Alan loves his work. He doesn't love his wife, his mother or his only child, so he aims to break free and live for himself. Alan’s going to sort this mess out – this huge, horrific mess that is his life. He’s got a plan. He’s going to stop playing the husband, the father, the son and find himself. He’s going to sort it out once and for all. Bodies Unfinished opens at The Brockley Jack Theatre on 12th July 2011.
2011 Fringe First Award Winner‘Henry, are you awake?’Henry lives each day like the last. Exactly like the last. Every day, he tries to make sense of the world around him; the girl sitting on the lawn outside his window, the pages of a book filled with the same sentence, the 80 year old man looking at him in the mirror.In 2009 Patient H.M.’s brain is dissected live on the internet to a global audience of 400,000 people, cut into carefully preserved slices: manuscripts of tissue like the pages of a book.In 1953 Henry Molaison emerges from experimental brain surgery without any recollection of the last two years of his life or the ability to form new memories.In 1935 nine-year old Henry is knocked over by a bike, leaving him unconscious for five minutes.Following Analogue's critically acclaimed Mile End and Beachy Head and inspired by the world’s most important neuroscientific case-study, 2401 Objects tells the remarkable story of a man who could no longer remember, but who has proven impossible to forget.‘I defy anyone not be drawn into this deeply moving examination of life, death and memory.’ – Telegraph ‘2401 Objects is a solid, well-researched piece of theatre that adds to Analogue's ever-growing canon of work.’ – Total Theatre Review ‘Beautifully-sculpted… an understated and outstandingly gentle piece of theatre’ - The Scotsman
The Fence in its Thousandth Year was inspired by the long distance fence whilst it was under construction in the Gaza to separate the Palestinian and Jewish communities.Set in a world of rising frontiers and illegal immigration, The Fence uses powerful poetic language, provocative ideas and rich, dark humour to build a compelling epic about scandal in a ruling monarchy and its subsequent downfall.At the heart of this tale is the intensely personal story of a blind boy’s struggle to discover his true identity in a world where nothing is what it seems… The Fence , produced by the Wrestling Company, opened at the Birmingham Rep in June 2005, followed by a UK tour.
Includes the plays I Saw Myself , The Dying of Today , Found in the Ground and The Road, the House, the Road Howard Barker is one of the most significant and controversial dramatists of his time. His plays challenge, unsettle and expose. In I Saw Myself a woman's longing to understand her compulsion to transgress the laws of her society comes into collision with the conventions of an art form. In the weaving of a tapestry Barker's13th century heroine privileges private life over public responsibility. If she is cruelly punished she is also granted self-awareness. A critical moment in social decay is also at the centre of The Dying of Today , in which a stranger who luxuriates in the telling of bad news observes the effects of his devastating narrative on a humble barber. The barber's recovery from pain, and the beauty of his sensibility, bring the two strangers into an emotional proximity. Barker's most experimental work in form and content is probably Found in the Ground , a mobile, musical work set during the last days of an aged Nuremberg judge whose baying hounds and burning library form an uncanny background to his wayward daughter's struggle to make meaning from the atrocities of the 20th century. The contradictions of the humanist personality are explored in The Road, the House, the Road . Erasmus' obscure colleague Aventinus was found dead on a wintry road. How he arrived at his solitary death forms the subject of this speculation on scholarship, mischief and the murderer's vocation.
Using examples from plays and playwrights the reader has most likely encountered, The Well Read Play is structured to teach the reader how to identify context, structure, significance, and character. Its principle aim is to help the reader develop abilities to understand and enjoy reading plays.
Wesker On Theatre is a collection of essays by one of Britain's most well-known, prolific and controversial writers, which explores his thoughts on drama and the theatre gained from a writing career that spans fifty years.Wesker brings together for the first time an assortment of theatre pieces exploring such subjects as The DNA of a Play; The Nature of Dialogue; The Nature of Development; Can Playwrights be Taught to Write Plays; Interpretation – To Explain or Impose , and many others that attempt to elucidate the shifts of thought he has negotiated throughout his long career. Often controversial, Wesker On Theatre is a challenging and thought-provoking volume.
Dr Richard Garfield has given Ursula a difficult choice. She is the Mother Superior in waiting of a convent that has been given the opportunity to take part in his revolutionary scientific study. This American study would require that the nuns donate their brains after death to potentially unlock the mysteries of Alzheimer’s and dementia. Ursula must weigh up the value of preserving her faith, versus embracing science. The study is agreed and Richard and his team come to the convent every year to test the nuns who are willing to take part. This union will change their lives forever. For Ursula, with the impending pressure of taking over the ailing convent, the study brings more challenges than she could ever have imagined and rocks her faith and her hitherto cloistered existence to its core. Drawing on research contained within the book and study Aging with Grace , 27 is an extraordinary examination of a lifestyle in decline, but it could hold the key to the issues of our times – our ageing population and the decline of our minds.‘An important play about the ageing mind, faith and science.’ – Vicky Featherstone, Artistic Director, National Theatre of Scotland‘A fearless study of doubt, loss and belief… spellbindingly good.’ – The Herald ‘It's a masterful piece of new theatre, dense with ideas, jumping with funny lines.’ – Independent
Performing children have a very special existence which sometimes sets them apart from their peers. Parents are often excluded from this world but are expected to support them all the way. There is very little authoritative advice on how to cope and what to expect. This book will help children and their parents navigate their way through all of this: to advise, guide, inform and demystify the wonderful world of live theatre. Packed full of practical advice and information on all aspects of the life of a child actor, it is written by the leading children’s casting director and administrator in the UK, who has worked on many large-scale West End shows including Oliver! , Shrek , The Sound of Music , Mary Poppins and Matilda .
When a young Electra’s father is murdered by her mother, her world changes irrevocably. Ten years on, bound by grief and unwilling to forgive, Electra surrenders to an all-consuming desire for revenge that propels her towards a bloody and terrifying conclusion. This is a haunting new version by Nick Payne of Sophocles’ tragic masterpiece, Electra.‘Nick Payne’s urgent new version of Sophocles' Electra is another in a long line of boundary breaking offerings…. Payne [is] one of our brightest new playwrights… Electra-fying’ – The Evening Standard ‘Poised and punchy’ – The Arts Desk
Kerrie sets about her daily task of preparing Mum's heroin… Jakey has had enough of life in the crew… Cameron is too scared to step outside the front door… One morning, the three teenagers discover a note in the Frosties. Mum has abandoned them: they have been left home alone… A bold, gritty and funny play, which explores the universal themes of family, loyalty and ambition. With sharply-drawn characters, crackling dialogue, and plenty of humour, we follow three young people as they struggle to cope in exceptional circumstances. A perfect play for young people.