Olla Podrida. Фредерик Марриет

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       Frederick Marryat

      Olla Podrida

      Published by Good Press, 2019

       [email protected]

      EAN 4064066174651

Table of Contents

       Prefatory Note

       Author's Preface to the First Edition

       THE MONK OF SEVILLE

       DRAMATIS PERSONÆ.

       Olla Podrida

       The Monk of Seville

       THE GIPSY;

       "WHOSE SON AM I?"

       DRAMATIS PERSONÆ.

       The Gipsy

       ILL-WILL

       AN ACTING CHARADE

       DRAMATIS PERSONÆ.

       Ill-Will

       How to write a Fashionable Novel

       How to write a Book of Travels

       How to write a Romance

       S.W. and by W. ¾ W.

       The Sky-blue Domino

       Modern Town Houses

       The Way to be Happy

       The Legend of the Bell Rock

       Moonshine

       The Fairy's Wand

       A Rencontre

Prefatory Note

       Table of Contents

      This edition of Olla Podrida does not include the "Diary on the Continent" which appeared first in the Metropolitan Magazine 1835–1836 as "The Diary of a Blasé" continued in the New Monthly Magazine 1837, 1838, as "Confessions and opinions of Ralph the Restless." Marryat himself described the "Diary" as "very good magazine stuff," and it has no fitting place in an edition of his novels, from which the "Diary in America" is also excluded.

The space thus created is occupied by "The Gipsy," "The Fairy's Wand," and "A Rencontre," which I have ventured to print here in spite the author's protest,[A] that the original edition of Olla Podrida contained all the miscellaneous matter contributed by him to periodicals that he wished to acknowledge as his writing. The statement may be regarded as a challenge to his editors to produce something worthy; and I certainly consider that the "Gipsy" is superior to some of his fragments, and may be paired, as a comedy, with "The Monk of Seville," as a tragedy.

[A] Preface to first edition of O.P. printed below.

      But I have not attempted any systematic search for scraps. "The Fairy's Wand" was published in the same year as, and probably later than, Olla Podrida itself, and need not therefore be "considered as disavowed and rejected" by him. "A Rencontre" was always reprinted and acknowledged by its author, being, for no ostensible reason, bound up with Joseph Rushbrook, or The Poacher, 1841.

      This seems the most appropriate occasion to supplement, and—in some measure—to correct, the list of novels contributed to periodicals by Marryat, which I compiled from statements in The Life and Letters by Florence Marryat (also tabulated in Mr. David Hannay's "Life"), and printed on p. xix. of the General Introduction to this edition.

      To the Metropolitan Magazine.

      (Edited by Marryat, 1832–1835.)

      The Pacha of Many Tales, May 1831—February 1833; and May 1834—May 1835.

      Peter Simple, June 1832—September 1833. The novel is not completed in the Magazine, but closes with an announcement of the three volume edition.

      Jacob Faithful, September 1833—September 1834.

      Japhet in Search of a Father, September 1834—January 1836.

      Snarleyyow, January 1836—January 1837.

      Midshipman Easy. One specimen chapter only. August 1835.

      To the New Monthly Magazine.

      The Privateersman, 1845–1846.

      Valerie (the first eleven chapters), 1846–1847.

      The Phantom Ship, 1838–1839.

      The bulk of this volume is reprinted from the first edition of Olla Podrida, in three volumes, Longman, Orme, Brown, Green, and Longmans, 1840. "The Gipsy," from the Metropolitan Magazine; "The Fairy's Wand," from the New Monthly Magazine; and "A Rencontre," from the first Edition of The Poacher, 1841.

      R. B. J.

Author's Preface to the First Edition

       Table of Contents

      I have not yet ventured upon a Preface to any of my writings, and I did not expect that I should ever have written one. Except in a work of importance, which may demand it, a Preface is, generally speaking, a request for indulgence which never will be accorded, or an explanation to which the Public is indifferent. It is only when an explanation is due to the Public, or to the Author's reputation, that he should venture to offer one. If a work is well written, the Public