School Reading By Grades: Fifth Year. James Baldwin

bright accounts of travels, good-humored and witty discussions of questions, lively or pathetic story-telling in the form of novel: all these are books of the hour and are the peculiar possession of the present age. We ought to be entirely thankful for them, and entirely ashamed of ourselves if we make no good use of them. But we make the worst possible use, if we allow them to usurp the place of true books; for, strictly speaking, they are not books at all, but merely letters or newspapers in good print.

      Our friend’s letter may be delightful, or necessary, to-day; whether worth keeping or not, is to be considered. The newspaper may be entirely proper at breakfast time, but it is not reading for all day. So, though bound up in a volume, the long letter which gives you so pleasant an account of the inns and roads and weather last year at such a place, or which tells you some amusing story, or relates such and such circumstances of interest, may not be, in the real sense of the word, a book at all, nor, in the real sense, to be read.

      A book is not a talked thing, but a written thing. The book of talk is printed only because its author can not speak to thousands of people at once; if he could, he would—the volume is mere multiplication of the voice. You can not talk to your friend in India; if you could, you would; you write instead; that is merely a way of carrying the voice.

      But a book is written, not to multiply the voice merely, not to carry it merely, but to preserve it. The author has something to say which he perceives to be true and useful, or helpfully beautiful. So far as he knows, no one has yet said it; so far as he knows, no one can say it. He is bound to say it, clearly and in a melodious manner if he may; clearly, at all events.

      In the sum of his life he finds this to be the thing, or group of things, manifest to him; this the piece of true knowledge, or sight, which his share of sunshine and earth has allowed him to seize. He would set it down forever; carve it on a rock, if he could, saying, “This is the best of me; for the rest, I ate and drank and slept, loved and hated, like another; my life was as the vapor, and is not; but this I saw and knew; this, if anything of mine, is worth your memory.” That is his writing; that is a book.

      Now books of this kind have been written in all ages by their greatest men—by great leaders, great statesmen, great thinkers. These are all at your choice; and life is short. You have heard as much before; yet have you measured and mapped out this short life and its possibilities? Do you know, if you read this, that you can not read that—that what you lose to-day you can not gain to-morrow?

      Will you go and gossip with the housemaid, or the stableboy, when you may talk with queens and kings? Do you ask to be the companion of nobles? Make yourself noble, and you shall be. Do you long for the conversation of the wise? Learn to understand it, and you shall hear it.

      Very ready we are to say of a book, “How good this is—that is just what I think!” But the right feeling is, “How strange that is! I never thought of that before, and yet I see it is true; or if I do not now, I hope I shall, some day.”

      But whether you feel thus or not, at least be sure that you go to the author to get at his meaning, not to find yours. And be sure also, if the author is worth anything, that you will not get at his meaning all at once; nay, that at his whole meaning you may not for a long time arrive in any wise. Not that he does not say what he means, and in strong words too; but he can not say it all, and, what is more strange, will not, but in a hidden way in order that he may be sure you want it.

      When, therefore, you come to a good book, you must ask yourself, “Am I ready to work as an Australian miner would? Are my pickaxes in good order, and am I in good trim myself, my sleeves well up to the elbow, and my breath good, and my temper?” For your pickaxes are your own care, wit, and learning; your smelting furnace is your own thoughtful soul. Do not hope to get at any good author’s meaning without these tools and that fire; often you will need sharpest, finest carving, and the most careful melting, before you can gather one grain of the precious gold.

      I can not, of course, tell you what to choose for your library, for every several mind needs different books; but there are some books which we all need, and which if you read as much as you ought, you will not need to have your shelves enlarged to right and left for purposes of study.

      If you want to understand any subject whatever, read the best book upon it you can hear of. A common book will often give you amusement, but it is only a noble book that will give you dear friends.

      Avoid that class of literature which has a knowing tone; it is the most poisonous of all. Every good book, or piece of book, is full of admiration and awe; and it always leads you to reverence or love something with your whole heart.

OLD CHIRON’S SCHOOL.

       Table of Contents

      Æson was king of Iolcus by the sea; but for all that, he was an unhappy man. For he had a stepbrother named Pelias, a fierce and lawless man who was the doer of many a fearful deed, and about whom many dark and sad tales were told. And at last Pelias drove out Æson, his stepbrother, and took the kingdom for himself, and ruled over the rich town of Iolcus by the sea.

      And Æson, when he was driven out, went sadly away from the town, leading his little son by the hand; and he said to himself, “I must hide the child in the mountains, or Pelias will surely kill him, because he is the heir.” So he went up from the sea across the valley, through the vineyards and the olive groves, and across a foaming torrent toward Pelion, the ancient mountain, whose brows are white with snow.

      He went up and up into the mountain, over marsh and crag, and down, till the boy was tired and foot-sore, and Æson had to bear him in his arms, till he came to the mouth of a lonely cave at the foot of a mighty cliff. Above the cliff the snow wreaths hung, dripping and cracking in the sun; but at its foot, around the cave’s mouth, grew all fair flowers and herbs, as if in a garden arranged in order, each sort by itself. There they grew gayly in the sunshine, and in the spray of the torrent from above; while from the cave came a sound of music, and a man’s voice singing to the harp.

      Then Æson put down the lad, and whispered:

      “Fear not, but go in, and whomsoever you shall find, lay your hands upon his knees, and say, ‘In the name of the Father of gods and men, I am your guest from this day forth.’ ”

      Then the lad went in without trembling, for he too was a hero’s son; but when he was within, he stopped in wonder, to listen to that magic song.

      And there he saw the singer lying upon bearskins and fragrant boughs; Chiron, the ancient Centaur, the wisest of all beings beneath the sky. Down to the waist he was a man; but below he was a noble horse; his white hair rolled down over his broad shoulders, and his white beard over his broad brown chest; and his eyes were wise and mild, and his forehead like a mountain wall.

      And in his hands he held a harp of gold, and struck it with a golden key; and as he struck he sang till his eyes glittered, and filled all the cave with light.

      And he sang of the birth of Time, and of the heavens and the dancing stars; and of the ocean, and the ether, and the fire, and the shaping of the wondrous earth. And he sang of the treasures of the hills, and the hidden jewels of the mine, and the veins of fire and metal, and the virtues of all healing herbs; and of the speech of birds, and of prophecy, and of hidden things to come.

      Then he sang of health, and strength, and manhood, and a valiant heart; and of music and hunting, and wrestling, and all the games which heroes love; and of travel, and wars, and sieges, and a noble death in fight,; and then he sang of peace and plenty, and of equal justice in the land; and as he sang, the boy listened wide-eyed, and forgot his errand in the song.

      And at last Chiron was silent, and called the lad with a soft voice. And the lad ran trembling to him, and would have laid his hands upon his knees; but Chiron smiled, and said, “Call hither your father Æson; for I know you and all that has befallen you.”

      Then Æson came in sadly, and Chiron asked him, “Why came you not yourself to me, Æson?”