The Hole in the Wall. Morrison Arthur

fiddle held low against his chest, and his face lifted upward, a little aside. He checked at the corner to hit the wall a couple of taps with the stick that hung from his wrist, and called aloud, with fouler words than I can remember or could print: "Now then, damn ye! Ain't there ne'er a Christian sailor-man as wants a toon o' George? Who'll 'ave a toon o' George? Ain't ye got no money, damn ye? Not a brown for pore blind George? What a dirty mean lot it is! Who'll 'ave a 'ornpipe? Who'll 'ave a song o' pore George? … O damn y' all!"

      And so, with a mutter and another tap of the stick, he came creeping along, six inches at a step, the stick dangling loose again, and the bow scraping the strings to the song:—

      Fire on the fore-top, fire on the bow,

       Fire on the main-deck, fire down below!

       Fire! fire! fire down below!

       Fetch a bucket o' water; fire down below!

      The man's right eye was closed, but the left was horribly wide and white and rolling, and it quite unpleasantly reminded me of a large china marble that lay at that moment at the bottom of my breeches pocket, under some uniform buttons, a key you could whistle on, a brass knob from a fender, and a tangle of string. So much indeed was I possessed with this uncomfortable resemblance in later weeks, when I had seen Blind George often, and knew more of him, that at last I had no choice but to fling the marble into the river; though indeed it was something of a rarity in marbles, and worth four "alleys" as big as itself.

      My grandfather stopped his talk as we drew within earshot of the fiddler; but blind men's ears are keen beyond the common. The bow dropped from the fiddle, and Blind George sang out cheerily: "Why, 'ere comes Cap'en Nat, 'ome from the funeral; and got 'is little grandson what 'e's goin' to take care of an' bring up so moral in 'is celebrated 'ouse o' call!" All to my extreme amazement: for what should this strange blind man know of me, or of my mother's funeral?

      Grandfather Nat seemed a little angry. "Well, well," he said, "your ears are sharp, Blind George; they learn a lot as ain't your business. If your eyes was as good as your ears you'd ha' had your head broke 'fore this—a dozen times!"

      "If my eyes was as good as my ears, Cap'en Nat Kemp," the other retorted, "there's many as wouldn't find it so easy to talk o' breakin' my 'ed. Other people's business! Lord! I know enough to 'ang some of 'em, that's what I know! I could tell you some o' your business if I liked—some as you don't know yourself. Look 'ere! You bin to a funeral. Well, it ain't the last funeral as 'll be wanted in your family; see? The kid's mother's gone; don't you be too sure 'is father's safe! I bin along o' some one you know, an' 'e don't look like lastin' for ever, 'e don't; 'e ain't in 'ealthy company."

      Grandfather Nat twitched my sleeve, and we walked on.

      "Awright!" the blind man called after us, in his tone of affable ferocity. "Awright, go along! You'll see things, some day, near as well as I can, what's blind!"

      "That's a bad fellow, Stevy," Grandfather Nat said, as we heard the fiddle and the song begin again. "Don't you listen to neither his talk nor his songs. Somehow it don't seem nat'ral to see a blind man such a bad 'un. But a bad 'un he is, up an' down."

      I asked how he came to know about the funeral, and especially about my coming to Wapping—a thing I had only learned of myself an hour before. My grandfather said that he had probably learned of the funeral from somebody who had been at the Hole in the Wall during the day, and had asked the reason of the landlord's absence; and as to myself, he had heard my step, and guessed its meaning instantly. "He's a keen sharp rascal, Stevy, an' he makes out all of parties' business he can. He knew your father was away, an' he jumped the whole thing at once. That's his way. But I don't stand him; he don't corne into my house barrin' he comes a customer, which I can't help."

      Of the meaning of the blind man's talk I understood little. But he shocked me with a sense of insult, and more with one of surprise. For I had entertained a belief, born of Sunday-school stories, that blindness produced saintly piety—unless it were the piety that caused the blindness—and that in any case a virtuous meekness was an essential condition of the affliction. So I walked in doubt and cogitation.

