The Complete Works. Эдгар Аллан По

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Название The Complete Works
Автор произведения Эдгар Аллан По
Жанр Языкознание
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in question would have been much reduced, and, by his own ratiocination, the probability much diminished of the corpse being that of the grisette. It is, nevertheless, amusing to observe that L’Etoile insists upon its point in the full belief of its furthering its general argument.

      “Reperuse now that portion of this argument which has reference to the identification of the corpse by Beauvais. In regard to the hair upon the arm, L’Etoile has been obviously disingenuous. M. Beauvais, not being an idiot, could never have urged in identification of the corpse, simply hair upon its arm. No arm is without hair. The generality of the expression of L’Etoile is a mere perversion of the witness’ phraseology. He must have spoken of some peculiarity in this hair. It must have been a peculiarity of color, of quantity, of length, or of situation.

      “In respect to the insinuations levelled at Beauvais, you will be willing to dismiss them in a breath. You have already fathomed the true character of this good gentleman. He is a busy-body, with much of romance and little of wit. Any one so constituted will readily so conduct himself, upon occasion of real excitement, as to render himself liable to suspicion on the part of the over-acute, or the ill-disposed. M. Beauvais (as it appears from your notes) had some personal interviews with the editor of L’Etoile, and offended him by venturing an opinion that the corpse, notwithstanding the theory of the editor, was, in sober fact, that of Marie. ‘He persists,’ says the paper, ‘in asserting the corpse to be that of Marie, but cannot give a circumstance, in addition to those which we have commented upon, to make others believe.’ Now, without readverting to the fact that stronger evidence ‘to make others believe,’ could never have been adduced, it may be remarked that a man may very well be understood to believe, in a case of this kind, without the ability to advance a single reason for the belief of a second party. Nothing is more vague than impressions of individual identity. Each man recognizes his neighbor, yet there are few instances in which any one is prepared to give a reason for his recognition. The editor of L’Etoile had no right to be offended at M. Beauvais’ unreasoning belief.

      “The suspicious circumstances which invest him, will be found to tally much better with my hypothesis of romantic busy-bodyism, than with the reasoner’s suggestion of guilt. Once adopting the more charitable interpretation, we shall find no difficulty in comprehending the rose in the key-hole; the ‘Marie’ upon the slate; the ‘elbowing the male relatives out of the way’; the ‘aversion to permitting them to see the body’; the caution given to Madame B-, that she must hold no conversation with the gendarme until his return (Beauvais); and, lastly, his apparent determination ‘that nobody should have any thing to do with the proceedings except himself.’ It seems to be unquestionable that Beauvais was a suitor of Marie’s; that she coquetted with him; and that he was ambitious of being thought to enjoy her fullest intimacy and confidence. I shall say nothing more upon this point; and, as the evidence fully rebuts the assertion of L’Etoile, touching the matter of apathy on the part of the mother and other relatives — an apathy inconsistent with the supposition of their believing the corpse to be that of the perfumery — girl — we shall now proceed as if the question of identity were settled to our perfect satisfaction.”

      “And what,” I here demanded, “do you think of the opinions of Le Commerciel?”

      “That in spirit, they are far more worthy of attention than any which have been promulgated upon the subject. The deductions from the premises are philosophical and acute; but the premises, in two instances, at least, are founded in imperfect observation. Le Commerciel wishes to intimate that Marie was seized by some gang of low ruffians not far from her mother’s door. ‘It is impossible,’ it urges, ‘that a person so well known to thousands as this young woman was, should have passed three blocks without some one having seen her.” This is the idea of a man long resident in Paris — a public man — and one whose walks to and fro in the city have been mostly limited to the vicinity of the public offices. He is aware that he seldom passes so far as a dozen blocks from his own bureau, without being recognized and accosted. And, knowing the extent of his personal acquaintance with others, and of others with him, he compares his notoriety with that of the perfumery-girl, finds no great difference between them, and reaches at once the conclusion that she, in her walks, would be equally liable to recognition with himself in his. This could only be the case were her walks of the same unvarying, methodical character, and within the same species of limited region as are his own. He passes to and fro, at regular intervals, within a confined periphery, abounding in individuals who are led to observation of his person through interest in the kindred nature of his occupation with their own. But the walks of Marie may, in general, be supposed discursive. In this particular instance, it will be understood as most probable, that she proceeded