Название | Robin |
---|---|
Автор произведения | Frances Hodgson Burnett |
Жанр | Языкознание |
Серия | |
Издательство | Языкознание |
Год выпуска | 0 |
isbn | 4057664628138 |
He shook his head as he rose and stood upright, drawing his splendid young body erect.
"It's only fair," he said. "A chap's so strong and—and ready for living. Everything's surging through one's mind and body. One can't go out without having something—of one's own. You'll come, won't you—just because there's no time? I—I want to keep looking into your eyes."
"I want you to look into them," said Robin. "I'll come."
He stood still a moment looking at her just as she wanted him to look. Then after a few more words he bent low and kissed her hands and then stood straight again and saluted and went away.
CHAPTER IV
There was one facet of the great stone of War upon which many strange things were written. They were not the things most discussed or considered. They were results—not causes. But for the stress of mental, spiritual and physical tempest-of-being the colossal background of storm created, many of them might never have happened; but the consequences of their occurrence were to touch close, search deep, and reach far into the unknown picture of the World the great War might leave in fragments which could only be readjusted by centuries of time.
The interested habit of observation of, and reflection on, her kind which knew no indifferences, in the mind of the Duchess of Darte, awakened by stages to the existence of this facet and to the moment of the writings thereupon.
"It would seem almost as if Nature—Fate—had meant to give a new impulse to the race—to rouse human creatures to new moods, to thrust them into places where they see new things. Men and women are being dragged out of their self-absorbed corners and stirred up and shaken. Emotions are being roused in people who haven't known what a real emotion was. Middle-aged husbands and wives who had sunk into comfortable acceptance of each other and their boys and girls are being dragged out of bed, as it were, and wakened up and made to stand on their feet and face unbelievable possibilities. If you have boys old enough to be soldiers and girls old enough to be victims—your life makes a sort of volte face and everyday, worldly comforts and successes or little failures drop out of your line of sight, and change their values. Mothers are beginning to clutch at their sons; and even self-centred fathers and selfish pretty sisters look at their male relatives with questioning, with a hint of respect or even awe in it. Perhaps the women feel it more than the men. Good-looking, light-minded, love-making George has assumed a new aspect to his mother and to Kathryn. They're secretly yearning over him. He has assumed a new aspect to me. I yearn over him myself. He has changed—he has suddenly grown up. Boys are doing it on every hand."
"The youngest youngster vibrates with the shock of cannon firing, even though the sound may not be near enough to be heard," answered Coombe. "We're all vibrating unconsciously. We are shuddering consciously at the things we hear and are mad to put a stop to, before they go further."
"Innocent little villages full of homes torn and trampled under foot and burned!" the Duchess almost cried out. "And worse things than that—worse things! And the whole monstrosity growing more huge and throwing out new and more awful tentacles every day."
"Every hour. No imagination has yet conceived what it may be."
"That is why the poor human things are clutching at each other, and finding values and attractions where they did not see them before. Colonel Marion and his wife were here yesterday. He is a stout man over fifty and has a red face and prominent eyes. His wife has been so occupied with herself and her children that she had almost forgotten he existed. She looked at and listened to him as if she were a bride."
"I have seen changes of that sort myself," said Coombe. "He is more alive himself. He has begun to be of importance. And men like him have been killed already—though the young ones go first."
"The young ones know that, and they clutch the most frantically. That is what I am seeing in young eyes everywhere. Mere instinct makes it so—mere uncontrollable instinct which takes the form of a sort of desperateness at facing the thousand chances of death before they have lived. They don't know it isn't actual fear of bullets and shrapnel. Sometimes they're afraid it's fear and it makes them sick at themselves and determined to grin and hide it. But it isn't fear—it's furious Nature protesting."
"There are hasty bridals and good-bye marriages being made in all ranks," Coombe put in. "They are inevitable."
"God help the young things—those of them who never meet again—and perhaps, also, some of those who do. The nation ought to take care of the children. If there is a nation left, God knows they will be needed," the Duchess said. "One of my footmen who 'joined up' has revealed an unsuspected passion for a housemaid he used to quarrel with, and who seemed to detest him. I have three women in my household who have soldier lovers in haste to marry them. I shall give them my blessing and take care of the wives when they are left behind. One can be served by old men and married women—and one can turn cottages into small orphanages if the worst happens."
There was a new vigour in her splendid old face and body.
"There is a reason now why I am the Dowager Duchess of Darte," she went on, "and why I have money and houses and lands. There is a reason why I have lived when it sometimes seemed as if my usefulness was over. There are uses for my money—for my places—for myself. Lately I have found myself saying, as Mordecai said to Esther, 'Who knowest whether thou art not come to the kingdom for such a time as this.' A change is taking place in me too. I can do more because there is so much more to do. I can even use my hands better. Look at them."
She held them out that he might see them—her beautiful old-ivory fingers, so long stiffened by rheumatism. She slowly opened and shut them.
"I can move them more—I have been exercising them and having them rubbed. I want to be able to knit and sew and wait on myself and perhaps on other people. Because I have been a rich, luxurious old woman it has not occurred to me that there were rheumatic old women who were forced to do things because they were poor—the things I never tried to do. I have begun to try."
She let her hands fall on her lap and sat gazing up at him with a rather strange expression.
"Do you know what I have been doing?" she said. "I have been praying to God—for a sort of miracle. In their terror people are beginning to ask their Deity for things as they have never done it before. We are most of us like children waking in horror of the black night and shrieking for some one to come—some one—any one! Each creature cries out to his own Deity—the God his own need has made. Most of us are doing it in secret—half ashamed to let it be known. We are abject things. Mothers and fathers are doing it—young lovers and husbands and wives."
"What miracle are you asking for?"
"For power to do things I have not done for years. I want to walk—to stand—to work. If under the stress of necessity I begin to do all three, my doctors will say that mental exaltation and will power have caused the change. It may be true, but mental exaltation and will power are things of the soul not of the body. Anguish is actually forcing me into a sort of practical belief. I am trying to 'have faith even as a grain of mustard seed' so that I may say unto my mountain, 'Remove hence to yonder place and it shall be removed.'"
"'The things which I do, ye shall do also and even greater things than these shall ye do.'" Coombe repeated the words deliberately. "I heard an earnest middle-aged dissenter preach a sermon on that text a few days ago."
"What?"—his old friend leaned forward. "Are you going to hear sermons?"
"I am one of the children, I suppose. Though I do not shriek aloud, probably something shrieks within me. I was passing a small chapel and heard a singular voice. I don't know exactly why I went into the place, but when I sat down inside I felt the tension of the atmosphere at once. Every one looked anxious or terrified. There were pale faces and stony or wild