George Cruikshank's Omnibus. George Cruikshank

material; or rather, they run away with another man's muse, but for fear of detection, and to avoid the charge of felony, leave the drapery behind—a practice which cannot be too severely reprehended. It is the same principle on which, according to Sheridan (Sir Fretful's friend!) gipsies disguise stolen children to make them pass for their own. Now Sir Fretful, alluding to Shakspeare in a poem which has never yet been published, says very nobly—

      "Hereditary bondsmen, know ye not

      He wants that greatest art, the art to blot!"

      If we might dare to parody (Scott said it was a sin to parody—"We are seven") any one line sanctified by the genius of a Plagiary, we should say that too many of his descendants want that greatest art, the art to steal. They steal—but not with integrity. There may be, nay there is, such a thing as honest theft—equitable robbery—prigging with justice and honour. We hold that in all cases of literary borrowing, or robbery (for it comes to the same thing), it is ten million times better to rob or borrow without the least disguise, equivocation, or mutilation whatsoever. Take the line as you find it. Don't crack it as you would a nut, picking out the idea, appropriating it to your own purpose, and leaving only the husk behind. You will never get an artificial shell to grow round it; it will never be the nut it was before. Take it whole. Prudery in these cases is often worse than folly—it is shabbiness. It is folly, when, after stealing a fine symmetrical thought, a whole morning is spent in disguising, distorting, and deforming it, until at last all that remains of it merge into the unprofitable moral—"of no use to anybody but the owner." It is shabbiness, when, as is the practice of prose-writers, a splendid passage is purloined, and a bargain is struck with conscience; when, just for decency's sake, six words of the sentence are publicly attributed by inverted commas to the right owner, while all the rest assumes the character of originality. We may give an example in the following passage from Burke's Reflections on the Revolution in France, which we will suppose to be thus printed:—

      But the "age of chivalry" is gone; that of sophisters, economists, and calculators has succeeded; and the "glory of Europe" is extinguished for ever. The unbought grace of life, the "cheap defence of nations[3]," the nurse of manly sentiment and heroic enterprise, "is gone!"

      This cunning practice of acknowledging a few words borrowed, with a view to divert suspicion from the many you have stolen, is like confessing a lawful debt of sixpence, due to the man which you have just plundered of fifty pounds; and this practice, Sir Fretful Plagiary, to his immortal honour, scorned to adopt. Could his original and abundant genius have stooped to steal, he would have stolen conscientiously; he would have taken the whole passage outright; instead of spoiling everything he laid his hands upon, and making (as Dryden says) "the fine woman end in a fish's tail." War is honourable, manslaying is not; pillage is legalised by custom, which cannot be said of picking pockets. Thus, as it is more honourable to pillage than to pilfer, so is it to seize upon a whole line, or even a couplet, than to extract the essence of it surreptitiously, or sneak off with a valuable epithet; and it is the more honest, because every author has a better chance, after the robbery has served its purpose, of getting back his own.

      Had this principle been in operation from the beginning, what confusion it would have prevented! what discords between authors! what perplexities in settling their claims to disputed metaphors, and their rights in contested ideas! From the mere want of this common honesty in purloining, it is impossible, in many instances, to come to an equitable adjustment. It is a wise poet that knows his own conceit—or to prevent mistakes, let us say, his own idea. He sees his private property transferred to the pages of another, and cannot swear to it. There is no saying which is yours and which is his. Tuum rhymes to suum, and always will.

FRANK HEARTWELL; OR, FIFTY YEARS AGO.

       Table of Contents

      BY BOWMAN TILLER.

      CHAPTER II.

      Time progressed, and though Mrs. Heartwell still laboured under unaccountable agitation and alarm, yet there was a counteracting influence that diffused itself through her frame and buoyed her up with hope. Honest Ben more than once or twice entered the room, and with diffidence inquired whether his mistress had any commands; he asked no intrusive questions—he made no observations—the matter was something beyond his comprehension, and it never for one moment entered into his thoughts to speculate upon causes and effects; yet desirous of affording all the comfort and consolation which suggested itself to his mind, he took especial pains in making some excellent coffee, which he carried up to the distressed lady.

      "You are kind and considerate, my good friend," said she whilst accepting the proffered refreshment. "I wish Mr. Heartwell was here to partake of it with me. Surely something unusual must have happened to detain him."

      "No doubt on it, my lady," returned the seaman; "an ould messmate or shipmate mayhap, or an extra glass of grog or two."

      The lady shook her head as she mournfully replied, "No, no, those would not be inducements strong enough to keep your master away from his home."

      "Bless you, my lady," responded the seaman earnestly, as he busied himself about the parlour; "as to the strength of the deucements, all I can say is, that they mixes 'em strong enough when they pleases—though half-and-half ought to satisfy any reasonable man. But there, what's the odds so as you're happy?"

      "You must prepare yourself, Ben, to go to Lincoln's Inn, and see if your master has been detained by business," said the lady, disregarding, or perhaps not observing the poor fellow's mistake. "You know the office of Mr. Brady."

      "Yes, my lady," returned the seaman; "and I'll make sail as soon as ever you pleases to give orders."

      "Wait then a little longer," added Mrs. Heartwell, as she looked at the watch: "go down now, and I will ring for you presently."

      Accustomed to implicit obedience when afloat, the seaman still adhered to it now that he was ashore; and therefore again descending to the kitchen, he awaited the expected summons.

      Drearily and heavily the minutes passed away, and yet as the fingers of the dial moved progressively over the divisions of the hour into quarters—marking the march of time—they seemed to have flown too quickly, for they afforded additional evidence that some calamity must have befallen the individual whose continued absence had caused increasing pain. Yet there the mourning watcher sat, suffering the extreme trial of human patience—waiting for those who came not.

      Several times had the silent contemplations of Mrs. Heartwell been disturbed by the loud ticking and sudden stopping of a clock or watch. At first she scarcely heeded the noise, but the frequent repetition drew her attention more strongly to it, and she sought for the cause: it could not be the dial, for the vibrations of that were clear and continuous—it could not be her own watch, the sound was so different; but to satisfy herself, she wrapped it in a handkerchief and placed it in the table-drawer. Again the ticking came; it seemed to fill every corner of the apartment, sometimes heard in one place and sometimes in another; and when Mrs. Heartwell fancied she had found the spot from which it emanated, it suddenly ceased, and then commenced elsewhere. She rang the bell for Ben, who promptly answered, and stood within the open door. "Did Mr. Heartwell take his timepiece with him?" inquired she.

      "Yes, my lady," responded Ben; "I saw the chain and seals hanging down as he went out at the door."

      "Is there any strange watch or clock in the house that you know of?" demanded she again.

      "No, my lady, not as I knows of," replied Ben, much surprised at the question, and somewhat fearful that grief had unsettled the reason of his mistress.

      "Hark then, Ben—listen, and tell me what is that," exclaimed she energetically, as the ticking was loudly renewed. "There must be a clock somewhere to produce such sounds."

      Ben did listen as the eyes of his mistress were intently fixed upon him, but the tar shook his head and was silent.

      "It must be some trick," said Mrs. Heartwell;