      And so, after a dive down a narrower street than any we had yet traversed (it could scarce be dirtier), and a twist through a steep and serpentine alley, we came, as it grew dusk, to the Hole in the Wall. Of odd-looking riverside inns I can remember plenty, but never, before or since, have I beheld an odder than this of Grandfather Nat's. It was wooden and clap-boarded, and, like others of its sort, it was everywhere larger at top than at bottom. But the Hole in the Wall was not only top-heavy, but also most alarmingly lopsided. By its side, and half under it, lay a narrow passage, through which one saw a strip of the river and its many craft, and the passage ended in Hole-in-the-Wall Stairs. All of the house that was above the ground floor on this side rested on a row of posts, which stood near the middle of the passage; and the burden of these posts, twisted, wavy, bulging, and shapeless, hung still more toward the opposite building; while the farther side, bounded by a later brick house, was vertical, as though a great wedge, point downward, had been cut away to permit the rise of the newer wall. And the effect was as of a reeling and toppling of the whole construction away from its neighbour, and an imminent downfall into the passage. And when, later, I examined the side looking across the river, supported on piles, and bulging and toppling over them also, I decided that what kept the Hole in the Wall from crashing into the passage was nothing but its countervailing inclination to tumble into the river.

      Painted large over the boards of the front, whose lapped edges gave the letters ragged outlines, were the words THE HOLE IN THE WALL; and below, a little smaller, NATHANIEL KEMP. I felt a certain pride, I think, in the importance thus given the family name, and my esteem of my grandfather increased proportionably with the size of the letters.

      There was a great noise within, and Grandfather Nat, with a quick look toward the entrance, grunted angrily. But we passed up the passage and entered by a private door under the posts. This door opened directly into the bar parlour, the floor whereof was two steps below the level of the outer paving; and the size whereof was about thrice that of a sentry-box.

      The din of a quarrel and a scuffle came from the bar, and my grandfather, thrusting me into a corner, and giving me his hat, ran out with a roar like that of a wild beast. At the sound the quarrel hushed in its height. "What's this?" my grandfather blared, with a thump on the counter that made the pots jump. "What sort of a row's this in my house? Damme, I'll break y' in halves, every mother's son of ye!"

      I peeped through the glass partition, and saw, first, the back of the potman's head (for the bar-floor took another drop) and beyond that and the row of beer-pulls, a group of rough, hulking men, one with blood on his face, and all with an odd look of sulky guilt.

      "Out you go!" pursued Grandfather Nat, "every swab o' ye! Can't leave the place not even to go to—not for nothin', without a row like this, givin' the house a bad name! Go on, Jim Crute! Unless I'm to chuck ye!"

      The men had begun filing out awkwardly, with nothing but here and there: "Awright, guv'nor"—"Awright, cap'en." "Goin', ain't I?" and the like. But one big ruffian lagged behind, scowling and murmuring rebelliously.

      In a flash Grandfather Nat was through the counter-wicket. With a dart of his long left arm he had gripped the fellow's ear and spun him round with a wrench that I thought had torn the ear from the head; and in the same moment had caught him by the opposite wrist, so as to stretch the man's extended arm, elbow backward, across his own great chest; a posture in which the backward pull against the elbow joint brought a yell of agony from the victim. Only a man with extraordinarily long arms could have done the thing exactly like that. The movement was so savagely sudden that my grandfather had kicked open the door and flung Jim Crute headlong into the street ere I quite understood it; when there came a check in my throat and tears in my eyes to see the man so cruelly handled.

      Grandfather Nat stood a moment at the door, but it seemed that his customer was quelled effectually, for presently he turned inward again, with such a grim scowl as I had never seen before. And at that a queer head appeared just above the counter—I had supposed the bar to be wholly cleared—and a very weak and rather womanish voice said, in tones of over-inflected