Название | Media Freedom |
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Автор произведения | Damian Tambini |
Жанр | Кинематограф, театр |
Серия | |
Издательство | Кинематограф, театр |
Год выпуска | 0 |
isbn | 9781509544707 |
Intensive, global, governmental and inter-governmental activity is matched in the world of NGOs. ARTICLE 19, with an annual budget of more than £7m, ‘works for a world where all people everywhere can freely express themselves and actively engage in public life without fear of discrimination’.7 Index on Censorship, with an annual spend of around £1m, ‘documents threats to media freedom through a monitoring project and campaigns against laws that stifle journalists’ work’.8 The International Press Institute, with an annual budget of over £1m, described its ‘mission to defend media freedom and the free flow of news wherever they are threatened’.9 Reporters Without Borders, publisher of the annual Press Freedom Index (annual budget around €6m), claimed to be ‘the world’s biggest NGO specializing in the defense of media freedom, which we regard as the basic human right to be informed and to inform others’.10 Another, US-based, international research and advocacy organization, Freedom on the Net, extends to the new medium of the internet: by 2020, its annual budget was $30m.11
Democratic countries attempted to export what was seen as a model framework for the operation of media systems in a democracy to other countries and regions within their spheres of influence: because media organizations have the ability to shape public opinion, they should be separate from the state. Their freedom is not absolute but subject to checks and balances to ensure they meet their ‘social responsibilities’.12 Those checks and balances, because of the potential for collusion and capture between states and media, must be transparent, rooted in civil society and professional ethics.
This liberal democratic framework was constructed in response to an awareness of the potential authoritarian consequences of media freedom, at key historical junctures, such as the American Revolution, the French Revolution and the institutionalization of the post-war international human rights institutions. The post-war movement to shield media organizations from control by the state has been institutionalized in laws to protect journalists and the media through the UN system. New concepts of protection for the media have evolved from the right to freedom of expression, building on the Universal Declaration of Human Rights (UDHR) and the emerging legal standards under the UN human rights regime,13 through the case law of the European Court of Human Rights (ECtHR) concerning Article 10 of the European Convention on Human Rights (ECHR),14 and national laws such as the First Amendment to the US Constitution. These set out increasingly codified restrictions on state censorship of media. Police investigations should not compel journalists or publishers to reveal information if in so doing they may unjustifiably reveal news sources.15 Journalists, reflecting dangers of harassment and even murder, are able in many regions to claim the right to enhanced police protection, and qualified privilege in defamation cases. And across data protection,16 market abuse,17 privacy, defamation and administrative law, news organizations have achieved an array of carve-outs and privileges.18 These can be seen as the fruit of the long-term development of an applied theory of the role of media in a democracy: in order to fulfil the ‘watchdog’ or ‘fourth estate’ function of the media, journalism and the media need legal privileges and protections, in order to be autonomous from the state.
The democratic theory of media freedom has thus been institutionalized in law. In international human rights law, restrictions on freedom of expression must be proportionate, prescribed by law, for a legitimate aim and necessary in a democratic society. Governments should not be able to chill or shape expression simply in order to maintain their own position of power, or shut down legitimate areas of public debate.19
International human rights law acknowledges that, like censorship, absolute media freedom can be the enemy of democracy. Because large media corporations can have a huge impact on popular opinion – and thereby on elections and the course of history – media power has to be subject to checks and balances. The paradigm case of the media cheerleading for fascism, and the role of the Hugenberg news empire in Weimar Germany,20 led to an explicit acknowledgement by all the post-war Allied governments that careful media law construction is necessary not only to protect media from the state, but also to limit the power of particular media organs. The principles which were established to govern the rise of broadcasting institutions especially were based on principles of pluralism that were established for the press, but these needed to be adapted and new ones invented because of the novel technical and economic features of the internet. Broadcasting and media freedom, like press freedom, could be double-edged: an independent press was the lifeblood of democracy, but if the press was too powerful, and too united, it could quickly overwhelm civic life, resulting in a crisis of state legitimacy. At the core of media freedom therefore was its corollary: media pluralism, essentially an admission that media power must be limited.
Developments in the post-war period flowed directly from the application of this paradigm of media freedom: the breaking of state monopolies in broadcasting and the development of a ‘mixed system’ of independently licensed private and public broadcasters.21 Media ownership, plurality and diversity rules were developed to prevent large media owners corralling public opinion. The rules did not always work, and were often resisted by those power brokers. And it was not only Parliaments and law that led the way. Journalists and media professionals also developed their own institutions. Independent self-regulation, grounded in professional ethics in journalism, offered an intermediate space of rule-making insulated from state interference with a degree of transparency and due process.22 These rules were similarly based on an ethic of responsibility and on values of truth and democratic self-government.
So far, so straightforward. ‘Media freedom’ is fundamental to democracy, but it is not absolute and it requires an ethic of responsibility on the part of the media themselves. It must be subject to checks and balances, and the global struggle for media freedom is about standards to separate necessary checks and balances from selfserving censorship by governments seeking to avoid media scrutiny. But the Global Pledge on Media Freedom (quoted at the start of this chapter) was signed at a conference shot through with gloomy talk, not of the steady march of these liberal values and global standards, but of a crisis of media freedom. An award-winning young journalist had recently been shot on the street in the UK.23 Journalists had been ‘disappeared’ in Malta24 and Slovakia.25 Increasingly authoritarian governments in Poland and Hungary had passed laws to increase government control of broadcasters, Turkey had surpassed China in the numbers of journalists it locked up and even bloggers and social media ‘influencers’ were being harassed and pressurized. There was talk of an ‘information war’26 and demands that democracies around the world pass new laws to censor ‘fake news’ coming from abroad. Emergencies – of health and climate – appeared to justify new limitations on media freedom. Just as it had seemed to be consolidating, consensus on media freedom in liberal democracies appeared to be shattering.
And there is the rub. At precisely the moment when a clear and unambiguous concept of media freedom is needed to guide policy, the concept enters a spiral of self-doubt. And if you are wondering whether concepts can doubt, I should explain that it is us, the expert analysts and scholars of media freedom, that are struggling with the concept. The assumption of this book is that the established rules and institutions of media freedom face a multi-layered and fundamental challenge:
On the one hand, there is a deliberate and coordinated assault on the openness of communication systems, by authoritarian governments, and also by powerful private actors. Authoritarian clampdowns27 on opposition are part of this but the global internet enables many other possibilities. Information warfare28 poisons the well of democratic deliberation with hate and disinformation, which in turn invites censorship. Infowar, by authoritarian states and others, is a deliberate