The Altar Fire. Benson Arthur Christopher

and almost bursting into tears at the pathos of the neglect. "Did you think we had forgotten you?" he said as he hugged it. I suggested that he should have a good meal. "I don't think he would care about GRASS," said Alec thoughtfully, "he shall have some leaves and berries for a treat." And this was tenderly executed. Maud went off to see some of her old pensioners, and came back glowing with pleasure, with twenty pleasant stories of welcome. Two or three people came in to see me on business, and I was glad to feel I was of use. In the afternoon we all went off on a long ramble together, and we were quite surprised to see that everything seemed to be in its place as usual. Summer is over, the fields have been reaped; there is a comfortable row of stacks in the rickyard; the pleasant humming of an engine came up the valley, as it sang its homely monotone, now low, now loud. After tea—the evenings have begun to close in—I went off to my study, took out my notebook and looked over my subjects, but I could make nothing of any of them. I could see that there were some good ideas among them; but none of them took shape. Often I have found that to glance over my subjects thus, after a holiday, is like blowing soap-bubbles. The idea comes out swelling and eddying from the bowl; a globe swimming with lucent hues, reflecting dim moving shapes of rooms and figures. Not so to-day. My mind winked and flapped and rustled like a burnt-out fire; not in a depressed or melancholy way, but phlegmatically and dully. Well, the spirit bloweth as it listeth; but it is strange to find my mind so unresponsive, with none of that pleasant stir, that excitement that has a sort of fantastic terror about it, such as happens when a book stretches itself dimly and mysteriously before the mind—when one has a glimpse of a quiet room with people talking, a man riding fiercely on lonely roads, two strolling together in a moonlit garden with the shadows of the cypresses on the turf, and the fragrance of the sleeping flowers blown abroad. They stop to listen to the nightingale in the bush . . . turn to each other . . . the currents of life are intermingled at the meeting of the lips, the warm shudder at the touch of the floating tress of fragrant hair. To-day nothing comes to me; I throw it all aside and go to see the children, am greeted delightfully, and join in some pretty and absurd game. Then dinner comes; and I sit afterwards reading, dropping the book to talk, Maud working in her corner by the fire—all things moving so tranquilly and easily in this pleasantly ordered home-like house of ours. It is good to be at home; and how pitiful to be hankering thus for something else to fill the mind, which should obliterate all the beloved things so tenderly provided. Maud asks about the reception of the latest book, and sparkles with pride at some of the things I tell her. She sees somehow—how do women divine these things?—that there is a little shadow of unrest over me, and she tells me all the comforting things that I dare not say to myself—that it is only that the book took more out of me than I knew, and that the resting-time is not over yet; but that I shall soon settle down again. Then I go off to smoke awhile; and then the haunting shadow comes back for a little; till at last I go softly through the sleeping house; and presently lie listening to the quiet breathing of my wife beside me, glad to be at home again, until the thoughts grow blurred, take grotesque shapes, sinking softly into repose.

      September 18, 1888.

      I have spent most of the morning in clearing up business, and dealing with papers and letters. Among the accumulations was a big bundle of press-cuttings, all dealing with my last book. It comes home to me that the book has been a success; it began by slaying its thousands, like Saul, and now it has slain its tens of thousands. It has brought me hosts of letters, from all sorts of people, some of them very delightful and encouraging, many very pleasant—just grateful and simple letters of thanks—some vulgar and impertinent, some strangely intimate. What is it, I wonder, that makes some people want to tell a writer whom they have never seen all about themselves, their thoughts and histories? In some cases it is an unaffected desire for sympathy from a person whom they think perceptive and sympathetic; in some cases it proceeds, I think, from a hysterical desire to be thought interesting, with a faint hope, I fear, of being possibly put into a book. Some of the letters have been simply unintelligible and inconceivable on any hypothesis, except for the human instinct to confess, to bare the heart, to display the secret sorrow. Many of these letters are intensely pathetic, affecting, heart-rending; an invalid lady writes to say that she would like to know me, and will I come to the North of England to see her? A man writes a pretentious letter, to ask me to go and stay with him for a week. He has nothing to offer, he says, but plain fare and rather cramped quarters; but he has thought deeply, he adds, on many of the problems on which I touch, and thinks that he could throw light upon some of them. Imagine what reserves of interest and wisdom he must consider that he possesses! Then there are patronising letters from people who say that I have put into words thoughts which they have always had, and which they never took the trouble to write down; then there are requests for autographs, and "sentiments," and suggestions for new books. A man writes to say that I could do untold good if I would write a book with a purpose, and ventures to propose that I should take up anti-vivisection. There are a few letters worth their weight in gold, from good men and true, writers and critics, who thank me for a book which fulfils its aim and artistic purpose, while on the other hand there are some from people who find fault with my book for not doing what I never even attempted to do. Here is one that has given me deep and unmitigated pain; it is from an old friend, who, I am told, is aggrieved because he thinks that I have put him into my book, in the form of an unpleasant character. The worst of it is that there is enough truth in it to make it difficult for me to deny it. My character is, in some superficial ways, habits, and tricks of speech, like Reginald. Well, on hearing what he felt, I wrote him a letter of apology for my carelessness and thoughtlessness, saying, as frankly as I could, that the character was not in any way drawn from him, but that I undoubtedly had, almost unconsciously, taken an external trait or two from him; adding that I was truly and heartily sorry, and hoped that there would be no ill-feeling; and that I valued his friendship even more than he probably imagined. Here is his reply:

      MY DEAR F——,

      —If you spit on the head of a man passing in the street, and then write to him a few days after to say that all is forgiven, and that you are sorry your aim was so accurate, you don't mend matters.

      You express a hope that after what has occurred there may be no ill-feeling between us. Well, you have done me what I consider an injury. I have no desire to repay it; if I had a chance of doing you a good turn, I should do it; if I heard you abused, I should stick up for you. I have no intention of making a grievance out of it. But if you ask me to say that I do not feel a sense of wrong, or to express a wish to meet you, or to trust you any longer as I have hitherto trusted you, I must decline saying anything of the kind, because it would not be true.

      Of course I know that there cannot be omelettes without breaking eggs; and I suppose that there cannot be what are called psychological novels, without violating confidences. But you cannot be surprised, when you encourage an old friend to trust you and confide in you, and then draw an ugly caricature of him in a book, if he thinks the worse of you in consequence. I hear that the book is a great success; you must be content with the fact that the yolks are as golden as they are. Please do not write to me again on the subject. I will try to forget it, and if I succeed, I will let you know.

      Yours ——

      That is the kind of letter that poisons life for a while. While I am aware that I meant no treachery, I am none the less aware that I have contrived to be a traitor. Of course one vows one will never write another line; but I do not suppose I shall keep the vow. I reply shortly, eating all the dirt I can collect; and I shall try to forget it too; though it is a shabby end of an old friendship.

      Then I turn to the reviews. I find them gracious, respectful, laudatory. They are to be taken cum grano, of course. When an enthusiastic reviewer says that I have passed at one stride into the very first class of contemporary writers, I do not feel particularly elated, though I am undeniably pleased. I find my conception, my structure, my style, my descriptions, my character-drawing, liberally and generously praised. There is no doubt that the book has been really successful beyond my wildest hopes. If I were in any doubt, the crop of letters from editors and publishers asking me for articles and books of every kind, and offering me incredible terms, would convince me.

      Now what do I honestly feel about all this? I will try for my own benefit to say. Of course I am very much pleased, but