Название | Industrial Arts Design |
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Автор произведения | William H. Varnum |
Жанр | Языкознание |
Серия | |
Издательство | Языкознание |
Год выпуска | 0 |
isbn | 4057664621917 |
INSTRUCTION SHEET
Plate 15 is practically self-explanatory and shows the order in which the various divisions, so far considered, are to be introduced into the design together with the grouping of details within those divisions. Figure D introduces the additional element termed the appendage to be considered in Chapter V.
SUMMARY OF DESIGN STEPS
(a) Construction of the rectangle representing the vertical or horizontal character of the primary mass with desirable proportions. Select the most prominent surface for this rectangle, preferably the front elevation.
(b) Subdivide this rectangle into two or three structural sections, horizontal and vertical in character. Make two or three trial freehand sketches on cross section paper for varied proportions and select the most pleasing in accordance with rules.
(c) Translate the selected sketch into a scale or full size drawing and add additional views to complete the requirements of a working drawing. Add additional structural elements: legs, rails, etc.
(d) For shop purposes, enlarge a scale drawing to full size, dimension and otherwise prepare it for actual use. See Figure 102a, page 68, for character of this change.
(e) Construct the project.
SUGGESTED PROBLEMS
Design a fire screen with two horizontal and three vertical major subdivisions.
Design a bookcase 4 feet 2 inches high with three horizontal and two vertical major subdivisions.
SUMMARY OF RULES
Rule 3a. If the primary mass is divided into two vertical divisions, the divisions should be equal in area and similar in form.
Rule 3b. If the primary mass is divided into three vertical divisions, the center division should be the larger, with the remaining divisions of equal size.
Rule 3c. In elementary problems, if more than three vertical divisions are required, they should be so grouped as to analyze into Rules 3a and 3b, or be exactly similar.
REVIEW QUESTIONS
1. What is the nature and need of vertical space divisions?
2. State the rule governing the use of two vertical space divisions and give illustrations in wood, clay, and metal.
3. Give the rule relating to the use of three vertical space divisions and furnish illustrations in wood, clay, and metal.
4. What is the treatment of more than three vertical divisions? Why?
Chapter V
APPENDAGES AND RULES GOVERNING THEM
Use of the Appendage
An appendage is a member added to the primary mass for utilitarian purposes. In the industrial arts, when an appendage is added merely for the purpose of decoration, it is as useless and functionless as the human appendix and, as a source of discord, should be removed.
An appendage in industrial arts may be, among other things, a plate rail, bracket, spout, cover, or handle, all of which are capable of service either for or with the primary mass. In architecture it may be a wing or ell added to the mass of the building. Simple as its design may seem, it is often so placed in relation to the main or primary mass that it does not seem to "fit" or to be in unity with that mass.
Designing an Appendage
Rule 4a. The appendage should be designed in unity with, and proportionately related to, the vertical or horizontal character of the primary mass, but subordinated to it.
Rule 4b. The appendage should have the appearance of flowing smoothly and, if possible, tangentially from the primary mass.
Rule 4c. The appendage should, if possible, echo or repeat some lines similar in character and direction to those of the primary mass.
Violations of Appendage Design
All of the foregoing rules are intended to promote the sense of unity between the primary mass and its appendages. If a mirror on a dresser looks top-heavy it is generally due to the fact that it has not been subordinated in size to the primary mass. Rule 4a. If the handle projects from the primary mass of an object similar to the handle on a pump, it has not been designed in accordance with Rules 4b and 4c. Again, if the appendage projects from a primary mass like a tall chimney from a long flat building, it has violated Rule 4a and has not been proportionately related to the character of the vertical or horizontal proportions of the primary mass.
It should be readily seen that if the primary mass has one dominant proportion while the appendage has another, there will be a serious clash and the final result will be the neutralization of both motives, resulting in either an insipid and characterless design or a downright lack of unity.
Appendages in Wood
The design of the small dressing table, Figure 37, Plate 16, with the mirror classing as an appendage, is an excellent illustration of Rule 4a. The main mass of the table is vertical in character and the mirror carries out or repeats the character of the primary mass by having a similar but subordinate vertical mass. In this instance it is so large that it has nearly the effect of a second primary mass.
As tangential junctions are difficult to arrange in wood construction and particularly in furniture, the break between the table top and the mirror has been softened by the introduction of a bracket or connecting link. The curves of the link cause the eye to move freely from the primary mass to the appendage and thus there is a sense of oneness or unity between the two masses.
The lantern in Figure 38 becomes an appendage and is subordinated to the large pedestal or support. The tangential junction has in this case been fully possible and the eye moves freely from the vertical lines of the base to the similar vertical mass of the lantern without noticeable break.
Unifying Appendage and Primary Mass