The Valley of the Moon. Jack London

by her sister-in-law's voice.

      "NOW what's the matter with you? If you didn't like them beans—"

      "No, no," Saxon explained hurriedly. "I'm just tired, that's all, and my feet hurt. I wasn't hungry, Sarah. I'm just beat out."

      "If you took care of this house," came the retort, "an' cooked an' baked, an' washed, an' put up with what I put up, you'd have something to be beat out about. You've got a snap, you have. But just wait." Sarah broke off to cackle gloatingly. "Just wait, that's all, an' you'll be fool enough to get married some day, like me, an' then you'll get yours—an' it'll be brats, an' brats, an' brats, an' no more dancin', an' silk stockin's, an' three pairs of shoes at one time. You've got a cinch-nobody to think of but your own precious self—an' a lot of young hoodlums makin' eyes at you an' tellin' you how beautiful your eyes are. Huh! Some fine day you'll tie up to one of 'em, an' then, mebbe, on occasion, you'll wear black eyes for a change."

      "Don't say that, Sarah," Saxon protested. "My brother never laid hands on you. You know that."

      "No more he didn't. He never had the gumption. Just the same, he's better stock than that tough crowd you run with, if he can't make a livin' an' keep his wife in three pairs of shoes. Just the same he's oodles better'n your bunch of hoodlums that no decent woman'd wipe her one pair of shoes on. How you've missed trouble this long is beyond me. Mebbe the younger generation is wiser in such thins—I don't know. But I do know that a young woman that has three pairs of shoes ain't thinkin' of anything but her own enjoyment, an' she's goin' to get hers, I can tell her that much. When I was a girl there wasn't such doin's. My mother'd taken the hide off me if I done the things you do. An' she was right, just as everything in the world is wrong now. Look at your brother, a-runnin' around to socialist meetin's, an' chewin' hot air, an' diggin' up extra strike dues to the union that means so much bread out of the mouths of his children, instead of makin' good with his bosses. Why, the dues he pays would keep me in seventeen pairs of shoes if I was nannygoat enough to want 'em. Some day, mark my words, he'll get his time, an' then what'll we do? What'll I do, with five mouths to feed an' nothin' comin' in?"

      She stopped, out of breath but seething with the tirade yet to come.

      "Oh, Sarah, please won't you shut the door?" Saxon pleaded.

      The door slammed violently, and Saxon, ere she fell to crying again, could hear her sister-in-law lumbering about the kitchen and talking loudly to herself.

      CHAPTER II

      Each bought her own ticket at the entrance to Weasel Park. And each, as she laid her half-dollar down, was distinctly aware of how many pieces of fancy starch were represented by the coin. It was too early for the crowd, but bricklayers and their families, laden with huge lunch-baskets and armfuls of babies, were already going in—a healthy, husky race of workmen, well-paid and robustly fed. And with them, here and there, undisguised by their decent American clothing, smaller in bulk and stature, weazened not alone by age but by the pinch of lean years and early hardship, were grandfathers and mothers who had patently first seen the light of day on old Irish soil. Their faces showed content and pride as they limped along with this lusty progeny of theirs that had fed on better food.

      Not with these did Mary and Saxon belong. They knew them not, had no acquaintances among them. It did not matter whether the festival were Irish, German, or Slavonian; whether the picnic was the Bricklayers', the Brewers', or the Butchers'. They, the girls, were of the dancing crowd that swelled by a certain constant percentage the gate receipts of all the picnics.

      They strolled about among the booths where peanuts were grinding and popcorn was roasting in preparation for the day, and went on and inspected the dance floor of the pavilion. Saxon, clinging to an imaginary partner, essayed a few steps of the dip-waltz. Mary clapped her hands.

      "My!" she cried. "You're just swell! An' them stockin's is peaches."

