T. Tembarom. Frances Hodgson Burnett

with him than before. He had stories to tell, festivities to describe, and cheerful incidents to recount. The boarders assisted vicariously at weddings and wedding receptions, afternoon teas and dances, given in halls. “Up-town” seemed to them largely given to entertainment and hilarity of an enviably prodigal sort. Mrs. Bowse's guests were not of the class which entertains or is entertained, and the details of banquets and ball-dresses and money-spending were not uncheering material for conversation. Such topics suggested the presence and dispensing of a good deal of desirable specie, which in floating about might somehow reach those who needed it most. The impression was that T. Tembarom was having “a good time.” It was not his way to relate any incidents which were not of a cheering or laughter-inspiring nature. He said nothing of the times when his luck was bad, when he made blunders, and, approaching the wrong people, was met roughly or grudgingly, and found no resource left but to beat a retreat. He made no mention of his experiences in the blizzard, which continued, and at times nearly beat breath and life out of him as he fought his way through it. Especially he told no story of the morning when, after having labored furiously over the writing of his “stuff” until long after midnight, he had taken it to Galton, and seen his face fall as he looked over it. To battle all day with a blizzard and occasional brutal discouragements, and to sit up half the night tensely absorbed in concentrating one's whole mental equipment upon the doing of unaccustomed work has its effect. As he waited, Tembarom unconsciously shifted from one foot to another, and had actually to swallow a sort of lump in his throat.

      “I guess it won't do,” he said rather uncertainly as Galton laid a sheet down.

      Galton was worn out himself and harried by his nerves.

      “No, it won't,” he said; and then as he saw Tembarom move to the other foot he added, “Not as it is.”

      Tembarom braced himself and cleared his throat.

      “If,” he ventured—“well, you've been mighty easy on me, Mr. Galton—and this is a big chance for a fellow like me. If it's too big a chance—why—that's all. But if it's anything I could change and it wouldn't be too much trouble to tell me—”

      “There's no time to rewrite it,” answered Galton. “It must be handed in to-morrow. It's too flowery. Too many adjectives. I've no time to give you—” He snatched up a blue pencil and began to slash at the paper with it. “Look here—and here—cut out that balderdash—cut this—and this—oh—” throwing the pencil down—“you'd have to cut it all out. There's no time.” He fell back in his chair with a hopeless movement, and rubbed his forehead nervously with the back of his hand. Ten people more or less were waiting to speak to him; he was worn out with the rush of work. He believed in the page, and did not want to give up his idea; but he didn't know a man to hand it to other than this untrained, eager ignoramus whom he had a queer personal liking for. He was no business of his, a mere stenographer in his office with whom he could be expected to have no relations, and yet a curious sort of friendliness verging on intimacy had developed between them.

      “There'd be time if you thought it wouldn't do any harm to give me another chance,” said Tembarom. “I can sit up all night. I guess I've caught on to what you DON'T want. I've put in too many fool words. I got them out of other papers, but I don't know how to use them. I guess I've caught on. Would it do any harm if you gave me till to-morrow?”

      “No, it wouldn't,” said Galton, desperately. “If you can't do it, there's no time to find another man, and the page must be cut out. It's been no good so far. It won't be missed. Take it along.”

      As he pushed back the papers, he saw the photographs, and picked one up.

      “That bride's a good-looking girl. Who are these others? Bridesmaids? You've got a lot of stuff here. Biker couldn't get anything.” He glanced up at the young fellow's rather pale face. “I thought you'd make friends. How did you get all this?”

      “I beat the streets till I found it,” said Tembarom. “I had luck right away. I went into a confectionery store where they make wedding-cakes. A good-natured little Dutchman and his wife kept it, and I talked to them—”

      “Got next?” said Galton, grinning a little.

      “They gave me addresses, and told me a whole lot of things. I got into the Schwartz wedding reception, and they treated me mighty well. A good many of them were willing to talk. I told them what a big thing the page was going to be, and I—well, I said the more they helped me the finer it would turn out. I said it seemed a shame there shouldn't be an up-town page when such swell entertainments were given. I've got a lot of stuff there.”

      Galton laughed.

      “You'd get it,” he said. “If you knew how to handle it, you'd make it a hit. Well, take it along. If it isn't right tomorrow, it's done for.”

      Tembarom didn't tell stories or laugh at dinner that evening. He said he had a headache. After dinner he bolted upstairs after Little Ann, and caught her before she mounted to her upper floor.

      “Will you come and save my life again?” he said. “I'm in the tightest place I ever was in in my life.”

      “I'll do anything I can, Mr. Tembarom,” she answered, and as his face had grown flushed by this time she looked anxious. “You look downright feverish.”

      “I've got chills as well as fever,” he said. “It's the page. It seems like I was going to fall down on it.”

      She turned back at once.

      “No you won't, Mr. Tembarom,” she said “I'm just right-down sure you won't.”

      They went down to the parlor again, and though there were people in it, they found a corner apart, and in less than ten minutes he had told her what had happened.

      She took the manuscript he handed to her.

      “If I was well educated, I should know how to help you,” she said, “but I've only been to a common Manchester school. I don't know anything about elegant language. What are these?” pointing to the blue-pencil marks.

      Tembarom explained, and she studied the blue slashes with serious attention.

      “Well,” she said in a few minutes, laying the manuscript down, “I should have cut those words out myself if—if you'd asked me which to take away. They're too showy, Mr. Tembarom.”

      Tembarom whipped a pencil out of his pocket and held it out.

      “Say,” he put it to her, “would you take this and draw it through a few of the other showy ones?”

      “I should feel as if I was taking too much upon myself,” she said. “I don't know anything about it.”

      “You know a darned sight more than I do,” Tembarom argued. “I didn't know they were showy. I thought they were the kind you had to put in newspaper stuff.”

      She held the sheets of paper on her knee, and bent her head over them. Tembarom watched her dimples flash in and out as she worked away like a child correcting an exercise. Presently he saw she was quite absorbed. Sometimes she stopped and thought, pressing her lips together; sometimes she changed a letter. There was no lightness in her manner. A badly mutilated stocking would have claimed her attention in the same way.

      “I think I'd put 'house' there instead of 'mansion' if I were you,” she suggested once.

      “Put in a whole block of houses if you like,” he answered gratefully. “Whatever you say goes. I believe Galton would say the same thing.”

      She went over sheet after sheet, and though she knew nothing about it, she cut out just what Galton would have cut out. She put the papers together at last and gave them back to Tembarom, getting up from her seat.

      “I must go back to father now,” she said. “I promised to make him a good cup of coffee over the little oil-stove. If you'll come and knock at the door I'll give you one. It will help you to keep fresh while you work.”

      Tembarom did not go to bed at all