De Quincey's Revolt of the Tartars. Томас Де Квинси

Active hostilities occurred daily when the two "aristocrats" passed the factory on their way home at the hour when its inmates emerged from their labor. The dread of this encounter hung like a cloud over Thomas, yet he followed William loyally, and served with all the spirit of a cadet of the house. Imagination played an important part in this campaign, and it is for that reason primarily that to this and the other incidents of De Quincey's childhood prominence is here given; in no better way can we come to an understanding of the real nature of this singular man.

      In 1796 the home at Greenhay was broken up. The irrepressible William was sent to London to study art; Mrs. De Quincey removed to Bath, and Thomas was placed in the grammar school of that town; a younger brother, Richard, in all respects a pleasing contrast to William, was a sympathetic comrade and schoolmate. For two years De Quincey remained in this school, achieving a great reputation in the study of Latin, and living a congenial, comfortable life. This was followed by a year in a private school at Winkfield, which was terminated by an invitation to travel in Ireland with young Lord Westport, a lad of De Quincey's own age, an intimacy having sprung up between them a year earlier at Bath. It was in 1800 that the trip was made, and the period of the visit extended over four or five months. After this long recess De Quincey was placed in the grammar school at Manchester, his guardians expecting that a three years' course in this school would bring him a scholarship at Oxford. However, the new environment proved wholly uncongenial, and the sensitive boy who, in spite of his shyness and his slender frame, possessed grit in abundance, and who was through life more or less a law to himself, made up his mind to run away. His flight was significant. Early on a July morning he slipped quietly off—in one pocket a copy of an English poet, a volume of Euripides in the other. His first move was toward Chester, the seventeen-year-old runaway deeming it proper that he should report at once to his mother, who was now living in that town. So he trudged overland forty miles and faced his astonished and indignant parent. At the suggestion of a kind-hearted uncle, just home from India, Thomas was let off easily; indeed, he was given an allowance of a guinea a week, with permission to go on a tramp through North Wales, a proposition which he hailed with delight. The next three months were spent in a rather pleasant ramble, although the weekly allowance was scarcely sufficient to supply all the comforts desired. The trip ended strangely. Some sudden fancy seizing him, the boy broke off all connection with his friends and went to London. Unknown, unprovided for, he buried himself in the vast life of the metropolis. He lived a precarious existence for several months, suffering from exposure, reduced to the verge of starvation, his whereabouts a mystery to his friends. The cloud of this experience hung darkly over his spirit, even in later manhood; perceptions of a true world of strife were vivid; impressions of these wretched months formed the material of his most sombre dreams.

      Rescued at last, providentially, De Quincey spent the next period of his life, covering the years 1803–7, in residence at Oxford. His career as a student at the university is obscure. He was a member of Worcester College, was known as a quiet, studious man, and lived an isolated if not a solitary life. With a German student, who taught him Hebrew, De Quincey seems to have had some intimacy, but his circle of acquaintance was small, and no contemporary has thrown much light on his stay. In 1807 he disappeared from Oxford, having taken the written tests for his degree, but failing to present himself for the necessary oral examination.

      The year of his departure from Oxford brought to De Quincey a long-coveted pleasure—acquaintance with two famous contemporaries whom he greatly admired, Coleridge and Wordsworth. Characteristic of De Quincey in many ways was his gift, anonymously made, of £300 to his hero, Coleridge. This was in 1807, when De Quincey was twenty-two, and was master of his inheritance. The acquaintance ripened into intimacy, and in 1809 the young man, himself gifted with talents which were to make him equally famous with these, took up his residence at Grasmere, in the Lake country, occupying for many years the cottage which Wordsworth had given up on his removal to ampler quarters at Rydal Mount. Here he spent much of his time in the society of the men who were then grouped in distinguished neighborhood; besides Wordsworth and Coleridge, the poet Southey was accessible, and a frequent visitor was John Wilson, later widely known as the "Christopher North" of Blackwood's Magazine. Nor was De Quincey idle; his habits of study were confirmed; indeed, he was already a philosopher at twenty-four. These were years of hard reading and industrious thought, wherein he accumulated much of that metaphysical wisdom which was afterward to win admiring recognition.

In 1816 De Quincey married Margaret Simpson, a farmer's daughter living near. There is a pretty scene painted by the author himself, [3] in which he gives us a glimpse of his domestic life at this time. Therein he pictures the cottage, standing in a valley, eighteen miles from any town; no spacious valley, but about two miles long by three-quarters of a mile in average width. The mountains are real mountains, between 3000 and 4000 feet high, and the cottage a real cottage, white, embowered with flowering shrubs, so chosen as to unfold a succession of flowers upon the walls, and clustering around the windows, through all the months of spring, summer, and autumn, beginning, in fact, with May roses and ending with jasmine. It is in the winter season, however, that De Quincey paints his picture, and so he describes a room, seventeen feet by twelve, and not more than seven and one-half feet high. This is the drawing-room, although it might more justly be termed the library, for it happens that books are the one form of property in which the owner is wealthy. Of these he has about 5000, collected gradually since his eighteenth year. The room is, therefore, populous with books. There is a good fire on the hearth. The furniture is plain and modest, befitting the unpretending cottage of a scholar. Near the fire stands a tea table; there are only two cups and saucers on the tray. It is an "eternal" teapot that the artist would like us to imagine, for he usually drinks tea from eight o'clock at night to four in the morning. There is, of course, a companion at the tea table, and very lovingly does the husband suggest the pleasant personality of his young wife. One other important feature is included in the scene; upon the table there rests also a decanter, in which sparkles the ruby-colored laudanum.

      De Quincey's experience with opium had begun while he was a student at the university, in 1804. It was first taken to obtain relief from neuralgia, and his use of the drug did not at once become habitual. During the period of residence at Grasmere, however, De Quincey became confirmed in the habit, and so thoroughly was he its victim that for a season his intellectual powers were well-nigh paralyzed; his mind sank under such a cloud of depression and gloom that his condition was pitiful in the extreme. Just before his marriage, in 1816, De Quincey, by a vigorous effort, partially regained his self-control and succeeded in materially reducing his daily allowance of the drug; but in the following year he fell more deeply than ever under its baneful power, until in 1818–19 his consumption of opium was something almost incredible. Thus he became truly enough the great English Opium-Eater, whose Confessions were later to fill a unique place in English literature. It was finally the absolute need of bettering his financial condition that compelled De Quincey to shake off the shackles of his vice; this he practically accomplished, although perhaps he was never entirely free from the habit. The event is coincident with the beginning of his career as a public writer. In 1820 he became a man of letters.

      As a professional writer it is to be noted that De Quincey was throughout a contributor to the periodicals. With one or two exceptions all his works found their way to the public through the pages of the magazines, and he was associated as contributor with most of those that were prominent in his time. From 1821 to 1825 we find him residing for the most part in London, and here his public career began. It was De Quincey's most distinctive work which first appeared. The London Magazine, in its issue for September, 1821, contained the first paper of the Confessions of an English Opium-Eater. The novelty of the subject was sufficient to obtain for the new writer an interested hearing, and there was much discussion as to whether his apparent frankness was genuine or assumed. All united in applause of the masterly style which distinguished the essay, also of the profundity and value of the interesting material it contained. A second part was included in the magazine for October. Other articles by the Opium-Eater followed, in which the wide scholarship of the author was abundantly shown, although the topics were of less general interest.

      In 1826 De Quincey became an occasional contributor to Blackwood's Magazine, and this connection drew him to Edinburgh, where he remained, either in the city