The Green Carnations: Gay Classics Boxed Set. Taylor Bayard

stay: just leave my things out for dressing. You can have the evening to yourself. I am not dining at home, so I shall not want you."

      "Thank you, sir," said the man, leaving the room.

      "Now, Alan, there is not a moment to be lost. How heavy this chest is! I'll take it for you. You bring the other things." He spoke rapidly, and in an authoritative manner. Campbell felt dominated by him. They left the room together.

      When they reached the top landing, Dorian took out the key and turned it in the lock. Then he stopped, and a troubled look came into his eyes. He shuddered. "I don't think I can go in, Alan," he murmured.

      "It is nothing to me. I don't require you," said Campbell, coldly.

      Dorian half opened the door. As he did so, he saw the face of the portrait grinning in the sunlight. On the floor in front of it the torn curtain was lying. He remembered that the night before, for the first time in his life, he had forgotten to hide it, when he crept out of the room.

      But what was that loathsome red dew that gleamed, wet and glistening, on one of the hands, as though the canvas had sweated blood? How horrible it was!--more horrible, it seemed to him for the moment, than the silent thing that he knew was stretched across the table, the thing whose grotesque misshapen shadow on the spotted carpet showed him that it had not stirred, but was still there, as he had left it.

      He opened the door a little wider, and walked quickly in, with half-closed eyes and averted head, determined that he would not look even once upon the dead man. Then, stooping down, and taking up the gold-and-purple hanging, he flung it over the picture.

      He stopped, feeling afraid to turn round, and his eyes fixed themselves on the intricacies of the pattern before him. He heard Campbell bringing in the heavy chest, and the irons, and the other things that he had required for his dreadful work. He began to wonder if he and Basil Hallward had ever met, and, if so, what they had thought of each other.

      "Leave me now," said Campbell.

      He turned and hurried out, just conscious that the dead man had been thrust back into the chair and was sitting up in it, with Campbell gazing into the glistening yellow face. As he was going downstairs he heard the key being turned in the lock.

      It was long after seven o'clock when Campbell came back into the library. He was pale, but absolutely calm. "I have done what you asked me to do," he muttered. "And now, good-by. Let us never see each other again."

      "You have saved me from ruin, Alan. I cannot forget that," said Dorian, simply.

      As soon as Campbell had left, he went up-stairs. There was a horrible smell of chemicals in the room. But the thing that had been sitting at the table was gone.

      CHAPTER XIII

       Table of Contents

      "There is no good telling me you are going to be good, Dorian," cried Lord Henry, dipping his white fingers into a red copper bowl filled with rose-water. "You are quite perfect. Pray don't change."

      Dorian shook his head. "No, Harry, I have done too many dreadful things in my life. I am not going to do any more. I began my good actions yesterday."

      "Where were you yesterday?"

      "In the country, Harry. I was staying at a little inn by myself."

      "My dear boy," said Lord Henry smiling, "anybody can be good in the country. There are no temptations there. That is the reason why people who live out of town are so uncivilized. There are only two ways, as you know, of becoming civilized. One is by being cultured, the other is by being corrupt. Country-people have no opportunity of being either, so they stagnate."

      "Culture and corruption," murmured Dorian. "I have known something of both. It seems to me curious now that they should ever be found together. For I have a new ideal, Harry. I am going to alter. I think I have altered."

      "You have not told me yet what your good action was. Or did you say you had done more than one?"

      "I can tell you, Harry. It is not a story I could tell to any one else. I spared somebody. It sounds vain, but you understand what I mean. She was quite beautiful, and wonderfully like Sibyl Vane. I think it was that which first attracted me to her. You remember Sibyl, don't you? How long ago that seems! Well, Hetty was not one of our own class, of course. She was simply a girl in a village. But I really loved her. I am quite sure that I loved her. All during this wonderful May that we have been having, I used to run down and see her two or three times a week. Yesterday she met me in a little orchard. The apple-blossoms kept tumbling down on her hair, and she was laughing. We were to have gone away together this morning at dawn. Suddenly I determined to leave her as flower-like as I had found her."

      "I should think the novelty of the emotion must have given you a thrill of real pleasure, Dorian," interrupted Lord Henry. "But I can finish your idyl for you. You gave her good advice, and broke her heart. That was the beginning of your reformation."

      "Harry, you are horrible! You mustn't say these dreadful things. Hetty's heart is not broken. Of course she cried, and all that. But there is no disgrace upon her. She can live, like Perdita, in her garden."

      "And weep over a faithless Florizel," said Lord Henry, laughing. "My dear Dorian, you have the most curious boyish moods. Do you think this girl will ever be really contented now with any one of her own rank? I suppose she will be married some day to a rough carter or a grinning ploughman. Well, having met you, and loved you, will teach her to despise her husband, and she will be wretched. From a moral point of view I really don't think much of your great renunciation. Even as a beginning, it is poor. Besides, how do you know that Hetty isn't floating at the present moment in some mill-pond, with water-lilies round her, like Ophelia?"

      "I can't bear this, Harry! You mock at everything, and then suggest the most serious tragedies. I am sorry I told you now. I don't care what you say to me, I know I was right in acting as I did. Poor Hetty! As I rode past the farm this morning, I saw her white face at the window, like a spray of jasmine. Don't let me talk about it any more, and don't try to persuade me that the first good action I have done for years, the first little bit of self-sacrifice I have ever known, is really a sort of sin. I want to be better. I am going to be better. Tell me something about yourself. What is going on in town? I have not been to the club for days."

      "The people are still discussing poor Basil's disappearance."

      "I should have thought they had got tired of that by this time," said Dorian, pouring himself out some wine, and frowning slightly.

      "My dear boy, they have only been talking about it for six weeks, and the public are really not equal to the mental strain of having more than one topic every three months. They have been very fortunate lately, however. They have had my own divorce-case, and Alan Campbell's suicide. Now they have got the mysterious disappearance of an artist. Scotland Yard still insists that the man in the gray ulster who left Victoria by the midnight train on the 7th of November was poor Basil, and the French police declare that Basil never arrived in Paris at all. I suppose in about a fortnight we will be told that he has been seen in San Francisco. It is an odd thing, but every one who disappears is said to be seen at San Francisco. It must be a delightful city, and possess all the attractions of the next world."

      "What do you think has happened to Basil?" asked Dorian, holding up his Burgundy against the light, and wondering how it was that he could discuss the matter so calmly.

      "I have not the slightest idea. If Basil chooses to hide himself, it is no business of mine. If he is dead, I don't want to think about him. Death is the only thing that ever terrifies me. I hate it. One can survive everything nowadays except that. Death and vulgarity are the only two facts in the nineteenth century that one cannot explain away. Let us have our coffee in the music-room, Dorian. You must play Chopin to me. The man with whom my wife ran away played Chopin exquisitely. Poor Victoria! I was very fond of her. The house is rather lonely without her."

      Dorian said nothing, but rose from the table, and, passing into