Auriol; or, The Elixir of Life. William Harrison Ainsworth

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Название Auriol; or, The Elixir of Life
Автор произведения William Harrison Ainsworth
Жанр Языкознание
Серия
Издательство Языкознание
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isbn 4057664623294



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of the open volume beside him.

      Eager to test the effect of the elixir, Auriol put his hand to his side. All traces of the wound were gone; nor did he experience the slightest pain in any other part of his body. On the contrary, he seemed endowed with preternatural strength. His breast dilated with rapture, and he longed to expand his joy in active motion.

      Striding over the body of his aged relative, he threw open the window. As he did so, joyous peals burst from surrounding churches, announcing the arrival of the new year.

      While listening to this clamour, Auriol gazed at the populous and picturesque city stretched out before him, and bathed in the moonlight.

      "A hundred years hence," he thought, "and scarcely one soul of the thousands within those houses will be living, save myself. A hundred years after that, and their children's children will be gone to the grave. But I shall live on—shall live through all changes—all customs—all time. What revelations I shall then have to make, if I should dare to disclose them!"

      As he ruminated thus, the skeleton hanging near him was swayed by the wind, and its bony fingers came in contact with his cheek. A dread idea was suggested by the occurrence.

      "There is one peril to be avoided," he thought; "ONE PERIL!—what is it? Pshaw! I will think no more of it. It may never arise. I will be gone. This place fevers me."

      With this, he left the laboratory, and hastily descending the stairs, at the foot of which he found Flapdragon, passed out of the house.

       Table of Contents

       Table of Contents

       Table of Contents

       Table of Contents

      Late one night, in the spring of 1830, two men issued from a low, obscurely situated public-house, near Millbank, and shaped their course apparently in the direction of Vauxhall Bridge. Avoiding the footpath near the river, they moved stealthily along the farther side of the road, where the open ground offered them an easy means of flight, in case such a course should be found expedient. So far as it could be discerned by the glimpses of the moon, which occasionally shone forth from a rack of heavy clouds, the appearance of these personages was not much in their favour. Haggard features, stamped deeply with the characters of crime and debauchery; fierce, restless eyes; beards of several days' growth; wild, unkempt heads of hair, formed their chief personal characteristics; while sordid and ragged clothes, shoes without soles, and old hats without crowns, constituted the sum of their apparel.

      One of them was tall and gaunt, with large hands and feet; but despite his meagreness, he evidently possessed great strength: the other was considerably shorter, but broad-shouldered, bow-legged, long-armed, and altogether a most formidable ruffian. This fellow had high cheek-bones, a long aquiline nose, and a coarse mouth and chin, in which the animal greatly predominated. He had a stubby red beard, with sandy hair, white brows and eyelashes. The countenance of the other was dark and repulsive, and covered with blotches, the result of habitual intemperance. His eyes had a leering and malignant look. A handkerchief spotted with blood, and tied across his brow, contrasted strongly with his matted black hair, and increased his natural appearance of ferocity. The shorter ruffian carried a mallet upon his shoulder, and his companion concealed something beneath the breast of his coat, which afterwards proved to be a dark lantern.

      Not a word passed between them; but keeping a vigilant look-out, they trudged on with quick, shambling steps. A few sounds arose from the banks of the river, and there was now and then a plash in the water, or a distant cry, betokening some passing craft; but generally all was profoundly still. The quaint, Dutch-looking structures on the opposite bank, the line of coal-barges and lighters moored to the strand, the great timber-yards and coal-yards, the brewhouses, gasworks, and waterworks, could only be imperfectly discerned; but the moonlight fell clear upon the ancient towers of Lambeth Palace, and on the neighbouring church. The same glimmer also ran like a silver belt across the stream, and revealed the great, stern, fortress-like pile of the Penitentiary—perhaps the most dismal-looking structure in the whole metropolis. The world of habitations beyond this melancholy prison was buried in darkness. The two men, however, thought nothing of these things, and saw nothing of them; but, on arriving within a couple of hundred yards of the bridge, suddenly, as if by previous concert, quitted the road, and, leaping a rail, ran across a field, and plunged into a hollow formed by a dried pit, where they came to a momentary halt.

      "You ain't a-been a-gammonin' me in this matter, Tinker?" observed the shorter individual. "The cove's sure to come?"

      "Why, you can't expect me to answer for another as I can for myself, Sandman," replied the other; "but if his own word's to be taken for it, he's sartin to be there. I heerd him say, as plainly as I'm a speakin' to you—'I'll be here to-morrow night—at the same hour——'"

      "And that wos one o'clock?" said the Sandman.

      "Thereabouts," replied the other.

      "And who did he say that to?" demanded the Sandman.

      "To hisself, I s'pose," answered the Tinker; "for, as I told you afore, I could see no one vith him."

      "Do you think he's one of our perfession?" inquired the Sandman.

      "Bless you! no—that he ain't," returned the Tinker. "He's a reg'lar slap-up svell."

      "That's no reason at all," said the Sandman. "Many a first-rate svell practises in our line. But he can't be in his right mind to come to such a ken as that, and go on as you mentions."

      "As to that I can't say," replied the Tinker; "and it don't much matter, as far as ve're consarned."

      "Devil a bit," rejoined the Sandman, "except—you're sure it worn't a sperrit, Tinker. I've heerd say that this crib is haanted, and though I don't fear no livin' man, a ghost's a different sort of customer."

      "Vell, you'll find our svell raal flesh and blood, you may depend upon it," replied the Tinker. "So come along, and don't let's be frightenin' ourselves vith ould vimen's tales."

      With this they emerged from the pit, crossed the lower part of the field, and entered a narrow thoroughfare, skirted by a few detached houses, which brought them into the Vauxhall Bridge Road.

      Here they kept on the side of the street most in shadow, and crossed over whenever they came to a lamp. By-and-by, two watchmen were seen advancing from Belvoir Terrace, and, as the guardians of the night drew near, the ruffians crept into an alley to let them pass. As soon as the coast was clear, they ventured forth, and quickening their pace, came to a row of deserted and dilapidated houses. This was their destination.

      The range of habitations in question, more than a dozen in number, were, in all probability, what is vulgarly called "in Chancery," and shared the fate of most property similarly circumstanced. They were in a sad ruinous state—unroofed, without windows and floors. The bare walls were alone left standing, and these were in a very tumble-down condition. These neglected dwellings served as receptacles for old iron, blocks of stone and wood, and other ponderous matters. The aspect of the whole place was so dismal and suspicious, that it was generally avoided by passengers after nightfall.

      Skulking along the blank and dreary walls, the Tinker, who was now a little in advance, stopped before a door, and pushing it open, entered the dwelling. His companion followed him.