Helbeck of Bannisdale. Mrs. Humphry Ward

from the burning, came in haste, very nearly departing, indeed, in similar haste as soon as the unholy project of the secular marriage was mooted. However, under much persuasion she remained, lamenting; Augustina sent to Bannisdale for her few possessions, and the scanty ceremony was soon over.

      Meanwhile Laura had but found in the whole affair one more amusement and excitement added to the many that, according to her, Potter's Beach already possessed. The dancing elfish child—who had no memory of her own mother—had begun by taking the little old maid under her patronising wing. She graciously allowed Augustina to make a lap for all the briny treasures she might accumulate in the course of a breathless morning; she rushed to give her first information whenever that encroaching monster the sea broke down her castles. And as soon as it appeared that her papa liked Augustina, and had a use for her, Laura at the age of eight promptly accepted her as part of the family circle, without the smallest touch of either sentiment or opposition. She walked gaily hand in hand with her father to the registry office at St. Bees. The jealously hidden, stormy little heart knew well enough that it had nothing to fear.

      Then came many quiet years at Cambridge. Augustina spoke no more of her brother, and apparently let her old creed slip. She conformed herself wholly to her husband's ways—a little colourless thread on the stream of academic life, slightly regarded, and generally silent out of doors, but at home a gentle, foolish, and often voluble person, very easily made happy by some small kindness and a few creature comforts.

      Laura meanwhile grew up, and no one exactly knew how. Her education was a thing of shreds and patches, managed by herself throughout, and expressing her own strong will or caprice from the beginning. She put herself to school—a day school only; and took herself away as soon as she was tired of it. She threw herself madly into physical exercises like dancing or skating; and excelled in most of them by virtue of a certain wild grace, a tameless strength of spirits and will. And yet she grew up small and pale; and it was not till she was about eighteen that she suddenly blossomed into prettiness.

      "Carrotina—why, what's happened to you?" said her father to her one day.

      She turned in astonishment from her task of putting some books tidy on his study shelves. Then she coloured half angrily.

      "I must put my hair up some time, I suppose," she said resentfully. There was something in the abruptness of her father's question, no less than in the new closeness and sharpness of eye with which he was examining her, that annoyed her.

      "Well! you've made a young lady of yourself. I dare say I mustn't call you nicknames any more!"

      "I don't mind," she said indifferently, going on with her work, while he looked at the golden-red mass she had coiled round her little head, with an odd half-welcome sense of change, a sudden prescience of the future.

      Then she turned again.

      "If—if you make any absurd changes," she said, with a frown, "I'll—I'll cut it all off!"

      "You'd better not; there'd be ructions," he said laughing. "It's not yours till you're twenty-one."

      And to himself he said, "Gracious! I didn't bargain for a pretty daughter. What am I to do with her? Augustina'll never get her married."

      And certainly during this early youth, Laura showed no signs of getting herself married. She did not apparently know when a young man was by; and her bright vehement ways, her sharp turns of speech, went on just the same; she neither quivered nor thrilled; and her chatter, when she did chatter, spent itself almost with indifference on anyone who came near her. She was generally gay, generally in spirits; and her girl companions knew well that there was no one so reserved, and that the inmost self of her, if such a thing existed, dwelt far away from any ken of theirs. Every now and then she would have vehement angers and outbreaks which contrasted with the nonchalance of her ordinary temper; but it was hard to find the clue to them.

      Altogether she passed for a clever girl, even in a University town, where cleverness is weighed. But her education, except in two points, was, in truth, of the slightest. Any mechanical drudgery that her father could set her, she did without a murmur; or, rather, she claimed it jealously, with a silent passion. But, with an obstinacy equally silent, she set herself against the drudgery that would have made her his intellectual companion.

      His rows of technical books, the scholarly and laborious details of his work, filled her with an invincible repugnance. And he did not attempt to persuade her. As to women and their claims, he was old-fashioned and contemptuous; he would have been much embarrassed by a learned daughter. That she should copy and tidy for him; that she should sit curled up for hours with a book or a piece of work in a corner of his room; that she should bring him his pipe, and break in upon his work at the right moment with her peremptory "Papa, come out!"—these things were delightful, nay, necessary to him. But he had no dreams beyond; and he never thought of her, her education or her character, as a whole. It was not his way. Besides, girls took their chance. With a boy, of course, one plans and looks ahead. But Laura would have 200_l_. a year from her mother whatever happened, and something more at his own death. Why trouble oneself?

      No doubt indirectly he contributed very largely to her growing up. The sight of his work and his methods; the occasional talks she overheard between him and his scientific comrades; the tones of irony and denial in the atmosphere about him; his antagonisms, his bitternesses, worked strongly upon her still plastic nature. Moreover she felt to her heart's core that he was unsuccessful; there were appointments he should have had, but had failed to get, and it was the religious party, the "clerical crew" of Convocation, that had stood in the way. From her childhood it came natural to her to hate bigoted people who believed in ridiculous things. It was they stood between her father and his deserts. There loomed up, as it were, on her horizon, something dim and majestic, which was called Science. Towards this her father pressed, she clinging to him; while all about them was a black and hindering crowd, through which they clove their way—contemptuously.

      In one direction, indeed, Fountain admitted her to his mind. Like Mill, he found the rest and balm of life in poetry; and here he took Laura with him. They read to each other, they spurred each other to learn by heart. He kept nothing from her. Shelley was a passion of his own; it became hers. She taught herself German, that she might read Heine and Goethe with him; and one evening, when she was little more than sixteen, he rushed her through the first part of "Faust," so that she lay awake the whole night afterwards in such a passion of emotion, that it seemed, for the moment, to change her whole existence. Sometimes it astonished him to see what capacity she had, not only for the feeling, but for the sensuous pleasure, of poetry. Lines—sounds—haunted her for days, the beauty of them would make her start and tremble.

      She did her best, however, to hide this side of her nature even from him. And it was not difficult. She remained childishly immature and backward in many things. She was a personality; that was clear; one could hardly say that she was or had a character. She was a bundle of loves and hates; a force, not an organism; and her father was often as much puzzled by her as anyone else.

      Music perhaps was the only study which ever conquered her indolence. Here it happened that a famous musician, who settled in Cambridge for a time, came across her gift and took notice of it. And to please him she worked with industry, even with doggedness. Brahms, Chopin, Wagner—these great romantics possessed her in music as Shelley or Rossetti did in poetry. "You little demon, Laura! How do you come to play like that?" a girl friend—her only intimate friend—said to her once in despair. "It's the expression. Where do you get it? And I practise, and you don't; it's not fair."

      "Expression!" said Laura, with annoyance, "what does that matter? That's the amateur all over. Of course I play like that because I can't do it any better. If I could play the notes"—she clenched her little hand, with a curious, almost a fierce energy—"if I had any technique—or was ever likely to have any, what should I want with expression? Any cat can give you expression! There was one under my window last night—you should just have heard it!"

      Molly Friedland, the girl friend, shrugged her shoulders. She was as soft, as normal, as self-controlled, as Laura was wilful and irritable. But there was a very real affection between them.

      Years passed. Insensibly Augustina's health