Modern Leaders: Being a Series of Biographical Sketches. McCarthy Justin Huntly

army. But there is one thing certain—that whether Rochefort is witty or not, wise or not, he has waked an echo throughout France and Europe in general which even very wise and undeniably witty enemies of the Empire did not succeed in creating. Nothing he has written will compare in artistic strength of satire or invective with Victor Hugo's "Châtimens" or "Napoléon le Petit." Eugène Pelletan's "Nouvelle Babylone" was a prolonged outpouring of indignant eloquence by a gentleman, a scholar, and a thinker. Rogeard's "Propos de Labienus" was a piece of really fine sarcasm. But not the most celebrated of these attacks on the Empire created anything like the sensation which Rochefort has succeeded in creating by the constant "pegging away" of his bitter, envenomed, and unscrupulous pen. Indeed, the reason is obvious—at least to those who, like me, believe that the great mass of the Parisian population (the army, the officials, and the priests not counted) are heartily sick of Bonapartism, and would get rid of it if they could. Rochefort assails the Empire and the Emperor in a style which they can understand. He is a master of a certain kind of coarse, rasping ridicule, which delights the disaffected ouvrier; and he has no scruple about assailing any weak place he can find in his enemy, even though in doing so the heart of a woman has likewise to be wounded. An angry and disaffected populace delights in this kind of thing. The fact that Rochefort has created such a sensation is the best proof in the world that the Parisian populace is angry and disaffected. Rochefort has a happy gift of epithets, which goes a long way with admirers and followers such as his. I doubt whether a whole chapter could have described more accurately and vividly the person, character, and career of Prince Pierre Bonaparte than Rochefort did when he branded him as "a social bandit." Personally, Rochefort is not qualified to be a demagogue in the sense that Danton was a demagogue, and he can make no pretension to be a revolutionary leader of a high class. But he can incite a populace, madden the hearts of disaffected crowds, as the bitter tongue of a shrill woman might do, and as the tongue of a great orator might perhaps fail to do. Doubtless Rochefort and his literary sword-and-buckler men are not strong enough to create a serious disturbance of themselves alone. But if a moment of general uncertainty and unsettlement came, they might prove a dangerous disturbing force. If, for example, there should come a crisis which of itself rendered change of some kind necessary, when all the chances of the future might depend upon a single hour or perhaps a single decisive command, and when it was not certain who had the right, who would assume the responsibility to give the command, then indeed the bitter screams, and jeers, and invectives of these reckless literary bravos might have much to do with the ordering of the situation. If, for example, the Emperor were to die just now, who shall venture to say how much the chances of the Empress and her son might not be affected at that moment of terrible crisis by the pens and the tongues of Rochefort and his followers?

      Some time, in the natural course of things, the Empress may expect to have to face such a crisis. It is highly probable that the time will come while yet her boy is young and dependent upon her guardianship and care. Has she won for herself the affection, confidence, and loyalty of France, to such an extent that she could count upon national support? I am convinced that she has not. She is much liked and even loved by those who know her. They have countless anecdotes to tell of her affectionate ways as a mother, of her generosity and kindness as a woman. But although she has outlived many of the early prejudices against her, she is still regarded with distrust and dislike by the older families of France; and I am confident that a large proportion of the working classes in Paris and the large towns delight to believe the worst things that malice and slander can say to her detriment. The priests and the shopkeepers are probably her best friends; but I am not aware that priests and shopkeepers have ever proved themselves very powerful bulwarks against sudden popular revolution. The generals and the army might of course remain perfectly loyal to her; probably would if they had no time to consider the situation, and there were no favorite rival in the way (if Prince Napoleon, for example, were a brilliant soldier, she would not have a ghost of a chance against him); but it must be remembered that the loyalty of an army is something like the epigrammatic description of the honor of a woman: when there is any deliberation, it is likely to be lost; and the claims of the Empress are certainly not such as absolutely to forbid deliberation and render it impossible. Much of course would depend on the woman herself. There was a moment when Catharine of Russia's unfortunate husband might have carried all before him if he had only seized the chance; and he did not seize it, and so lost all. There was a moment when Catharine might have utterly failed if she had not risen to the height of the crisis, and seized the opportunity with both hands; and she did rise to the height of the crisis, did seize the opportunity, and so won all. Place Eugénie in such a position, and is she a woman to win? Is she in fact a woman of genius? I think not. Nothing that I have ever heard of her—and I have known many who were her intimate friends—has led me to believe her endowed with a quick, strong, commanding intellect. Mentally she seems to be narrow and shallow; in temper she is quick, capricious, full of warm personal affections and almost groundless personal dislikes. I have a strong idea that no matter what the urgency of the crisis, she would stay to make herself picturesque before taking any public action; and I venture to think she would be guided by counsel only where she happened to have a personal liking for the counsellor. She cannot, I fancy, be trusted at a great crisis to make the fortune of her son. Enough if she do not mar it at such a time.

