The Net. Rex Beach

it anywhere. I cannot conceive of misfortune, with all this gladness and expectancy inside me."

      "They have begun the fireworks," said Blake. "It's too bad you couldn't stay to see them, Martel." He turned in his saddle, and the others reined in as a rocket soared into the night sky and burst with a shower of sparks. Others followed and a detonation sounded faintly.

      "Poor people!" said the Count, gently. "I can hear them crying, 'Oh!'

       'Ah!' 'Beautiful!' 'It is an angel from heaven!'"

      "On the contrary, I'll warrant they're exclaiming, 'It is that angel from San Sebastiano.' You have given them a great night."

      The Count laughed. "Yes. They will have much to talk and dream about. Their lives are very barren, you know, and I hope the Countess and I will be able to make them brighter as the years go by. Oh, I have plans, caro mio, so many plans I scarcely know where to begin or how to talk about them. I could never be an artist, no matter how furiously I painted, no matter how many beautiful women I drew; but I can paint smiles upon the faces of those sad women down yonder. I can bring happiness into their lives. And that will be a picture to look back upon, eh? Don't you think so? When they learn to know me, when they learn to love and trust me, there will be brighter days at Terranova and at San Sebastiano."

      "They love you now, I am sure."

      "I am too much a stranger yet. I have neglected my duties, but—well, in my travels I have learned some things that will be of benefit to us all. I see so much to do. It is delightful to be young and full of hopes, and to have the means of realizing them. Above all, it is delicious to know that there is one who will share those ambitions and efforts with you. I see Ricardo is disgusted with me, but he is a pessimist. He does not believe in charity and love."

      "What foolish talk!" protested the old man with heat. "Do I not love my girl Lucrezia? Do I not love you, the Countess, and—and—perhaps a few others?"

      Martel laughed. "I was merely teasing you."

      They resumed their journey, leaving the showering meteors behind them, and the Count, in the lightness of his heart, began humming a tune.

      As for Blake, he rode as silently as Ferara, being lost in contemplation of a happiness in which he had no part. Not until this moment had he realized how entirely unnecessary he was to the existence of Martel and Margherita. He longed to remain a part of them, but saw that his desire was vain. They were complete without him, their lives would be full. He began to feel like a stranger already. It was a new sensation, for he had always seemed to be a factor in the lives of those about him; but Martel had changed with the advent of new interests and ambitions. Sicily, too, was different from any land he knew, and even Margherita Ginini was hard to understand. She seemed to be the spirit of Sicily made flesh and blood. He wondered if the very fact that she was so unusual might not help him to forget her once he was away from her influence. He hoped so, for this last week had been the most painful period of his life. He had come south, somewhat against his will, for a kaleidoscopic glimpse of Europe, never dreaming that he would carry back to America anything more than the usual flitting memories of a pleasant trip; but instead he was destined to take with him a single vivid picture. He argued that he was merely infatuated with the girl, carried away by the allurement of a new and remarkable type of woman, and that these headlong passions were neither healthy nor lasting; but his reasoning brought him no real sense of conviction, and his life, as he looked forward to it, appeared singularly flat and stale. His one consolation, poor as it seemed, lay in the fact that he had played the man to the best of his ability and was really glad, even if a bit envious, of Martel's good-fortune.

      He let his thoughts run free in this manner, sitting his horse listlessly, for he was tired mentally and physically, watching the gray road idly as it slipped past beneath the muffled hoofs, and lulled by Savigno's musical humming.

      It was while he was still in this half-somnolent, semidetached frame of mind that he rode into a sudden white-hot whirl of events.

      Norvin Blake was never clear in his mind regarding the precise sequence of the action that followed, for he was snatched too quickly from his mental relaxation to retain any well-defined impressions. He recalled vaguely that the road lay like a mysterious canon walled in with darkness, and that his thoughts were miles away when his horse shied without warning, nearly unseating him and bringing him back to a sense of his surroundings with a shock. Simultaneously he heard a cry from Ricardo; it was a scream of agony, cutting through Savigno's song like a saber stroke. For a moment Blake's heart seemed to stop, then began pounding crazily. A stream of fire leaped out at his left side, splitting the quiet night with a detonation. The wood which had lain so silent and deserted an instant before was lit by answering flashes, the blackness at an arm's-length on every side was stabbed by wicked tongues of flame, and the road swarmed with grotesque bodies leaping and tumbling and fighting. Blake's horse reared as something black rose up beneath its forefeet and snatched at its bridle; Martel's steed lurched into it, then fell kicking and screaming, sending its mate careening to the roadside. The unexpected movement wrenched Norvin's feet from the stirrups and left him clinging desperately to mane and cantle.

      It all came with a terrifying swiftness—quite as if the three riders had crossed over a powder-train at the instant of its eruption, to find themselves, in the fraction of a second, involved in chaos.

      Ricardo's horse thundered away, riderless, leaving a squirming, wriggling confusion of forms in the road where the overseer was battling for his life. Martel's voice rose shrilly in a curse, and then Norvin felt himself dragged roughly from his saddle, whether by human hands or by some overhanging tree-branch he never knew. The force of his fall bruised and stunned him, but he struggled weakly to his feet only to find himself in the grasp of a man whose black visage fronted his own. He tried to break away, but his bones were like rope, his muscles were flabby and shaking. He exerted no more force than a child. In front of him something sickening, something unspeakably foul and horrible, was going on, and in its presence he was wholly unmanned. More hands seized him quickly, but he lacked the vigor to attempt an escape. On the contrary, he hung limp and paralyzed with terror. The mystery, the uncertainty, the hideous significance of that wordless scuffle in the dusty road rendered him nerveless, and he cried out shakingly, like a man in a nightmare.

      A voice commanded him to be silent, a hot breath beat against his cheek; but he could not restrain his hysteria, and one of his captors began to throttle him. He heard his name called and saw Savigno's figure outlined briefly against the gray background, saw another figure blend with it, then heard Martel's voice end in a rising cry which lived to haunt his memory. It rose in protest, in surprise, as if the Count doubted even at the last that death could really claim him. Then it broke in a thin, wavering shriek.

      Blake may have fainted; at any rate, his body was beyond his control, and his next remembrance was of being half dragged, half thrust forward out into the lesser shadows. There was no longer any struggling, although men were speaking excitedly and he could hear them panting; some one was working the ejector of a rifle as if it had stuck. A tall man was wiping his hands upon some dried grass pluck'ed from the roadside, and he was cursing.

      "Who is this?" he cried, thrusting his face into the American's and showing a brutal countenance bristly with a week's growth of beard.

      "The stranger," one of Blake's captors answered, whereupon the tall man uttered a violent exclamation.

      "Wait!" cried the other. "He is already dying. He cannot stand."

      Some one else explained, "It is indeed the American, but he is wounded."

      "Let me finish the work; he has seen too much," said the first speaker, roughly.

      "No, no! He is the American. Do you not understand?"

      "Remember the order, Narcone," cautioned another.

      But Narcone continued to curse as if mastered by the craving to kill, and if the others had not laid hands upon him he might have made good his intention. They argued with him, all at once, and in the midst of the confusion which ensued a new voice called from the darkness:

      "What have you there?"

      "The