The Complete Novels of H. G. Wells. H. G. Wells

and then she inquired for Chancery Lane. There she sought and at last found 107A, one of those heterogeneous piles of offices which occupy the eastern side of the lane. She studied the painted names of firms and persons and enterprises on the wall, and discovered that the Women's Bond of Freedom occupied several contiguous suites on the first floor. She went up-stairs and hesitated between four doors with ground-glass panes, each of which professed "The Women's Bond of Freedom" in neat black letters. She opened one and found herself in a large untidy room set with chairs that were a little disarranged as if by an overnight meeting. On the walls were notice-boards bearing clusters of newspaper slips, three or four big posters of monster meetings, one of which Ann Veronica had attended with Miss Miniver, and a series of announcements in purple copying-ink, and in one corner was a pile of banners. There was no one at all in this room, but through the half-open door of one of the small apartments that gave upon it she had a glimpse of two very young girls sitting at a littered table and writing briskly.

      She walked across to this apartment and, opening the door a little wider, discovered a press section of the movement at work.

      "I want to inquire," said Ann Veronica.

      "Next door," said a spectacled young person of seventeen or eighteen, with an impatient indication of the direction.

      In the adjacent apartment Ann Veronica found a middle-aged woman with a tired face under the tired hat she wore, sitting at a desk opening letters while a dusky, untidy girl of eight-or nine-and-twenty hammered industriously at a typewriter. The tired woman looked up in inquiring silence at Ann Veronica's diffident entry.

      "I want to know more about this movement," said Ann Veronica.

      "Are you with us?" said the tired woman.

      "I don't know," said Ann Veronica; "I think I am. I want very much to do something for women. But I want to know what you are doing."

      The tired woman sat still for a moment. "You haven't come here to make a lot of difficulties?" she asked.

      "No," said Ann Veronica, "but I want to know."

      The tired woman shut her eyes tightly for a moment, and then looked with them at Ann Veronica. "What can you do?" she asked.

      "Do?"

      "Are you prepared to do things for us? Distribute bills? Write letters? Interrupt meetings? Canvass at elections? Face dangers?"

      "If I am satisfied—"

      "If we satisfy you?"

      "Then, if possible, I would like to go to prison."

      "It isn't nice going to prison."

      "It would suit me."

      "It isn't nice getting there."

      "That's a question of detail," said Ann Veronica.

      The tired woman looked quietly at her. "What are your objections?" she said.

      "It isn't objections exactly. I want to know what you are doing; how you think this work of yours really does serve women."

      "We are working for the equal citizenship of men and women," said the tired woman. "Women have been and are treated as the inferiors of men, we want to make them their equals."

      "Yes," said Ann Veronica, "I agree to that. But—"

      The tired woman raised her eyebrows in mild protest.

      "Isn't the question more complicated than that?" said Ann Veronica.

      "You could have a talk to Miss Kitty Brett this afternoon, if you liked. Shall I make an appointment for you?"

      Miss Kitty Brett was one of the most conspicuous leaders of the movement. Ann Veronica snatched at the opportunity, and spent most of the intervening time in the Assyrian Court of the British Museum, reading and thinking over a little book upon the feminist movement the tired woman had made her buy. She got a bun and some cocoa in the little refreshment-room, and then wandered through the galleries up-stairs, crowded with Polynesian idols and Polynesian dancing-garments, and all the simple immodest accessories to life in Polynesia, to a seat among the mummies. She was trying to bring her problems to a head, and her mind insisted upon being even more discursive and atmospheric than usual. It generalized everything she put to it.

      "Why should women be dependent on men?" she asked; and the question was at once converted into a system of variations upon the theme of "Why are things as they are?"—"Why are human beings viviparous?"—"Why are people hungry thrice a day?"—"Why does one faint at danger?"

      She stood for a time looking at the dry limbs and still human face of that desiccated unwrapped mummy from the very beginnings of social life. It looked very patient, she thought, and a little self-satisfied. It looked as if it had taken its world for granted and prospered on that assumption—a world in which children were trained to obey their elders and the wills of women over-ruled as a matter of course. It was wonderful to think this thing had lived, had felt and suffered. Perhaps once it had desired some other human being intolerably. Perhaps some one had kissed the brow that was now so cadaverous, rubbed that sunken cheek with loving fingers, held that stringy neck with passionately living hands. But all of that was forgotten. "In the end," it seemed to be thinking, "they embalmed me with the utmost respect—sound spices chosen to endure—the best! I took my world as I found it. THINGS ARE SO!"

      3.

      Ann Veronica's first impression of Kitty Brett was that she was aggressive and disagreeable; her next that she was a person of amazing persuasive power. She was perhaps three-and-twenty, and very pink and healthy-looking, showing a great deal of white and rounded neck above her business-like but altogether feminine blouse, and a good deal of plump, gesticulating forearm out of her short sleeve. She had animated dark blue-gray eyes under her fine eyebrows, and dark brown hair that rolled back simply and effectively from her broad low forehead. And she was about as capable of intelligent argument as a runaway steam-roller. She was a trained being—trained by an implacable mother to one end.

      She spoke with fluent enthusiasm. She did not so much deal with Ann Veronica's interpolations as dispose of them with quick and use-hardened repartee, and then she went on with a fine directness to sketch the case for her agitation, for that remarkable rebellion of the women that was then agitating the whole world of politics and discussion. She assumed with a kind of mesmeric force all the propositions that Ann Veronica wanted her to define.

      "What do we want? What is the goal?" asked Ann Veronica.

      "Freedom! Citizenship! And the way to that—the way to everything—is the Vote."

      Ann Veronica said something about a general change of ideas.

      "How can you change people's ideas if you have no power?" said Kitty Brett.

      Ann Veronica was not ready enough to deal with that counter-stroke.

      "One doesn't want to turn the whole thing into a mere sex antagonism."

      "When women get justice," said Kitty Brett, "there will be no sex antagonism. None at all. Until then we mean to keep on hammering away."

      "It seems to me that much of a woman's difficulties are economic."

      "That will follow," said Kitty Brett—"that will follow."

      She interrupted as Ann Veronica was about to speak again, with a bright contagious hopefulness. "Everything will follow," she said.

      "Yes," said Ann Veronica, trying to think where they were, trying to get things plain again that had seemed plain enough in the quiet of the night.

      "Nothing was ever done," Miss Brett asserted, "without a certain element of Faith. After we have got the Vote and are recognized as citizens, then we can come to all these other things."

      Even in the glamour of Miss Brett's assurance it seemed to Ann Veronica that this was, after all, no more than the gospel of Miss Miniver with a new set of resonances. And like that gospel it meant something, something different from its phrases, something elusive, and