      Political considerations apart, one can only wish her well. Her face is one which ought to smile sweetly and gracefully through history. If fate and France will endure the Bonapartes for another generation or so, there will be some consolation to gallant and romantic souls in the thought that thereby this gracious, queenly woman will be allowed to make a happy end of her brilliant, not untroubled life. Thus far we may, in summing up her career, describe her, first, as a bright, vivacious young coquette, with a dash of the adventuress about her, ranging the world in search of a husband; then a woman suddenly and surprisingly raised to the dazzling rank of an Empress, and a little bewildered by the change; then a splendid leader of the world's fashion, magnificently frivolous and heedless; then a political intrigante, the supreme patroness of Ultramontanism; and now a quiet, queenly mother, verging toward that kind of devoteeism in which some satirical person declares that coquetry in France is sure to end. She is not a woman to make any deep impression on history. She has neither gifts enough nor faults enough. As a politician she has been a failure, and perhaps worse than a failure; but she has been fortunate enough to escape from all public responsibility for her mistakes, and may get quietly into history as merely an intelligent, good-natured, and beautiful woman. Posterity will probably see her and appreciate her sufficiently in her portrait by Winterhalter: a name, a vague memory, and a smooth fair picture with bright complexion, shining hair, and noble shoulders, alone carrying down to other times the history of the Third Napoleon's wife. Only great misfortunes could redeem her from this destiny of half oblivion; and history has names enough that are burnt by misfortune into eternal memory, and may well spare hers. One great claim she has to a liberal construction of her character: her personal enemies are those who do not know her well; her intimates seem to be always her friends. She has one good quality, which her husband with all his faults likewise possesses: she has never in her imperial splendor forgotten or neglected or been ashamed of old acquaintances and friends. I have heard scores of anecdotes from people who know her well—I have heard one such anecdote since I began writing this article—which prove her to be entirely above the mean and vulgar weakness of the parvenu, who shrinks in her magnificence from any acquaintanceship or association likely to remind her of less brilliant days. Taken on the whole, the Empress Eugénie is better than her fortunes and her surroundings might have made her. She is, I think, a woman much more deserving of respect than Josephine Beauharnais, whose misfortunes, joined with the quiet pathetic dignity of her retirement and her later years, have made the world forget the levities, frivolities, and follies of her earlier life. She has shown a quicker and better appreciation of the duties and difficulties of her station, and the temper of the people among whom she had to live, than was at any time shown by Marie Antoinette. Whether she could ever under the most favorable conditions prove an Anne of Austria may well be doubted; and we must all hope for her own sake that she may never be put to the proof. She has at least made it clear that she is no mere Reine Crinoline; she has shown that she possesses some heart, some courage, and some brains; she has had sense enough to retrieve blunders, and merit enough to live down calumny. The best thing one can hope for her is that she may never again be placed in a position which would tempt and allow her to make political influence