10 Classics Western Stories. Samuel Merwin

Chapter 3 WALLULAH.

       Chapter 4 SENDING OUT THE RUNNERS.

       Part 3 THE GATHERING OF THE TRIBES.

       Chapter 1 THE BROKEN PEACE-PIPE.

       Chapter 2 ON THE WAY TO THE COUNCIL.

       Chapter 3 THE GREAT CAMP ON THE ISLAND.

       Chapter 4 AN INDIAN TRIAL.

       Chapter 5 SENTENCED TO THE WOLF-DEATH.

       Part 4 THE LOVE TALE.

       Chapter 1 THE INDIAN TOWN.

       Chapter 2 THE WHITE WOMAN IN THE WOOD.

       Chapter 3 CECIL AND THE WAR-CHIEF.

       Chapter 4 ARCHERY AND GAMBLING.

       Chapter 5 A DEAD QUEEN’S JEWELS.

       Chapter 6 THE TWILIGHT TALE.

       Chapter 7 ORATOR AGAINST ORATOR.

       Chapter 8 IN THE DARK.

       Chapter 9 QUESTIONING THE DEAD.

       Part 5 THE SHADOW OF THE END.

       Chapter 1 THE HAND OF THE GREAT SPIRIT.

       Chapter 2 THE MARRIAGE AND THE BREAKING UP.

       Chapter 3 AT THE CASCADES.

       Chapter 4 MULTNOMAH’S DEATH-CANOE.

       Chapter 5 AS WAS WRIT IN THE BOOK OF FATE.

      The Bridge of the Gods

      Frederic Homer Balch

       Published: 1891 Categorie(s): Fiction, Action & Adventure, Westerns

      Publisher's note

      Encouraged by the steady demand for Mr. Balch’s “The Bridge of the Gods,” since its publication twelve years ago, the publishers have decided to issue a new edition beautified with drawings from the pencil of Mr. L. Maynard Dixon. This tale of the Indians of the far West has fairly earned its lasting popularity, not only by the intense interest of the story, but by its faithful delineations of Indian character.

      In his boyhood Mr. Balch enjoyed exceptional opportunities to inform himself regarding the character and manners of the Indians: he visited them in their homes, watched their industries, heard their legends, saw their gambling games, listened to their conversation; he questioned the Indians and the white pioneers, and he read many books for information on Indian history, traditions, and legends. By personal inquiry among old natives he learned that the Bridge which suggested the title of his romance was no fabric of the imagination, but was a great natural bridge that in early days spanned the Columbia, and later, according to tradition, was destroyed by an earthquake.

      Before his death the author had the satisfaction of knowing that his work was stamped with the approval of the press and the public; his satisfaction would have been more complete could he have foreseen that that approval would be so lasting.

      July 1, 1902.

      Preface

      In attempting to present with romantic setting a truthful and realistic picture of the powerful and picturesque Indian tribes that inhabited the Oregon country two centuries ago, the author could not be indifferent to the many serious difficulties inseparable from such an enterprise. Of the literary success with which his work has been accomplished, he must of course leave others to judge; but he may without immodesty speak briefly of his preparation for his task, and of the foundation of some of the facts and legends which form the framework of his story. Indian life and character have long been a favorite study with him, and in these pages he has attempted to describe them, not from an ideal standpoint, but as he knew them in his own boyhood on the Upper Columbia. Many of the incidents related in the story have come under his personal observation; others have been told him by aged pioneers, or gleaned from old books of Northwestern travel. The every-day life of the Indians, their food, their dress, their methods of making their mats, of building their houses, of shaping their canoes, their gambling games, their religious beliefs, their legends, their subjects of conversation, the sports and pastimes of their children,—all these have been studied at first hand, and with the advantages of familiar and friendly intercourse with these people in their own homes. By constant questioning, many facts viiihave been gained regarding their ancestry, and the fragments of history, tradition, and legend that have come down from them. Indian antiquities have been studied through every available source of information. All the antiquarian collections in Oregon and California have been consulted, old trading-posts visited, and old pioneers and early missionaries conversed with. Nothing has been discarded as trivial or insignificant that could aid in the slightest degree in affording an insight into Indian character and customs of a by-gone age.

      As to the great Confederacy of the Wauna, it may be said that Gray’s “History of Oregon” tells us of an alliance of several tribes on the Upper Columbia for mutual protection and defence; and students of Northwestern history will recall the great confederacy that the Yakima war-chief Kamyakin formed against the whites in the war of 1856, when the Indian tribes were in revolt from the British Possessions to the California line. Signal-fires announcing war against the whites leaped from hill to hill, flashing out in the night, till the line of fire beginning at the wild Okanogan ended a thousand miles south, on the foot-hills of Mount Shasta. Knowing such a confederacy as this to be an historical fact, there seems nothing improbable in that part of the legend which tells us that in ancient times the Indian tribes on either side of the Cascade Range united under the great war-chief Multnomah against their hereditary foes the Shoshones. Even this would not be so extensive a confederacy as that which Kamyakin formed a hundred and fifty years later.

      It may be asked if there was ever a great natural bridge over the Columbia,—a “Bridge of the Gods,” such as the legend describes. The answer is emphatically, “Yes.” Everywhere along the mid-Columbia the Indians tell of a great bridge that once spanned the river where the cascades now are, but where at that time the placid ixcurrent