Saddle & Ride (Musaicum Vintage Western). Ernest Haycox

began to beat up its iron clanging from the porch of the Mountain House hotel. The Red Canyon stage rolled out of the hills, made a howling swing into Main Street and stopped before the hotel in smoky eddies of dust. Morgan left the post office doorway, still interested in the way the Three Pines riders—Herendeen's outfit—scattered themselves along the street. When he passed the hotel he saw Lige White's wife standing in the doorway, a repressed expression on her face. He stopped and removed his hat and spoke pleasantly; she was, he thought, the most self-contained woman in the country. When she smiled she became ten years younger, but as always, a shadow remained in her eyes. Like worry, or like some unhappiness deeply hidden. Janet had appeared at McGarrah's doorway and was calling his name.

      Mrs. White, who had no children of her own, said gently: "She has the prettiest hair, Clay. I wish you'd let her stay with me sometime."

      "I'll ask her," said Clay Morgan. He turned over the dust, once more running the street with his careful glance. A Three Pines man stood by the post office corner, and one loitered at the arch of Gentry's corral. Jesse Rusey wasn't to be seen. Ollie Jacks left his spot by the saloon, crossed the street and walked beneath the board awnings, as far as the hotel. He put his arm on the porch rail. His head was lowered but Morgan saw his hat jerk a little. The man was dead, even as his mind clawed at the thought of escape; and he knew he was dead. A Three Pines rider walked by Morgan, going down to the brick and dobe buildings of Old Town. From the doorway of McGarrah's, Morgan watched that man turn and block the way for Ollie Jacks. Ollie Jacks's arm slowly fell from the hotel's porch rail; he swung around and started back for the stable, walking as though a heavy weight pushed at his shoulders and at his knees. Morgan caught one good glimpse of his face; it was thin and old with strain.

      Janet took his hand. They went on through the store, into the back quarters. Yellow lamplight poured on the red-checkered tablecloth, splintering brilliantly against the glass cruets. Ann McGarrah was in the kitchen, dishing the meal; he passed on to the rear porch, took off his coat and scrubbed away the riding dust. When he returned to the dining room they were waiting for him—Janet and Ann.

      Sometimes, in his long riding hours, Clay Morgan's thoughts turned to the puzzle of his future and always, in that pondering, there came a time when he saw Ann McGarrah's face and heard the even melody of her voice. Her eyes were deep brown, with stillness, with depth. Black hair ran smoothly away from forehead and temples. Her lips, red and expressive, could quickly smile, or could hold the soft curve of soberness. He was never sure of her thinking, never certain of what her eyes meant when she watched him, but the slow gesturing of her hands and the small swing of her shoulders displayed a grace that never ceased to capture his attention. She never tired a man, she never asked anything of him. Always, when she spoke, she held him gently distant.

      "Like home," he said.

      She looked at him carefully, "What should home be like? Men have different notions."

      "I wish," said Janet, "you would tell Daddy not to cut up my meat. I'm nine years old now."

      "I keep forgetting," said Morgan. "Hard for me to recall you're practically a lady. Just a little while back, it seems, you were in, a high chair, spilling milk. That's how time goes." He was watching Janet and he was smiling, knowing that this reference to babyhood always teased her. This was how Ann McGarrah best remembered him, this was the side of him that made her still and watchful and a little sad—this sight of this man idle in the chair, loosened and idle and affectionately amused with his daughter. He was big-boned and long-armed. There wasn't any fat on him. The edge of his jaws were sharp against a heavy tanned skin and his nose had a small break to the bridge. Most people in this country were his solid friends but he had a few bitter enemies, and to those he always showed the autocratic side of his heart, as he had shown it to Ben Herendeen. This was the odd part about him, the mixture of gentle patience and stiff independence. Few people knew Clay Morgan as Ann McGarrah knew him, few had seen the contradiction of his character; for with him, her eyes were patient and her ears always listened. And she knew what almost nobody else knew: This man had never forgotten, never would forget, his first wife.

      They ate, idly talking, idly arguing. The druggist's boy, Fred Tanner, came to the back yard and called Janet's name. Janet moved restlessly in her seat until Morgan nodded. As soon as she had gone, Ann McGarrah said: "You'll be riding a lot this week. Let Janet stay here."

      Morgan smiled. "What is it this time, Ann?"

      She said candidly: "A new dress, Clay. And her hair."

      He said: "I guess there are some things I can't do for her."

      "I can do those things for her. I like to. I want to." But when she said this her manner changed and her eyes were cool and her voice pushed him away. "I don't mean that the way it sounds. For her, Clay. Not for you."

      His head was lifted and he was listening to the thinned report of a man's loud voice on the street; he was straight in his chair, his mind and temper changing back to the world out there. She knew what he was thinking, for she had been on the porch when he had challenged Herendeen. She said in a subdued voice:

      "I'm not surprised you were willing to quarrel with him. It goes back a long way. You never forget anything."

      He said, politely unrevealing: "What?"

      "Clay," she said, "your memory is too long. Someday it will kill you."

      He bowed his head a little, as if in agreement. He had lighted a cigar, holding it between his fingers while he listened. His eyelids crept nearer and his lips rolled together in stubborn fixture. Lamplight, sliding across the surface of his cheeks, darkened and sharpened the reverse angles. She saw in him then those things his friends loved—the tenacity and the faithfulness that never wavered, and she saw, too, the things that made his enemies hate him with such fullhearted bitterness. For as he was a man to stay by his friends for good or bad to the very end of time, so he was a man who returned dislike with an equal passion and an equal ruthlessness. Qualities people loved, and qualities they could hate—this was what she thought and kept her face smooth so that he might not see how she felt. She had never dared to let him see.

      He got up, smiling at her. "Don't worry over my affairs."

      "Not yours. You will always do as you want to do. Nobody will ever be able to change your mind."

      He said in some surprise, "Am I that unreasonable?"

      "Not unreasonable, Clay," she reminded him. "Something different than that. You just don't change. But there is one thing—about Janet. What happens to her if you die?"

      "I don't know."

      She rose and came around the table. She was near enough that she had to lift her eyes. Her cheeks were colored by the room's heat. "Clay," she said in a swift urgency, "there are only two people you could be thinking of, if that happened. Think of me, then. I want her."

      He said, "Thanks for the supper, Ann," and walked on through the store to the front porch. She followed him; she was beside him when he paused on the street. Janet ran forward from the store's back alley, out of breath and laughing. At this moment Morgan's interest was wholly on the street. Ann McGarrah saw how closely he studied the roundabout shadows. It was a carefulness that he had always had, as though the need of it had been burned in him since the beginning. Darkness rolled tidally down the hills, filling War Pass. Lights glinted through window and doorway and made yellow fanwise pools on the walks and the night breeze bore in sage scent and pine scent from the upper country. The Burnt Ranch stage stood before the hotel, ready to go. Morgan's attention clung to the dark area around Gentry's corral a long while. Afterwards he said to Janet: "You're staying here for a few days. Let's take a walk before I start home."

      Ann McGarrah knew where they were going. Paused by the store's doorway, she watched these two, the tall shape of the man and the slender figure of the girl side by side, go down into Old Town, Janet's small hand gripping her father's. One light illumined them a moment, then they were lost beyond Old Town as they walked toward the cemetery. Ann McGarrah stood still; she put her hands together, turned bitter by what she knew.

      Beyond Old Town a creek came out of the hills and crossed under the road with a liquid lapping. Past the creek the round-