Media Freedom. Damian Tambini

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Название Media Freedom
Автор произведения Damian Tambini
Жанр Кинематограф, театр
Серия
Издательство Кинематограф, театр
Год выпуска 0
isbn 9781509544707



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platform for real-time reporting of threats to media freedom,5 the United Nations (UN) now employs a Rapporteur on Freedom of Expression, and another international organization, the Organization for Security and Co-operation in Europe (OSCE), appointed its Fifth Representative on Freedom of the Media, a post established in 1997, in 2020. In its report of November 2019, the Representative called for all countries to include a commitment to media freedom in their constitutions.6 The world now has a highly developed legal and institutional structure devoted to protecting media organizations.

      Intensive, global, governmental and inter-governmental activity is matched in the world of NGOs. ARTICLE 19, with an annual budget of more than £7m, ‘works for a world where all people everywhere can freely express themselves and actively engage in public life without fear of discrimination’.7 Index on Censorship, with an annual spend of around £1m, ‘documents threats to media freedom through a monitoring project and campaigns against laws that stifle journalists’ work’.8 The International Press Institute, with an annual budget of over £1m, described its ‘mission to defend media freedom and the free flow of news wherever they are threatened’.9 Reporters Without Borders, publisher of the annual Press Freedom Index (annual budget around €6m), claimed to be ‘the world’s biggest NGO specializing in the defense of media freedom, which we regard as the basic human right to be informed and to inform others’.10 Another, US-based, international research and advocacy organization, Freedom on the Net, extends to the new medium of the internet: by 2020, its annual budget was $30m.11

      Democratic countries attempted to export what was seen as a model framework for the operation of media systems in a democracy to other countries and regions within their spheres of influence: because media organizations have the ability to shape public opinion, they should be separate from the state. Their freedom is not absolute but subject to checks and balances to ensure they meet their ‘social responsibilities’.12 Those checks and balances, because of the potential for collusion and capture between states and media, must be transparent, rooted in civil society and professional ethics.

      The democratic theory of media freedom has thus been institutionalized in law. In international human rights law, restrictions on freedom of expression must be proportionate, prescribed by law, for a legitimate aim and necessary in a democratic society. Governments should not be able to chill or shape expression simply in order to maintain their own position of power, or shut down legitimate areas of public debate.19

      Developments in the post-war period flowed directly from the application of this paradigm of media freedom: the breaking of state monopolies in broadcasting and the development of a ‘mixed system’ of independently licensed private and public broadcasters.21 Media ownership, plurality and diversity rules were developed to prevent large media owners corralling public opinion. The rules did not always work, and were often resisted by those power brokers. And it was not only Parliaments and law that led the way. Journalists and media professionals also developed their own institutions. Independent self-regulation, grounded in professional ethics in journalism, offered an intermediate space of rule-making insulated from state interference with a degree of transparency and due process.22 These rules were similarly based on an ethic of responsibility and on values of truth and democratic self-government.

      So far, so straightforward. ‘Media freedom’ is fundamental to democracy, but it is not absolute and it requires an ethic of responsibility on the part of the media themselves. It must be subject to checks and balances, and the global struggle for media freedom is about standards to separate necessary checks and balances from selfserving censorship by governments seeking to avoid media scrutiny. But the Global Pledge on Media Freedom (quoted at the start of this chapter) was signed at a conference shot through with gloomy talk, not of the steady march of these liberal values and global standards, but of a crisis of media freedom. An award-winning young journalist had recently been shot on the street in the UK.23 Journalists had been ‘disappeared’ in Malta24 and Slovakia.25 Increasingly authoritarian governments in Poland and Hungary had passed laws to increase government control of broadcasters, Turkey had surpassed China in the numbers of journalists it locked up and even bloggers and social media ‘influencers’ were being harassed and pressurized. There was talk of an ‘information war’26 and demands that democracies around the world pass new laws to censor ‘fake news’ coming from abroad. Emergencies – of health and climate – appeared to justify new limitations on media freedom. Just as it had seemed to be consolidating, consensus on media freedom in liberal democracies appeared to be shattering.

      On the one hand, there is a deliberate and coordinated assault on the openness of communication systems, by authoritarian governments, and also by powerful private actors. Authoritarian clampdowns27 on opposition are part of this but the global internet enables many other possibilities. Information warfare28 poisons the well of democratic deliberation with hate and disinformation, which in turn invites censorship. Infowar, by authoritarian states and others, is a deliberate