The Complete Novels of George Eliot. George Eliot

fault. The world outside the books was not a happy one, Maggie felt; it seemed to be a world where people behaved the best to those they did not pretend to love, and that did not belong to them. And if life had no love in it, what else was there for Maggie? Nothing but poverty and the companionship of her mother’s narrow griefs, perhaps of her father’s heart-cutting childish dependence. There is no hopelessness so sad as that of early youth, when the soul is made up of wants, and has no long memories, no superadded life in the life of others; though we who looked on think lightly of such premature despair, as if our vision of the future lightened the blind sufferer’s present.

      Maggie, in her brown frock, with her eyes reddened and her heavy hair pushed back, looking from the bed where her father lay to the dull walls of this sad chamber which was the centre of her world, was a creature full of eager, passionate longings for all that was beautiful and glad; thirsty for all knowledge; with an ear straining after dreamy music that died away and would not come near to her; with a blind, unconscious yearning for something that would link together the wonderful impressions of this mysterious life, and give her soul a sense of home in it.

      No wonder, when there is this contrast between the outward and the inward, that painful collisions come of it.

Chapter VI.

      Tending to Refute the Popular Prejudice against the Present of a Pocket-Knife.

       Table of Contents

      In that dark time of December, the sale of the household furniture lasted beyond the middle of the second day. Mr. Tulliver, who had begun, in his intervals of consciousness, to manifest an irritability which often appeared to have as a direct effect the recurrence of spasmodic rigidity and insensibility, had lain in this living death throughout the critical hours when the noise of the sale came nearest to his chamber. Mr. Turnbull had decided that it would be a less risk to let him remain where he was than to remove him to Luke’s cottage,—a plan which the good Luke had proposed to Mrs. Tulliver, thinking it would be very bad if the master were “to waken up” at the noise of the sale; and the wife and children had sat imprisoned in the silent chamber, watching the large prostrate figure on the bed, and trembling lest the blank face should suddenly show some response to the sounds which fell on their own ears with such obstinate, painful repetition.

      But it was over at last, that time of importunate certainty and eye-straining suspense. The sharp sound of a voice, almost as metallic as the rap that followed it, had ceased; the tramping of footsteps on the gravel had died out. Mrs. Tulliver’s blond face seemed aged ten years by the last thirty hours; the poor woman’s mind had been busy divining when her favorite things were being knocked down by the terrible hammer; her heart had been fluttering at the thought that first one thing and then another had gone to be identified as hers in the hateful publicity of the Golden Lion; and all the while she had to sit and make no sign of this inward agitation. Such things bring lines in well-rounded faces, and broaden the streaks of white among the hairs that once looked as if they had been dipped in pure sunshine. Already, at three o’clock, Kezia, the good-hearted, bad-tempered housemaid, who regarded all people that came to the sale as her personal enemies, the dirt on whose feet was of a peculiarly vile quality, had begun to scrub and swill with an energy much assisted by a continual low muttering against “folks as came to buy up other folk’s things,” and made light of “scrazing” the tops of mahogany tables over which better folks than themselves had had to—suffer a waste of tissue through evaporation. She was not scrubbing indiscriminately, for there would be further dirt of the same atrocious kind made by people who had still to fetch away their purchases; but she was bent on bringing the parlor, where that “pipe-smoking pig,” the bailiff, had sat, to such an appearance of scant comfort as could be given to it by cleanliness and the few articles of furniture bought in for the family. Her mistress and the young folks should have their tea in it that night, Kezia was determined.

      It was between five and six o’clock, near the usual teatime, when she came upstairs and said that Master Tom was wanted. The person who wanted him was in the kitchen, and in the first moments, by the imperfect fire and candle light, Tom had not even an indefinite sense of any acquaintance with the rather broad-set but active figure, perhaps two years older than himself, that looked at him with a pair of blue eyes set in a disc of freckles, and pulled some curly red locks with a strong intention of respect. A low-crowned oilskin-covered hat, and a certain shiny deposit of dirt on the rest of the costume, as of tablets prepared for writing upon, suggested a calling that had to do with boats; but this did not help Tom’s memory.

      “Sarvant, Master Tom,” said he of the red locks, with a smile which seemed to break through a self-imposed air of melancholy. “You don’t know me again, I doubt,” he went on, as Tom continued to look at him inquiringly; “but I’d like to talk to you by yourself a bit, please.”

      “There’s a fire i’ the parlor, Master Tom,” said Kezia, who objected to leaving the kitchen in the crisis of toasting.

      “Come this way, then,” said Tom, wondering if this young fellow belonged to Guest & Co.’s Wharf, for his imagination ran continually toward that particular spot; and uncle Deane might any time be sending for him to say that there was a situation at liberty.

      The bright fire in the parlor was the only light that showed the few chairs, the bureau, the carpetless floor, and the one table—no, not the one table; there was a second table, in a corner, with a large Bible and a few other books upon it. It was this new strange bareness that Tom felt first, before he thought of looking again at the face which was also lit up by the fire, and which stole a half-shy, questioning glance at him as the entirely strange voice said:

      “Why! you don’t remember Bob, then, as you gen the pocket-knife to, Mr. Tom?”

      The rough-handled pocket-knife was taken out in the same moment, and the largest blade opened by way of irresistible demonstration.

      “What! Bob Jakin?” said Tom, not with any cordial delight, for he felt a little ashamed of that early intimacy symbolized by the pocket-knife, and was not at all sure that Bob’s motives for recalling it were entirely admirable.

      “Ay, ay, Bob Jakin, if Jakin it must be, ’cause there’s so many Bobs as you went arter the squerrils with, that day as I plumped right down from the bough, and bruised my shins a good un—but I got the squerril tight for all that, an’ a scratter it was. An’ this littlish blade’s broke, you see, but I wouldn’t hev a new un put in, ’cause they might be cheatin’ me an’ givin’ me another knife instid, for there isn’t such a blade i’ the country,—it’s got used to my hand, like. An’ there was niver nobody else gen me nothin’ but what I got by my own sharpness, only you, Mr. Tom; if it wasn’t Bill Fawks as gen me the terrier pup istid o’ drowndin’t it, an’ I had to jaw him a good un afore he’d give it me.”

      Bob spoke with a sharp and rather treble volubility, and got through his long speech with surprising despatch, giving the blade of his knife an affectionate rub on his sleeve when he had finished.

      “Well, Bob,” said Tom, with a slight air of patronage, the foregoing reminscences having disposed him to be as friendly as was becoming, though there was no part of his acquaintance with Bob that he remembered better than the cause of their parting quarrel; “is there anything I can do for you?”

      “Why, no, Mr. Tom,” answered Bob, shutting up his knife with a click and returning it to his pocket, where he seemed to be feeling for something else. “I shouldn’t ha’ come back upon you now ye’re i’ trouble, an’ folks say as the master, as I used to frighten the birds for, an’ he flogged me a bit for fun when he catched me eatin’ the turnip, as they say he’ll niver lift up his head no more,—I shouldn’t ha’ come now to ax you to gi’ me another knife ’cause you gen me one afore. If a chap gives me one black eye, that’s enough for me; I sha’n’t ax him for another afore I sarve him out; an’ a good turn’s worth as much as a bad un, anyhow. I shall niver grow down’ards again, Mr. Tom, an’ you war the little chap as I liked the best when I war a little chap, for all you leathered me, and wouldn’t look