Homespun Tales. Kate Douglas Smith Wiggin

traveling so far (even over seas) that we became embarrassed at our easily won fame. The book was read and people occasionally came to church to see the old Peabody Pew, rather resenting the information that there had never been any Peabodys in the parish and, therefore, there could be no Peabody Pew. Matters became worse when I made, very reverently, what I suppose must be called a dramatic version of the book, which we have played for several summers in the old meeting house to audiences far exceeding our seating capacity. Inasmuch as the imaginary love-tale of my so-called Nancy Wentworth and Justin Peabody had begun under the shadow of the church steeple, and after the ten years of parting the happy reunion had come to them in the selfsame place, it was possible to present their story simply and directly, without offense, in a church building. There was no curtain, no stage, no scenery, no theatricalism. The pulpit was moved back, and four young pine trees were placed in front of it for supposed Christmas decoration. The pulpit platform, and the “wing pews” left vacant for the village players, took the place of a stage; the two aisles served for exits and entrances; and the sexton with three rings of the church bell, announced the scenes. The Carpet Committee of the Dorcas Society furnished the exposition of the first act, while sewing the last breadths of the new, hardly-bought ingrain carpet. The scrubbing of the pews ends the act, with dialogue concerning men, women, ministers, church-members and their ways, including the utter failure of Justin Peabody, Nancy's hero, to make a living anywhere, even in the West. The Dorcas members leave the church for their Saturday night suppers of beans and brown bread, but Nancy returns with her lantern at nightfall to tack down the carpet in the old Peabody pew and iron out the tattered, dog's eared leaves of the hymn-book from which she has so often sung “By cool Siloam's shady rill” with her lover in days gone by. He, still a failure, having waited for years for his luck to turn, has come back to spend Christmas in the home of his boyhood; and seeing a dim light in the church, he enters quietly and surprises Nancy at her task of carpeting the Peabody Pew, so that it shall look as well as the others at next day's services. The rest is easy to imagine. One can deny the reality of a book, but when two or three thousand people have beheld Justin Peabody and Nancy Wentworth in the flesh, and have seen the paint of the old Peabody Pew wiped with a damp cloth, its cushion darned and its carpet tacked in place, it is useless to argue; any more than it would be to deny the validity of the egg of Columbus or the apple of William Tell.

      As for “Susanna and Sue” the story would never have been written had I not as a child and girl been driven once a year to the Shaker meeting at the little village of Alfred, sixteen miles distant. The services were then open to the public, but eventually permission to attend them was withdrawn, because of the careless and sometimes irreverent behavior of young people who regarded the Shaker costumes, the solemn dances or marches, the rhythmic movements of the hands, the almost hypnotic crescendo of the singing, as a sort of humorous spectacle. I learned to know the brethren and sisters, and the Elder, as years went by, and often went to the main house to spend a day or two as the guest of Eldress Harriet, a saint, if ever there was one, or, later, with dear Sister Lucinda.

      The shining cleanliness and order, the frugality and industry, the serenity and peace of these people, who had resigned the world and “life on the plane of Adam,” vowing themselves to celibacy, to public confession of sins, and the holding of goods in common,—all this has always had a certain exquisite and helpful influence upon my thought, and Mr. W. D. Howells paid a far more beautiful tribute to them in “The Undiscovered Country.”

      It is needless to say that I read every word of the book to my Shaker friends before it was published. They took a deep interest in it, evincing keen delight in my rather facetious but wholly imaginary portrait of “Brother Ansel,” a “born Shaker,” and sadly confessing that my two young lovers, “Hetty” and “Nathan,” who could not endure the rigors of the Shaker faith and fled together in the night to marry and join the world's people,—that this tragedy had often occurred in their community.

      Here, then, are the three simple homespun tales. I believe they are true to life as I see it. I only wish my readers might hear the ripple of the Maine river running through them; breathe the fragrance of New England for-ests, and though never for a moment getting, through my poor pen, the atmosphere of Maine's rugged cliffs and the tang of her salt sea air, they might at least believe for an instant that they had found a modest Mayflower in her pine woods.

      KATE DOUGLAS WIGGIN. July, 1920.

ROSE O' THE RIVER

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I. The Pine And the Rose

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      It was not long after sunrise, and Stephen Waterman, fresh from his dip in the river, had scrambled up the hillside from the hut in the alder-bushes where he had made his morning toilet.

      An early ablution of this sort was not the custom of the farmers along the banks of the Saco, but the Waterman house was hardly a stone's throw from the water, and there was a clear, deep swimming-hole in the Willow Cove that would have tempted the busiest man, or the least cleanly, in York County. Then, too, Stephen was a child of the river, born, reared, schooled on its very brink, never happy unless he were on it, or in it, or beside it, or at least within sight or sound of it.

      The immensity of the sea had always silenced and overawed him, left him cold in feeling. The river wooed him, caressed him, won his heart. It was just big enough to love. It was full of charms and changes, of varying moods and sudden surprises. Its voice stole in upon his ear with a melody far sweeter and more subtle than the boom of the ocean. Yet it was not without strength, and when it was swollen with the freshets of the spring and brimming with the bounty of its sister streams, it could dash and roar, boom and crash, with the best of them.

      Stephen stood on the side porch, drinking in the glory of the sunrise, with the Saco winding like a silver ribbon through the sweet loveliness of the summer landscape.

      And the river rolled on toward the sea, singing its morning song, creating and nourishing beauty at every step of its onward path. Cradled in the heart of a great mountain-range, it pursued its gleaming way, here lying silent in glassy lakes, there rushing into tinkling little falls, foaming great falls, and thundering cataracts. Scores of bridges spanned its width, but no steamers flurried its crystal depths. Here and there a rough little rowboat, tethered to a willow, rocked to and fro in some quiet bend of the shore. Here the silver gleam of a rising perch, chub, or trout caught the eye; there a pickerel lay rigid in the clear water, a fish carved in stone: here eels coiled in the muddy bottom of some pool; and there, under the deep shadows of the rocks, lay fat, sleepy bass, old, and incredibly wise, quite untempted by, and wholly superior to, the rural fisherman's worm.

      The river lapped the shores of peaceful meadows; it flowed along banks green with maple, beech, sycamore, and birch; it fell tempestuously over dams and fought its way between rocky cliffs crowned with stately firs. It rolled past forests of pine and hemlock and spruce, now gentle, now terrible; for there is said to be an Indian curse upon the Saco, whereby, with every great sun, the child of a paleface shall be drawn into its cruel depths. Lashed into fury by the stony reefs that impeded its progress, the river looked now sapphire, now gold, now white, now leaden gray; but always it was hurrying, hurrying on its appointed way to the sea.

      After feasting his eyes and filling his heart with a morning draught of beauty, Stephen went in from the porch and, pausing at the stairway, called in stentorian tones: “Get up and eat your breakfast, Rufus! The boys will be picking the side jams today, and I'm going down to work on the logs. If you come along, bring your own pick-pole and peavey.” Then, going to the kitchen pantry, he collected, from the various shelves, a pitcher of milk, a loaf of bread, half an apple pie, and a bowl of blueberries, and, with the easy methods of a household unswayed by feminine rule, moved toward a seat under an apple tree and took his morning meal in great apparent content. Having finished, and washed his dishes with much more thoroughness