Lovecraft Edition. H. P. Lovecraft

or in haste. Willett lighted the lamp and looked carefully at the pad, to see what notes young Ward might have been jotting down when interrupted; but found nothing more intelligible than the following disjointed fragments in that crabbed Curwen chirography, which shed no light on the case as a whole:

      “B. dy’d not. Escap’d into walls and founde Place below.

       “Saw olde V. saye y^e Sabaoth and learnt y^e Way. “Rais’d Yog-Sothoth thrice and was y^e nexte Day deliver’d. “F. soughte to wipe out all know’g howe to raise Those from Outside.”

      As the strong Argand blaze lit up the entire chamber the doctor saw that the wall opposite the door, between the two groups of torturing appliances in the corners, was covered with pegs from which hung a set of shapeless-looking robes of a rather dismal yellowish-white. But far more interesting were the two vacant walls, both of which were thickly covered with mystic symbols and formulae roughly chiselled in the smooth dressed stone. The damp floor also bore marks of carving; and with but little difficulty Willett deciphered a huge pentagram in the centre, with a plain circle about three feet wide half way between this and each corner. In one of these four circles, near where a yellowish robe had been flung carelessly down, there stood a shallow kylix of the sort found on the shelves above the whip-rack; and just outside the periphery was one of the Phaleron jugs from the shelves in the other room, its tag numbered 118. This was unstoppered, and proved upon inspection to be empty; but the explorer saw with a shiver that the kylix was not. Within its shallow area, and saved from scattering only by the absence of wind in this sequestered cavern, lay a small amount of a dry, dull-greenish efflorescent powder which must have belonged in the jug; and Willett almost reeled at the implications that came sweeping over him as he correlated little by little the several elements and antecedents of the scene. The whips and the instruments of torture, the dust or salts from the jug of “Materia”, the two lekythoi from the “Custodes” shelf, the robes, the formulae on the walls, the notes on the pad, the hints from letters and legends, and the thousand glimpses, doubts, and suppositions which had come to torment the friends and parents of Charles Ward—all these engulfed the doctor in a tidal wave of horror as he looked at that dry greenish powder outspread in the pedestalled leaden kylix on the floor.

      With an effort, however, Willett pulled himself together and began studying the formulae chiselled on the walls. From the stained and incrusted letters it was obvious that they were carved in Joseph Curwen’s time, and their text was such as to be vaguely familiar to one who had read much Curwen material or delved extensively into the history of magic. One the doctor clearly recognised as what Mrs. Ward heard her son chanting on that ominous Good Friday a year before, and what an authority had told him was a very terrible invocation addressed to secret gods outside the normal spheres. It was not spelled here exactly as Mrs. Ward had set it down from memory, nor yet as the authority had shewn it to him in the forbidden pages of “Eliphas Levi”; but its identity was unmistakable, and such words as Sabaoth, Metraton, Almousin, and Zariatnatmik sent a shudder of fright through the searcher who had seen and felt so much of cosmic abomination just around the corner.

      This was on the left-hand wall as one entered the room. The right-hand wall was no less thickly inscribed, and Willett felt a start of recognition as he came upon the pair of formulae so frequently occurring in the recent notes in the library. They were, roughly speaking, the same; with the ancient symbols of “Dragon’s Head” and “Dragon’s Tail” heading them as in Ward’s scribblings. But the spelling differed quite widely from that of the modern versions, as if old Curwen had had a different way of recording sound, or as if later study had evolved more powerful and perfected variants of the invocations in question. The doctor tried to reconcile the chiselled version with the one which still ran persistently in his head, and found it hard to do. Where the script he had memorised began “Y’ai ’ng’ngah, Yog-Sothoth”, this epigraph started out as “Aye, engengah, Yogge-Sothotha”; which to his mind would seriously interfere with the syllabification of the second word.

      Ground as the later text was into his consciousness, the discrepancy disturbed him; and he found himself chanting the first of the formulae aloud in an effort to square the sound he conceived with the letters he found carved. Weird and menacing in that abyss of antique blasphemy rang his voice; its accents keyed to a droning sing-song either through the spell of the past and the unknown, or through the hellish example of that dull, godless wail from the pits whose inhuman cadences rose and fell rhythmically in the distance through the stench and the darkness.

      “Y’AI ’NG’NGAH,

       YOG-SOTHOTH H’EE—L’GEB F’AI THRODOG UAAAH!”

      But what was this cold wind which had sprung into life at the very outset of the chant? The lamps were sputtering woefully, and the gloom grew so dense that the letters on the wall nearly faded from sight. There was smoke, too, and an acrid odour which quite drowned out the stench from the far-away wells; an odour like that he had smelt before, yet infinitely stronger and more pungent. He turned from the inscriptions to face the room with its bizarre contents, and saw that the kylix on the floor, in which the ominous efflorescent powder had lain, was giving forth a cloud of thick, greenish-black vapour of surprising volume and opacity. That powder—Great God! it had come from the shelf of “Materia”—what was it doing now, and what had started it? The formula he had been chanting—the first of the pair—Dragon’s Head, ascending node—Blessed Saviour, could it be. . . .

      The doctor reeled, and through his head raced wildly disjointed scraps from all he had seen, heard, and read of the frightful case of Joseph Curwen and Charles Dexter Ward. “I say to you againe, doe not call up Any that you can not put downe. . . . Have y^e Wordes for laying at all times readie, and stopp not to be sure when there is any Doubte of Whom you have. . . . Three Talkes with What was therein inhum’d. . . .” Mercy of Heaven, what is that shape behind the parting smoke?

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       Table of Contents

      Marinus Bicknell Willett has no hope that any part of his tale will be believed except by certain sympathetic friends, hence he has made no attempt to tell it beyond his most intimate circle. Only a few outsiders have ever heard it repeated, and of these the majority laugh and remark that the doctor surely is getting old. He has been advised to take a long vacation and to shun future cases dealing with mental disturbance. But Mr. Ward knows that the veteran physician speaks only a horrible truth. Did not he himself see the noisome aperture in the bungalow cellar? Did not Willett send him home overcome and ill at eleven o’clock that portentous morning? Did he not telephone the doctor in vain that evening, and again the next day, and had he not driven to the bungalow itself on that following noon, finding his friend unconscious but unharmed on one of the beds upstairs? Willett had been breathing stertorously, and opened his eyes slowly when Mr. Ward gave him some brandy fetched from the car. Then he shuddered and screamed, crying out, “That beard . . . those eyes. . . . God, who are you?” A very strange thing to say to a trim, blue-eyed, clean-shaven gentleman whom he had known from the latter’s boyhood.

      In the bright noon sunlight the bungalow was unchanged since the previous morning. Willett’s clothing bore no disarrangement beyond certain smudges and worn places at the knees, and only a faint acrid odour reminded Mr. Ward of what he had smelt on his son that day he was taken to the hospital. The doctor’s flashlight was missing, but his valise was safely there, as empty as when he had brought it. Before indulging in any explanations, and obviously with great moral effort, Willett staggered dizzily down to the cellar and tried the fateful platform before the tubs. It was unyielding. Crossing to where he had left his yet unused tool satchel the day before, he obtained a chisel and began to pry up the stubborn planks one by one. Underneath the smooth concrete was still visible, but of any opening or perforation there was no longer a trace. Nothing yawned this time to sicken the mystified father who had followed the doctor downstairs; only the smooth concrete underneath the planks—no noisome well, no world of subterrene horrors, no secret library, no Curwen papers, no nightmare pits of stench and howling, no laboratory or shelves