Mehalah (Gothic Classic). Baring-Gould Sabine

way to Waldegraves what I was thinking about, and offered me a penny for my thoughts. Now I wonder what you are lost in a brown study about, and I will give you four farthings for what is passing in your little golden head.'

      'You must not ask me, George—dear George.'

      'Oh mate, you must tell me.'

      'I dare not. I shall be so ashamed.'

      'Then look aside when you speak.'

      'No, I can't do that. I must look you full in the face; and do you look me in the face too. George, I was thinking—Why did you not come and talk to me, before you went courting that gipsy girl, Mehalah. Are you not sorry now that you are tied to her?'

      His eyes fell. He could not speak.

      CHAPTER VI.

       BLACK OR GOLD.

       Table of Contents

      When De Witt drove up to the 'City' with Phoebe Musset, the first person he saw on the beach was the last person that, under present circumstances, he wished to see—Mehalah Sharland. Phoebe perceived her at once, and rejoiced at the opportunity that offered to profit by it.

      For a long time Phoebe had been envious of the reputation as a beauty possessed by Mehalah. Her energy, determination and courage made her highly esteemed among the fishermen, and the expressions of admiration lavished on her handsome face and generous character had roused all the venom in Phoebe's nature. She desired to reign as queen paramount of beauty, and, like Elizabeth, could endure no rival. George De Witt was the best built and most pleasant faced of all the Mersea youths, and he had hitherto held aloof from her and paid his homage to the rival queen. This had awakened Phoebe's jealousy. She had no real regard, no warm affection for the young fisherman; she thought him handsome, and was glad to flirt with him, but he had made no serious impression on her heart, for Phoebe had not a heart on which any deep impression could be made. She had laid herself out to attract and entangle him from love of power, and desire to humble Mehalah. She did not know whether any actual engagement existed between George and Glory, probably she did not care. If there were, so much the better, it would render her victory more piquant and complete.

      She would trifle with the young man for a few weeks or a month, till he had broken with her rival, and then she would keep him or cast him off as suited her caprice. By taking him up, she would sting other admirers into more fiery pursuit, blow the smouldering embers into flaming jealousy, and thus flatter her vanity and assure her supremacy. The social laws of rural life are the same as those in higher walks, but unglossed and undisguised. In the realm of nature it is the female who pursues and captures, not captivates, the male. As in Eden, so in this degenerate paradise, it is Eve who walks Adam, at first in wide, then in gradually contracting circles, about the forbidden tree, till she has brought him to take the unwholesome morsel. The male bird blazes in gorgeous plumage and swims alone on the glassy pool, but the sky is speckled with sombre feathered females who disturb his repose, drive him into a corner and force him to divide his worms, and drudge for them in collecting twigs and dabbing mud about their nest. The male glow-worm browses on the dewy blades by his moony lamp; it is the lack-light female that buzzes about him, coming out of obscurity, obscure herself, flattering and fettering him and extinguishing his lamp.

      Where culture prevails, the sexes change their habits with ostentation, but remain the same in proclivities behind disguise. The male is supposed to pursue the female he seeks as his mate, to hover round her; and she is supposed to coyly retire, and start from his advances. But her modesty is as unreal as the nolo episcopari of a simoniacal bishop-elect. Bashfulness is a product of education, a mask made by art. The cultured damsel hunts not openly, but like a poacher, in the dark. Eve put off modesty when she put on fig-leaves; in the simplicity of the country, her daughters walk without either. The female gives chase to the male as a matter of course, as systematically and unblushingly in rustic life, as in the other grades of brute existence. The mother adorns her daughter for the war-path with paint and feathers, and sends her forth with a blessing and a smile to fulfil the first duty of woman, and the meed of praise is hers when she returns with a masculine heart, yet hot and mangled, at her belt.

      The Early Church set apart one day in seven for rest; the Christian pagans set it apart for the exercise of the man hunt. The Stuart bishops published a book on Sunday amusements, and allowed of Sabbath hunting. They followed, and did not lead opinion. It is the coursing day of days when marriage-wanting maids are in full cry and scent of all marriageable men.

      A village girl who does not walk about her boy is an outlaw to the commonwealth, a renegade to her sex. A lover is held to be of as much necessity as an umbrella, a maiden must not go out without either. If she cannot attract one by her charms, she must retain him with a fee. Rural morality moreover allows her to change the beau on her arm as often as the riband in her cap, but not to be seen about, at least on Sunday, devoid of either.

      Phoebe Musset intended some day to marry, but had not made up her mind whom to choose, and when to alter her condition. She would have liked a well-to-do young farmer, but there happened to be no man of this kind available. There were, indeed, at Peldon four bachelor brothers of the name of Marriage, but they were grown grey in celibacy and not disposed to change their lot. One of the principal Mersea farmers was named Wise, and had a son of age, but he was an idiot. The rest were afflicted with only daughters—afflicted from Phoebe's point of view, blessed from their own. There was a widower, but to take a widower was like buying a broken-kneed horse.

      George was comfortably off. He owned some oyster pans and gardens, and had a fishing smack.

      But he was not a catch. There were, however, no catches to be angled, trawled or dredged for. Phoebe did not trouble herself greatly about the future. Her father and mother would, perhaps, not be best pleased were she to marry off the land, but the wishes of her parents were of no weight with Phoebe, who was determined to suit her own fancy.

      As she approached the 'City,' she saw Glory surrounded by young boatmen, eager to get a word from her lips or a glance from her eyes. Phoebe's heart contracted with spite, but next moment swelled with triumph at the thought that it lay in her power to wound her rival and exhibit her own superiority, before the eyes of all assembled on the beach.

      'There is the boy from the Leather Bottle, George,' said she, 'he shall take the horse.'

      De Witt descended and helped her to alight, then directly, to her great indignation, made his way to Mehalah. Glory put out both hands to him and smiled. Her smile, which was rare, was sweet; it lighted up and transformed a face somewhat stern and dark.

      'Where have you been, George?'

      'I have been driving that girl yonder, what's-her-name, to Waldegraves.'

      'What, Phoebe Musset? I did not know you could drive.'

      'I can do more than row a boat and catch crabs, Glory.'

      'What induced you to drive her?'

      'I could not help myself, I was driven into doing so. You see, Glory, a fellow is not always his own master. Circumstances are sometimes stronger than his best purposes, and like a mass of seaweed arrest his oar and perhaps upset his boat.'

      'Why, bless the boy!' exclaimed Mehalah. 'What are all these excuses for? I am not jealous.'

      'But I am,' said Phoebe who had come up. 'George, you are very ungallant to desert me. You have forgotten your promise, moreover.'

      'What promise?'

      'There! what promise you say, as if your head were a riddle and everything put in except clots of clay and pebbles fell through. Mehalah has stuck in the wires, and poor little I have been sifted out.'

      'But what did I promise?'

      'To show me the hull in which you and your mother live, the "Pandora" I think you call her.'

      'Did I promise?'

      'Yes, you did, when we were together at the Decoy under the willows. I told you