The Life of Francis Marion. William Gilmore Simms

Appendix A. Notes on the electronic text. Appendix B. Song of Marion's Men.

      Contents.

      Note.

      In preparing this biography, the following works have been consulted:

      Preface.

      The facts, in the life of Francis Marion, are far less generally extended in our country than his fame. The present is an attempt to supply this deficiency, and to justify, by the array of authentic particulars, the high position which has been assigned him among the master-workers in our revolutionary history. The task has been a difficult, but I trust not entirely an unsuccessful one. Our southern chronicles are meagre and unsatisfactory. South Carolina was too long in the occupation of the British—too long subject to the ravages of civil and foreign war, to have preserved many of those minor records which concern only the renown of individuals, and are unnecessary to the comprehension of great events; and the vague tributes of unquestioning tradition are not adequate authorities for the biographer, whose laws are perhaps even more strict than those which govern the historian. Numerous volumes, some private manuscripts, and much unpublished correspondence, to which reference has been more particularly made in the appendix, have been consulted in the preparation of this narrative. The various histories of Carolina and Georgia have also been made use of. Minor facts have been gathered from the lips of living witnesses. Of the two works devoted especially to our subject, that by the Rev. Mr. Weems is most generally known—a delightful book for the young. The author seems not to have contemplated any less credulous readers, and its general character is such as naturally to inspire us with frequent doubts of its statements. Mr. Weems had rather loose notions of the privileges of the biographer; though, in reality, he has transgressed much less in his Life of Marion than is generally supposed. But the untamed, and sometimes extravagant exuberance of his style might well subject his narrative to suspicion. Of the "Sketch" by the Hon. Judge James, we are more secure, though, as a literary performance, it is quite as devoid of merit as pretension. Besides, the narrative is not thorough. It dwells somewhat too minutely upon one class of facts, to the neglect or the exclusion of others. I have made both of these works tributary to my own whenever this was possible.

      Woodland, S.C., May 25, 1844.

      THE LIFE OF FRANCIS MARION

      Chapter 1.

      The name of FRANCIS MARION is identified, in the history of South Carolina, his parent state, with all that is pleasing and exciting in romance. He is, par excellence, the famous partisan of that region. While Sumter stands conspicuous for bold daring, fearless intrepidity and always resolute behavior; while Lee takes eminent rank as a gallant Captain of Cavalry, the eye and the wing of the southern liberating army under Greene; Marion is proverbially the great master of strategy—the wily fox of the swamps—never to be caught, never to be followed,—yet always at hand, with unconjectured promptness, at the moment when he is least feared and is least to be expected. His pre-eminence in this peculiar and most difficult of all kinds of warfare, is not to be disputed. In his native region he has no competitor, and it is scarcely possible to compute the vast influence which he possessed and exercised over the minds and feelings of the people of Carolina, simply through his own resources, at a period most adverse to their fortunes, and when the cause of their liberties, everywhere endangered, was almost everywhere considered hopeless. His name was the great rallying cry of the yeoman in battle—the word that promised hope—that cheered the desponding patriot—that startled, and made to pause in his career of recklessness and blood, the cruel and sanguinary tory. Unprovided with the means of warfare, no less than of comfort—wanting equally in food and weapons—we find him supplying the one deficiency with a cheerful courage that never failed; the other with the resources of a genius that seemed to wish for nothing from without. With a force constantly fluctuating and feeble in consequence of the most ordinary necessities—half naked men, feeding upon unsalted pottage,—forced to fight the enemy by day, and look after their little families, concealed in swamp or thicket, by night—he still contrived,—one knows not well how,—to keep alive and bright the sacred fire of his country's liberties, at moments when they seemed to have no other champion. In this toil and watch, taken cheerfully and with spirits that never appeared to lose their tone and elasticity, tradition ascribes to him a series of achievements, which, if they were small in comparison with the great performances of European war, were scarcely less important; and which, if they sometimes transcend belief, must yet always delight the imagination. His adventures have given a rich coloring to fable, and have stimulated its performances. The language of song and story has been employed to do them honor, and our children are taught, in lessons that they love, to lisp the deeds and the patriotism of his band. "Marion"—"Marion's Brigade" and "Marion's men", have passed into household words, which the young utter with an enthusiasm much more confiding than that which they yield to the wondrous performances of Greece and Ilium. They recall, when spoken, a long and delightful series of brilliant exploits, wild adventures, by day and night, in swamp and thicket, sudden and strange manoeuvres, and a generous, unwavering ardor, that never found any peril too hazardous, or any suffering too unendurable. The theme, thus invested, seems to have escaped the ordinary bounds of history. It is no longer within the province of the historian. It has passed into the hands of the poet, and seems to scorn the appeal to authentic chronicles. When we look for the record we find but little authority for a faith so confiding, and seemingly so exaggerated. The story of the Revolution in the southern colonies has been badly kept. Documentary proofs are few, bald and uninteresting. A simple paragraph in the newspapers,—those newspapers issued not unfrequently in cities where the enemy had power, and in the control of Editors, unlike the present, who were seldom able to expatiate upon the achievement which they recorded;—or the brief dispatches of the Captain himself, whose modesty would naturally recoil from stating more than the simple result of his performances;—these are usually the sum total of our authorities. The country, sparsely settled, and frequently overrun by the barbarous enemy, was incapable of that patient industry and persevering care, which could chronicle the passing event, give place and date to the brilliant sortie, the gallant struggle, the individual deed of audacity, which, by a stroke, and at a moment, secures an undying remembrance in the bosoms of a people. The fame of Marion rests very much upon tradition. There is little in the books to justify the strong and exciting relish with which the name is spoken and remembered throughout the country. He was not a bloody warrior. His battle fields were never sanguinary. His ardor was never of a kind to make him imprudent. He was not distinguished for great strength of arm, or great skill in his weapon. We have no proofs that he was ever engaged in single combat: yet the concurrent testimony of all who have written, declare, in general terms, his great services: and the very exaggeration of the popular estimate is a partial proof of the renown for which it speaks. In this respect, his reputation is like that of all other heroes of romantic history. It is a people's history, written in their hearts, rather than in their books; which their books could not write—which would lose all its golden glow, if subjected to the cold details of the phlegmatic chronicles. The tradition, however swelling, still testifies to that large merit which must have been its basis, by reason of which the name of the hero was selected from all others for such peculiar honors; and though these exaggerations suggest a thousand difficulties in the way of sober history, they yet serve to increase the desire, as well as the necessity, for some such performance.

      The family of Marion came from France. They emigrated to South Carolina somewhere about the year 1685, within twenty years after the first British settlement of the province. They belonged, in the parent country, to that sect of religious dissenters which bore the name of Huguenots; and were among those who fled from the cruel persecutions which, in the beginning of the reign of Louis XIV., followed close upon the re-admission