potter was back from San Anton’,’ said the barkeeper. ‘He shot Wilson up once – in the leg – and he would sail in and pull out the kinks in this thing.’

      Presently they heard from a distance the sound of a shot, followed by three wild yowls. It instantly removed a bond from the men in the darkened saloon. There was a shuffling of feet. They looked at each other. ‘Here he comes,’ they said.

      III

      A man in a maroon-colored[46] flannel shirt, which had been purchased for purposes of decoration and made, principally, by some Jewish women on the east side of New York, rounded a corner and walked into the middle of the main street of Yellow Sky. In either hand the man held a long, heavy, blue-black revolver. Often he yelled, and these cries rang through a semblance of a deserted village, shrilly flying over the roofs in a volume that seemed to have no relation to the ordinary vocal strength of a man. It was as if the surrounding stillness formed the arch of a tomb over him. These cries of ferocious challenge rang against walls of silence. And his boots had red tops with gilded imprints, of the kind beloved in winter by little sledding boys on the hillsides of New England.

      The man’s face flamed in a rage begot of whisky. His eyes, rolling and yet keen for ambush, hunted the still doorways and windows. He walked with the creeping movement of the midnight cat. As it occurred to him, he roared menacing information. The long revolvers in his hands were as easy as straws; they were moved with an electric swiftness. The little fingers of each hand played sometimes in a musician’s way. Plain from the low collar of the shirt, the cords of his neck straightened and sank, straightened and sank, as passion moved him. The only sounds were his terrible invitations. The calm adobes preserved their demeanor at the passing of this small thing in the middle of the street.

      There was no offer of fight; no offer of fight. The man called to the sky. There were no attractions. He bellowed and fumed and swayed his revolvers here and everywhere.

      The dog of the barkeeper of the ‘Weary Gentleman’ saloon had not appreciated the advance of events. He yet lay dozing in front of his master’s door. At sight of the dog, the man paused and raised his revolver humorously. At sight of the man, the dog sprang up and walked diagonally away, with a sullen head, and growling. The man yelled, and the dog broke into a gallop. As it was about to enter an alley, there was a loud noise, a whistling, and something spat the ground directly before it. The dog screamed, and, wheeling in terror, galloped headlong in a new direction. Again there was a noise, a whistling, and sand was kicked viciously before it. Fear-stricken, the dog turned and flurried like an animal in a pen. The man stood laughing, his weapons at his hips.

      Ultimately the man was attracted by the closed door of the ‘Weary Gentleman’ saloon. He went to it, and hammering with a revolver, demanded drink.

      The door remaining imperturbable, he picked a bit of paper from the walk and nailed it to the framework with a knife. He then turned his back contemptuously upon this popular resort, and walking to the opposite side of the street, and spinning there on his heel quickly and lithely, fired at the bit of paper. He missed it by a half inch. He swore at himself, and went away. Later, he comfortably fusilladed the windows of his most intimate friend. The man was playing with this town. It was a toy for him.

      But still there was no offer of fight. The name of Jack Potter, his ancient antagonist, entered his mind, and he concluded that it would be a glad thing if he should go to Potter’s house and by bombardment induce him to come out and fight. He moved in the direction of his desire, chanting Apache[47] scalp-music[48].

      When he arrived at it, Potter’s house presented the same still front as had the other adobes. Taking up a strategic position, the man howled a challenge. But this house regarded him as might a great stone god. It gave no sign. After a decent wait, the man howled further challenges, mingling with them wonderful epithets.

      Presently there came the spectacle of a man churning himself into deepest rage over the immobility of a house. He fumed at it as the winter wind attacks a prairie cabin in the North. To the distance there should have gone the sound of a tumult like the fighting of 200 Mexicans. As necessity bade him, he paused for breath or to reload his revolvers.

      IV

      Potter and his bride walked sheepishly and with speed. Sometimes they laughed together shamefacedly and low.

      ‘Next corner, dear,’ he said finally.

      They put

46

maroon-colored – brownish-red.

47

Apache – North American Indians who used to live in what is now southeastern Arizona and Colorado, southwestern New Mexico and western Texas.

48

scalp-music – war music.