      Saxon smiled with appreciation, pointed out her foot, velvet-slippered with high Cuban heels, and slightly lifted the tight black skirt, exposing a trim ankle and delicate swell of calf, the white flesh gleaming through the thinnest and flimsiest of fifty-cent black silk stockings. She was slender, not tall, yet the due round lines of womanhood were hers. On her white shirtwaist was a pleated jabot of cheap lace, caught with a large novelty pin of imitation coral. Over the shirtwaist was a natty jacket, elbow-sleeved, and to the elbows she wore gloves of imitation suede. The one essentially natural touch about her appearance was the few curls, strangers to curling-irons, that escaped from under the little naughty hat of black velvet pulled low over the eyes.

      Mary's dark eyes flashed with joy at the sight, and with a swift little run she caught the other girl in her arms and kissed her in a breast-crushing embrace. She released her, blushing at her own extravagance.

      "You look good to me," she cried, in extenuation. "If I was a man I couldn't keep my hands off you. I'd eat you, I sure would."

      They went out of the pavilion hand in hand, and on through the sunshine they strolled, swinging hands gaily, reacting exuberantly from the week of deadening toil. They hung over the railing of the bear-pit, shivering at the huge and lonely denizen, and passed quickly on to ten minutes of laughter at the monkey cage. Crossing the grounds, they looked down into the little race track on the bed of a natural amphitheater where the early afternoon games were to take place. After that they explored the woods, threaded by countless paths, ever opening out in new surprises of green-painted rustic tables and benches in leafy nooks, many of which were already pre-empted by family parties. On a grassy slope, tree-surrounded, they spread a newspaper and sat down on the short grass already tawny-dry under the California sun. Half were they minded to do this because of the grateful indolence after six days of insistent motion, half in conservation for the hours of dancing to come.

      "Bert Wanhope'll be sure to come," Mary chattered. "An' he said he was going to bring Billy Roberts—'Big Bill,' all the fellows call him. He's just a big boy, but he's awfully tough. He's a prizefighter, an' all the girls run after him. I'm afraid of him. He ain't quick in talkin'. He's more like that big bear we saw. Brr-rf! Brr-rf!—bite your head off, just like that. He ain't really a prize-fighter. He's a teamster—belongs to the union. Drives for Coberly and Morrison. But sometimes he fights in the clubs. Most of the fellows are scared of him. He's got a bad temper, an' he'd just as soon hit a fellow as eat, just like that. You won't like him, but he's a swell dancer. He's heavy, you know, an' he just slides and glides around. You wanta have a dance with'm anyway. He's a good spender, too. Never pinches. But my!—he's got one temper."

      The talk wandered on, a monologue on Mary's part, that centered always on Bert Wanhope.

      "You and he are pretty thick," Saxon ventured.

      "I'd marry'm to-morrow," Mary flashed out impulsively. Then her face went bleakly forlorn, hard almost in its helpless pathos. "Only, he never asks me. He's..." Her pause was broken by sudden passion. "You watch out for him, Saxon, if he ever comes foolin' around you. He's no good. Just the same, I'd marry him to-morrow. He'll never get me any other way." Her mouth opened, but instead of speaking she drew a long sigh. "It's a funny world, ain't it?" she added. "More like a scream. And all the stars are worlds, too. I wonder where God hides. Bert Wanhope says there ain't no God. But he's just terrible. He says the most terrible things. I believe in God. Don't you? What do you think about God, Saxon?"

      Saxon shrugged her shoulders and laughed.

      "But if we do wrong we get ours, don't we?" Mary persisted. "That's what they all say, except Bert. He says he don't care what he does, he'll never get his, because when he dies he's dead, an' when he's dead he'd like to see any one put anything across on him that'd wake him up. Ain't he terrible, though? But it's all so funny. Sometimes I get scared when I think God's keepin' an eye on me all the time. Do you think he knows what I'm sayin' now? What do you think he looks like, anyway?"

      "I don't know," Saxon answered. "He's just a funny proposition."

      "Oh!" the other gasped.

      "He IS, just