The Hippodrome. Rachel Hayward

anyone possessing a strain of Jewish blood.

       So it was the Jewess in her that accounted for her haunting voice.

      The Manager was a hatchet-faced and haggard man who looked as if he went to bed about once a week, on an average, and existed principally on cigarettes and absinthe. The simultaneous arrival of Emile and Arithelli roused him from his normal condition of bored cynicism to comparative animation.

      Like the landlady he naturally made his own conclusions.

      "When did you arrive?" he demanded of Arithelli. Emile, not being afflicted with a sense of the necessity for elaborate explanation, removed himself a few paces and began to roll a cigarette.

      Arithelli stood her ground, listened to the comments on her appearance which the Manager felt himself entitled to use, returned his cynical survey with a level glance, and answered his questions with an unruffled composure.

      It was arranged that she should rehearse every day for two hours in the morning, and another two hours between the afternoon and evening performances. For the first act she could wear a habit of any colour she cared to choose, and a smart hat; for the second act, which included jumping over gates, and the presence of the inevitable clown, she would have to wear short skirts.

      "They won't suit me," she said. "You see how long and thin I am, and look at my long feet. I shall look a burlesque."

      The Manager glared at her.

      "I quite believe you will," he snapped. "I suppose you think you're going to do the leaping act in a court train and feathers! Is there anything more you would like to suggest?"

      The intended sarcasm was not a success. Arithelli considered gravely.

      "I don't think so, thank you," she said at last. "But if I do think of anything else I'll tell you. And I should like to see the horses."

      She was filled with a genuine delight by the four cream-coloured pure-bred Andalusians, El Rey, Don Quixote, Cavaliero and Don Juan. They turned intelligent eyes upon her as she entered their stalls, neighing gently as if they recognised a friend. Both the men experienced the same feeling of surprise at her evident knowledge and understanding of animals. In five minutes she had shown that she knew as much about their harness and food as a competent groom.

      The astute Manager, upon whom no sign of intelligence was wasted, saw a good opportunity for getting a little extra work out of his youthful leading lady. He informed her that she must be down at the stables every morning at eight o'clock to inspect the horses and see them fed and watered. As a matter of fact the inspection should have been one of his own duties, but the girl was not likely to cavil at any little additional work that had not been exactly specified in her contract. Besides, if she did, he could soon make it uncomfortable for her. Arithelli made no objection. Though she hated getting up early she would never have grudged a sacrifice of comfort made on behalf of any animal. When all the business was completed, Emile took her to the Café Colomb for lunch.

      Before they left he knew the details of her history.

      The big house in Ireland, with its stud of horses and unlimited hospitality, and the rapidly vanishing fortune. Her mother, a Viennese by birth, a cosmopolitan by travel and education, a fine horsewoman, and extravagance incarnate. Her father, good-natured, careless, manly, as sportsmanlike and unbusinesslike as most Irishmen. When his horses died he bought more, keeping always open house for a colony of men as shiftless and as easy-going as himself.

      As the children grew up the money became less and less. They were sent to Convent schools in France and Belgium, then to cheap schools in England.

      At length the final crash came, and the big, picturesque, rambling house in Galway was sold, and they came to London with an infinitesimal income partly derived from the grudging charity of relatives.

      Arithelli cleaned the doorsteps and the kitchen stove, blackleaded the grates and prepared the meals, which more often than not consisted only of potatoes and tea.

      Their mother, who hated all domestic work, and could never be induced to see that their loss of money was due to her own extravagance, retired to bed, where she spent her days in reading Plato in the original, and writing charming French lyrics.

      When Arithelli ran away she had gone straight to an old friend of her mother's, the widow of an ambassador in Paris. She had made up her mind to earn her own living. She would carve out for herself a career. Having decided that riding was her most saleable accomplishment, she had gone round to the riding school where the managers of the Hippodromes of Vienna, Buda-Pesth and Barcelona waited to select equestriennes.

      Luck, youthful confidence, and her tragic, unyouthful beauty, had all ranged themselves together to procure her the much desired engagement.

      "I made up my mind to get taken on," she concluded. "Et me voilà! I did all sorts of desperate jumps that day. I felt desperate. If I hadn't got it, there was only the Morgue. I couldn't have gone home."

      Emile listened in silence, and drank absinthe and considered.

      That night at a meeting of the Brotherhood he took the leader,

       Sobrenski, aside and said:

      "It was decided the other day that we wanted someone to take messages and run errands. Someone who could go unnoticed into places where it would be suspicious for us to be seen. You suggested a boy. Fate has been so kind as to show me a woman who seems to be in every way suitable—or at least with a little training she will become so."

      "A woman!" echoed the other. "Are you mad?"

      "I conclude her to be a woman because of her clothes. Otherwise she seems to be a mixture of a boy and wood-elf. The combination appears to me to be a fascinating one. She is of good family, half Irish, speaks three languages, asks no questions, and seems to have an extraordinary capacity for holding her tongue. It is on that account that I questioned her sex. Her appearance is excessively feminine. Of course I do not propose to enrol her among us at once. As I have said before, there are many ways in which a woman would be useful."

      Sobrenski pulled doubtfully at his reddish, pointed beard. "Does she know anything about the Cause?"

      "I fancy not, but she appears to have the right ideas, and after I have judiciously fanned the flame!—girls of that age are always wildly enthusiastic over something—so she may as well devote her enthusiasm to us."

CHAPTER III

       Table of Contents

      "Out of the uttermost end of things

       On the side of life that is seamier,

       There lies a land, so its poet sings,

       Whose people call it Bohemia.

      "It is not old, it is not new,

       It is not false, it is not true,

       And they will not answer for what they do,

       Far away in Bohemia."

       "Love in Bohemia," DOLF WYLLARDE.

      "I think," Arithelli said with deliberation, "that all your friends are very fatiguing. They have such bad tempers, and do nothing but argue."

      "They live for the serious things of life," retorted Emile. "Not to play the fool."

      "Thanks! Is this one of the serious things of life, do you suppose?" She stuck the large needle with which she had been awkwardly cobbling a tear in her skirt, into the seat of a chair.

      "What are you doing that for?" demanded Emile.

      "Oh, pardon, I forgot." She extracted the needle. "I don't think I'm unwomanly but I'm not a good sewer. Emile! don't you think we might have some music? I really am beginning to sing 'Le Rêve' quite well."

      Her education in Anarchy had commenced with the teaching