Название | The Champagne Standard |
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Автор произведения | John Mrs. Lane |
Жанр | Языкознание |
Серия | |
Издательство | Языкознание |
Год выпуска | 0 |
isbn | 4064066186463 |
Now there is nothing so frank as a frank Englishwoman. "What is the use of celebrated ancestors," she added, "if your whole present family are as dull as ditch-water and bore you to distraction? I'd swap off my crusading ancestor and my chopped-off-head one any time for a cousin with brains. But mind you, I don't want your American millionaires grabbing 'em without leave."
There are the Bedfords of New York. Susan and I went to school together. Hitherto she has put on no airs with me, for I know the family traditions, and that her excellent father began life as a cobbler. Then he forsook cobbling and started a corset manufactory, which was a distinguished success because he had invented a bone so like the whale's that even that clever fish could not have proved it wasn't his; and the deception made the old man's fortune. Thereupon he rose superior and soared from corsets to real estate, and in real estate he made what was briefly described as "mints." It was in the corset period that Susan married Joe Bedford who was a drummer in the business, and though he retired from corsets and went into real estate along with his father-in-law, Susan was always conscious that he could never accommodate himself to the grandeur of his new life. She had to do all the aspiring, and it was she who passed a sponge over their previous existence, and every time I saw them in New York she had added a new lustre to their glory. The last time the door was opened to me by a footman, brooded over, as it were, by the very noblest kind of English butler. I saw at once that the whole family were afraid to death of him. But in spite of her grandeur, Susan herself saw me downstairs to the front door, in the American fashion, though conscious of the profound and stony disapproval of the English butler. As I came opposite the hat rack I caught sight of a satin banner covered with cabalistic characters floating gently over Joe's modest bowler that swung from a peg.
"Our coat of arms," Susan explained by way of introduction. "Just come home. It cost a great deal; everything costs so much. We have the same arms as the Duke of Bedford. It is pleasant to have a duke in the family."
"Since when?" I asked, and stared in astonishment.
"I found them in the dictionary six months ago. I had it done at Tiffany's. It looks so stylish on the plates and the writing paper."
"Come in here, Susan," and I led her into her own parlour, for I did not wish to lower her in the estimation of that noble being who was preparing his mighty mind to show me out. "Listen to me; you and Joe haven't any more to do with the Duke of Bedford than the cat's foot. Besides, his name isn't Bedford but Russell. For goodness' sake don't make such an idiot of yourself."
"I guess," and Susan was deeply offended, "I guess the young man at Tiffany's knows more about it than you do. He engraves for the first families, and he said it was all right."
It was quite recently, too, that I crossed from Boston with three gentle female pilgrims in search of an ancestor. The youngest was nearly seventy, and we were barely out of sight of that famous tail of land called "Cape Cod" when they told me their simple story. They came from Cape Cod and their homestead stood on a sandhill and faced the sea. A long straggling street up a sand bank culminated in a meeting-house with a steeple as sharp as a toothpick. They were innocent and graphic old ladies and they had only two vivid interests in life; one was a Devonshire ancestor supposed to have died three hundred years before, and the other, two cats called respectively Priscilla and John Alden. The ancestor was the one romance of their placid lives, and it became a question of going to find him, now or never; so here they were. They had turned the key in the lock of their Cape Cod homestead and bidden a long farewell to Priscilla and John Alden, and as they described their grief I saw their three pairs of benevolent eyes fill with tears.
"The sweetest cats that ever breathed," said the oldest, with a face like a benediction.
"What did you do with them?" I asked after a sympathetic pause.
"We chloroformed them," said the dear old thing whose face was like a benediction.
I offered up an involuntary smile to the manes of these deceased martyrs, Priscilla and John Alden, and I am absolutely sure the ancestor wasn't worth the sacrifice.
Fortunately or unfortunately, the champagne standard, like hotel cooking, has no nationality. It is everywhere, and one studies it according to one's experience, but it is undoubtedly the curse of an age that only judges of success by material results. It is above everything a menace to character.
Modern life is the apotheosis of trivialities, and perhaps there is nothing more curious and melancholy than to observe their exaggerated importance to the world in general. One asks what is the use of such childish fretting to people confronted by tragic realities. What is the use of snubbing any one as if we were immortal? The truth is, each, in his own estimation, is immortal. Who thinks of dying? Why, if we expected to die at once, we certainly would not snub any one, and, in the face of so tragic a probability, we would not notice being snubbed. And yet there is absolutely nothing so absolutely certain as death, before which every pretence, every ignoble aspiration, every sordid ambition, stands naked and futile and, in some other world possibly, ashamed.
But one cannot help wondering what kind of a blissful place the world would be without the champagne standard. How good and honest we should be if we didn't pretend—how easy it would be to live! Are not most of the trials of life, apart from its tragedies, its results? Most of our harrowing anxieties usually have their rise in aiming at what is beyond our reach. And yet what, in the name of common sense, what is it all for? What is the use of pretending? What is the use of doing things badly when it is so much easier not to do them at all?
Yes, indeed, the greatest heroism in these days is to have the courage of one's income. It is possibly a little awkward at first, but what a relief to be able to say simply, "I can't afford it," and not lose caste! But Modern Society is ruled over by "Appearances." Appearances are a kind of Juggernaut which requires our happiness and peace and contentment as a daily sacrifice—but not the wise and honourable appearances, but the little, mean, false ones, and those are the most common.
One is inclined to think, however, that even the champagne standard may yet find its Nemesis. For if the world goes on at its present rate all its wealth will in time be swallowed up by the Trusts, and the Trusts will in turn be swallowed up by the mighty maws of the few whom God, in his righteous wrath, permits to plunder the earth, just as He once permitted a deluge for the regeneration of the world. And the blessed result will be that the whole wide world, being as poor as the traditional church mouse, will come to its senses, and the first thing that will happen will be the abolishing of the champagne standard. So herein lies the world's salvation, to be saved it must be ruined; and for the first time Trusts may be looked upon in the light of the benevolent saviours of mankind. When we are all as poor as the most plausible of them can make us, and that is saying a good deal, behold we shall then finally cease to pretend.
Of course each of us has his own ideal of the millennium, but with multi-millionaires setting the pace, and all the rest of the world racing after, it must be agreed that the millennium is not yet. But when it does come, there will be no more champagne standard, and each person will be judged after his honest value and not his purse. If he has a noble soul nobody will mind if he is a bit shabby, and if he is a man of brains he may even live at the wrong end of the town. In that happy day everybody will have the courage of his income, no matter how small, and when one is shown hospitality it will not be according to the champagne standard, but according to a standard of honest kindness; and no matter how simple it is, if it is only a crust of bread, no one will criticise, and no one will apologise. If in that blissful time Jones dines in a cut-away, why not? And yet is it not true in these days that Jones's fine character is often enough overlooked in a disapproving contemplation of his coat?
However, the millennium has not arrived, and the simpler life, though the fashion as a subject for sermons, is certainly not practised—as yet.
Recently a king of finance gave a great musical function—the