Название | Highways and Byways in London |
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Автор произведения | Emily Constance Baird Cook |
Жанр | Книги о Путешествиях |
Серия | |
Издательство | Книги о Путешествиях |
Год выпуска | 0 |
isbn | 4064066205331 |
As for the ancient highways of London, very possibly these did not differ greatly in their course from our modern ones; for the Anglo-Saxon race has always been very conservative in rebuilding its new streets, regardless of symmetry or directness, on the lines of the destroyed ones. At any rate, we know that the original church of St. Paul's—the first of three built on this site, founded by Ethelbert about the year 610—and that of Westminster—altered, rebuilt, and enlarged by successive kings—must have early sanctified these spots, and necessitated thoroughfares between the two. Nay, even in Roman times, temples of Diana and Apollo are believed to have adorned these historic sites. It is strange, indeed, that the old, long-vanished Roman wall, pierced only by a few gates, and the ancient street-plans laid down by the Roman road surveyor, should still keep modern traffic more or less to the old lines. A few new streets have recently been made from north to south, but still the main traffic goes from east to west, owing to the paucity of intersecting thoroughfares. The city of London, as laid out in Roman times, remained, through Saxon and Norman dominion, practically of the same extent and plan as late as the time of Elizabeth, in whose reign there were as many houses within the city walls as without them. Roman influence is still dominant in modern London. The large block of ground without carriage-way about Austin Friars is a consequence of the old Roman wall having afforded no passage. And possibly many of the narrow, jostling City streets have in their day reflected the shade and sun of Roman "insulas," each with its surrounding shops, just as, later, their dimensions may have shrunk between the overhanging, high-gabled houses of Tudor times, to widen again under the tall Stuart palaces of the Restoration.
Sandwich-board Men.
The high antiquity and conservatism of London are shown in nothing more than in these narrow, crooked streets—streets so different from those of any other big metropolis—streets that our American cousins, in all the superiority of their regular "block" system, permit themselves to jeer at! We know, however, little for certain of the actual topography of London streets, until the important publication of Ralph Aggas's map in 1563, soon after Elizabeth had begun to reign. This map of "Civitas Londinium" is strange enough to look at in our own day. Its main arteries are the same as ours: the ancient highway of the Strand is still the Strand; those of "Chepe" and "Fleete" still flourish; Oxford Street, then the "Oxford Road" and "The Waye to Uxbridge," ran between hedgerows and pastures, in which, according to Aggas, grotesque beasts sported; the thoroughfare of the "Hay Market,"—not yet, indeed, "a scene of revelry by night,"—curves between vast meadows, in one of which a woman of gigantic size appears to be engaged in spreading clothes to dry; Piccadilly, at what is now the "Circus," is merely called "The Waye to Redinge," and is innocently bordered by trees. In these infantine beginnings of the now populous "West End," there are, indeed, occasional plots occupied by "Mewes," but St. Martin's Church (then a small chapel) stands literally "in the Fields," and St. Martin's Lane is altogether rural. In a later map—one of the year 1610—the main arteries are still the same; but, though the town had grown rapidly with the growth of commerce in Elizabeth's reign, "London" and "Westminster" are still represented as two small neighbouring towns surrounded by rural meadows; while "Totten-court" is a distant country village, Kensington and "Marybone" are secluded hamlets, Clerkenwell and "St. Gylles" are altogether divided from the parent city by fields, and "Chelsey" is in the wilds.
It is strange that London fires—and London, in the middle ages, was specially prolific in fires—have never altered the course of the city's highways. Sir Christopher Wren wished, indeed, after the Great Fire of 1666, to be allowed to alter the plan of the desolated town and make it more symmetrically regular: with all due admiration of his genius, one cannot, however, help feeling a certain thankfulness that destiny averted his schemes, and that in the prosaic London of our own day we can still trace the splendour, the romance of its past. Thus, even in the grimy city "courts" we can still imagine a Roman "impluvium," or the ancient gardens of Plantagenet palaces; in the blind alleys of "Little Britain," the splendours of the merchants' mansions; in the ugly lines of mews and slums, the limits of the vanished Norman convent closes. The boundaries are still there, though nearly all else has gone. For, though Londoners are generally conservative with regard to their chief sites and the lines of their streets, they have, so far as their great buildings are concerned, always been by nature iconoclastic. Not that we of the present day need give ourselves any airs in this matter. Although, indeed, for the last half-century the spirit of antiquarian veneration has been abroad, yet the great majority of Londoners are hardly affected by it, and the pulling down of ancient buildings continues almost as gaily as ever at the present day. It may be said that we pull down for utilitarian reasons; well, so did our forefathers; Londoners have always been practical. Religious zeal may occasionally have served to whet their destructive powers, but the results are pretty much the same. Perhaps Henry VIII.—that Bluebeard head of the Church and State—has, in his general dissolution of the monasteries and alienation of their property, been the greatest iconoclast in English annals; yet even he must have been nearly equalled by the Lord Protector Cromwell, whose Puritanical train wrought so much havoc among London's monuments of a later age. Reforms and improvements, all through the world's history, have always been cruelly destructive. For, while churches and palaces were destroyed as relics of Popery, while works of art were demolished, and frescoes whitewashed in reforming zeal, fresh life was always sprouting, fresh energy ever filling up gaps, ever obliterating the traces of the past, the relics of the older time. Sir Walter Besant, in his picturesque and vivid sketch of English history, has realised well for us the city's past life:—
"It is (he says of the Reformation) at first hard to understand how there should have been, even among the baser sort, so little reverence for the past, so little regard for art; that these treasure-houses of precious marbles and rare carvings should have been rifled and destroyed without raising so much as a murmur; nay, that the very buildings themselves should have been pulled down without a protest.... It seems to us impossible that the tombs of so many worthies should have been destroyed without the indignation of all who knew the story of the past.... Yet ... it is unfortunately too true that there is not, at any time or with any people, reverence for things venerable, old, and historical, save with a few. The greater part are careless of the past, unable to see or feel anything but the present.... The parish churches were filled with ruins, ... the past was gone.... The people lived among the ruins but regarded them not, any more than the vigorous growth within the court of a roofless Norman castle regards the donjon and the walls. They did not inquire into the history of the ruins; they did not want to preserve them; they took away the stones and sold them for new buildings."
Yet, though in London's history there were, as we have seen, occasional great upheavals, such as the Reformation, the Fires, the Protectorate, it was more the rule of change that went on unceasingly between whiles—change, such as we see it to-day, the incessant beat of the waves on the shore—that has obliterated the former time. "The old order changeth, giving place to