Media Freedom. Damian Tambini

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Название Media Freedom
Автор произведения Damian Tambini
Жанр Кинематограф, театр
Серия
Издательство Кинематограф, театр
Год выпуска 0
isbn 9781509544707



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whereas human rights approaches embrace journalism or media privilege.

      According to Harlem Desir, OSCE Special Representative on media freedom until 2020: ‘social media companies, search platforms and other internet intermediaries have responsibilities in dealing with problematic content, but they must not become the controllers of our fundamental human rights. We need to find the right balance in the demands to social media platforms . . . They are and should remain intermediaries, not publishers of every citizen’s opinions.’56

      If media freedom matters – and the expanding universe of treaties, NGOs, IGOs and declarations focused on it suggests it does – then rules and codes which articulate and protect it must be based on an agreed definition of the media. Currently, they are not. The definition of ‘media’ will be essentially contested57 to the extent that media freedom engages special privileges and duties. A good deal of commentary – for example that of Kate Klonick58 – seeks to ask whether, on the basis of their current behaviour or performance, intermediaries such as internet platforms should be considered analogous to old media. An alternative approach would be to set out the privileges of media, and describe what intermediaries need to do in order to be considered media. This more ‘constructivist’ approach is adopted by the EU59 and the Council of Europe.60

      As we will explore in subsequent chapters, divergence between European and international approaches – based on a more positive approach in Europe and more negative approaches in the US – can be traced to the founding texts. The First Amendment to the US Constitution obliges Congress to make no law to abridge freedom of speech or of the press (which has been held to include broadcasting). The freedom of expression guarantee in Article 10 of the ECHR, by contrast, expressly permits the licensing of broadcasting, and the ECtHR has held numerous times that there are positive obligations on the state to maintain the diversity and plurality necessary for democratic debate, including the maintenance of public broadcasting.62 It would be difficult to exaggerate the importance of this distinction.

      State interference in the speech field can be presented as a restriction of media freedom, but the case can also be made that some form of subsidy or support of media is necessary for real enjoyment of communication and expression rights. Even in the US, a growing number of people are calling for new privileges and subsidies for journalism.63 A negative rights approach to social media would tend to focus attention on the need to find ways of limiting state incursions into the speech field, and ensuring that accountability and balancing of rights take place in courts in ways that prevent state control of media and public opinion. A positive rights approach could inform the opposite: namely that a regulatory framework might be applied to the media to ensure that they actively promote rights including the expression rights of their users. Because media both have expressive rights and are a necessary condition for the enjoyment of expressive rights of others, and because it is difficult to manage this dual role, it may be necessary to constrain them in the name of freedom of speech.

      In a European context,65 the doctrine whereby states have a positive obligation to intervene to promote enjoyment of a right, rather than merely a negative obligation not to infringe a right, is increasingly applied to the media. According to the UN Principles on Business and Human Rights,66 such an approach should also be applied globally. The first cases are starting to be brought against social media platforms as censors of other people’s rights.67 The ongoing debate about positive versus negative approaches needs to be addressed directly, and the cul-de-sac of simplistic negative rights ‘content neutrality’ exposed.

      Since the emergence of significant intermediaries with power to decide which messages are widely received, such as search and social media platforms in the first decade of the twenty-first century, states have been keen to delegate to those platforms various regulatory or censorship functions, with the result that there has been an expansion of private enforcement of censorship.69 From the point of view of