The Green Carnations: Gay Classics Boxed Set. Taylor Bayard

was ill," he rejoined. "But she seems to me to be simply callous and cold. She has entirely altered. Last night she was a great artist. To-night she is merely a commonplace, mediocre actress."

      "Don't talk like that about any one you love, Dorian. Love is a more wonderful thing than art."

      "They are both simply forms of imitation," murmured Lord Henry. "But do let us go. Dorian, you must not stay here any longer. It is not good for one's morals to see bad acting. Besides, I don't suppose you will want your wife to act. So what does it matter if she plays Juliet like a wooden doll? She is very lovely, and if she knows as little about life as she does about acting, she will be a delightful experience. There are only two kinds of people who are really fascinating,--people who know absolutely everything, and people who know absolutely nothing. Good heavens, my dear boy, don't look so tragic! The secret of remaining young is never to have an emotion that is unbecoming. Come to the club with Basil and myself. We will smoke cigarettes and drink to the beauty of Sibyl Vane. She is beautiful. What more can you want?"

      "Please go away, Harry," cried the lad. "I really want to be alone.--Basil, you don't mind my asking you to go? Ah! can't you see that my heart is breaking?" The hot tears came to his eyes. His lips trembled, and, rushing to the back of the box, he leaned up against the wall, hiding his face in his hands.

      "Let us go, Basil," said Lord Henry, with a strange tenderness in his voice; and the two young men passed out together.

      A few moments afterwards the footlights flared up, and the curtain rose on the third act. Dorian Gray went back to his seat. He looked pale, and proud, and indifferent. The play dragged on, and seemed interminable. Half of the audience went out, tramping in heavy boots, and laughing. The whole thing was a fiasco. The last act was played to almost empty benches.

      As soon as it was over, Dorian Gray rushed behind the scenes into the greenroom. The girl was standing alone there, with a look of triumph on her face. Her eyes were lit with an exquisite fire. There was a radiance about her. Her parted lips were smiling over some secret of their own.

      When he entered, she looked at him, and an expression of infinite joy came over her. "How badly I acted to-night, Dorian!" she cried.

      "Horribly!" he answered, gazing at her in amazement,--"horribly! It was dreadful. Are you ill? You have no idea what it was. You have no idea what I suffered."

      The girl smiled. "Dorian," she answered, lingering over his name with long-drawn music in her voice, as though it were sweeter than honey to the red petals of her lips,--"Dorian, you should have understood. But you understand now, don't you?"

      "Understand what?" he asked, angrily.

      "Why I was so bad to-night. Why I shall always be bad. Why I shall never act well again."

      He shrugged his shoulders. "You are ill, I suppose. When you are ill you shouldn't act. You make yourself ridiculous. My friends were bored. I was bored."

      She seemed not to listen to him. She was transfigured with joy. An ecstasy of happiness dominated her.

      "Dorian, Dorian," she cried, "before I knew you, acting was the one reality of my life. It was only in the theatre that I lived. I thought that it was all true. I was Rosalind one night, and Portia the other. The joy of Beatrice was my joy, and the sorrows of Cordelia were mine also. I believed in everything. The common people who acted with me seemed to me to be godlike. The painted scenes were my world. I knew nothing but shadows, and I thought them real. You came,--oh, my beautiful love!--and you freed my soul from prison. You taught me what reality really is. To-night, for the first time in my life, I saw through the hollowness, the sham, the silliness, of the empty pageant in which I had always played. To-night, for the first time, I became conscious that the Romeo was hideous, and old, and painted, that the moonlight in the orchard was false, that the scenery was vulgar, and that the words I had to speak were unreal, were not my words, not what I wanted to say. You had brought me something higher, something of which all art is but a reflection. You have made me understand what love really is. My love! my love! I am sick of shadows. You are more to me than all art can ever be. What have I to do with the puppets of a play? When I came on to-night, I could not understand how it was that everything had gone from me. Suddenly it dawned on my soul what it all meant. The knowledge was exquisite to me. I heard them hissing, and I smiled. What should they know of love? Take me away, Dorian--take me away with you, where we can be quite alone. I hate the stage. I might mimic a passion that I do not feel, but I cannot mimic one that burns me like fire. Oh, Dorian, Dorian, you understand now what it all means? Even if I could do it, it would be profanation for me to play at being in love. You have made me see that."

      He flung himself down on the sofa, and turned away his face. "You have killed my love," he muttered.

      She looked at him in wonder, and laughed. He made no answer. She came across to him, and stroked his hair with her little fingers. She knelt down and pressed his hands to her lips. He drew them away, and a shudder ran through him.

      Then he leaped up, and went to the door. "Yes," he cried, "you have killed my love. You used to stir my imagination. Now you don't even stir my curiosity. You simply produce no effect. I loved you because you were wonderful, because you had genius and intellect, because you realized the dreams of great poets and gave shape and substance to the shadows of art. You have thrown it all away. You are shallow and stupid. My God! how mad I was to love you! What a fool I have been! You are nothing to me now. I will never see you again. I will never think of you. I will never mention your name. You don't know what you were to me, once. Why, once . . . . Oh, I can't bear to think of it! I wish I had never laid eyes upon you! You have spoiled the romance of my life. How little you can know of love, if you say it mars your art! What are you without your art? Nothing. I would have made you famous, splendid, magnificent. The world would have worshipped you, and you would have belonged to me. What are you now? A third-rate actress with a pretty face."

      The girl grew white, and trembled. She clinched her hands together, and her voice seemed to catch in her throat. "You are not serious, Dorian?" she murmured. "You are acting."

      "Acting! I leave that to you. You do it so well," he answered, bitterly.

      She rose from her knees, and, with a piteous expression of pain in her face, came across the room to him. She put her hand upon his arm, and looked into his eyes. He thrust her back. "Don't touch me!" he cried.

      A low moan broke from her, and she flung herself at his feet, and lay there like a trampled flower. "Dorian, Dorian, don't leave me!" she whispered. "I am so sorry I didn't act well. I was thinking of you all the time. But I will try,--indeed, I will try. It came so suddenly across me, my love for you. I think I should never have known it if you had not kissed me,--if we had not kissed each other. Kiss me again, my love. Don't go away from me. I couldn't bear it. Can't you forgive me for to-night? I will work so hard, and try to improve. Don't be cruel to me because I love you better than anything in the world. After all, it is only once that I have not pleased you. But you are quite right, Dorian. I should have shown myself more of an artist. It was foolish of me; and yet I couldn't help it. Oh, don't leave me, don't leave me." A fit of passionate sobbing choked her. She crouched on the floor like a wounded thing, and Dorian Gray, with his beautiful eyes, looked down at her, and his chiselled lips curled in exquisite disdain. There is always something ridiculous about the passions of people whom one has ceased to love. Sibyl Vane seemed to him to be absurdly melodramatic. Her tears and sobs annoyed him.

      "I am going," he said at last, in his calm, clear voice. "I don't wish to be unkind, but I can't see you again. You have disappointed me."

      She wept silently, and made no answer, but crept nearer to him. Her little hands stretched blindly out, and appeared to be seeking for him. He turned on his heel, and left the room. In a few moments he was out of the theatre.

      Where he went to, he hardly knew. He remembered wandering through dimly-lit streets with gaunt black-shadowed archways and evil-looking houses. Women with hoarse voices and harsh laughter had called after him. Drunkards had reeled by cursing, and chattering to themselves like monstrous apes. He had seen grotesque children huddled upon door-steps, and had heard shrieks and oaths from gloomy courts.

      When the dawn was just