Название | The English Spy: An Original Work Characteristic, Satirical, And Humorous |
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Автор произведения | C. M. Westmacott |
Жанр | Языкознание |
Серия | |
Издательство | Языкознание |
Год выпуска | 0 |
isbn | 4057664627834 |
"There is a blank in this work, which you shall fill up," said my aunt; "you must perform the office of an impartial historian for your friend, and before we proceed farther with this volume, give me the history of your school-boy days."
SCHOOL-BOY REMINISCENCES.
ON EARLY FRIENDSHIP.
In many a strain of grief and joy
My youthful spirit sung to thee;
But I am now no more a boy,
And there's a gulf 'twixt thee and me.
Time on my brow has set his seal;
I start to find myself a man,
And know that I no more shall feel
As only boyhood's spirit can.
ETONIAN.
There is an imperceptible but powerfully connecting link in our early associations and school-boy friendships, which is very difficult to describe, but exceedingly grateful to reflect on; particularly when the retrospective affords a view of early attachments ripened into perfection with maturity, and cementing firmly with increasing years. Youth is the period of frankness and of zeal, when the young heart, buoyant with hope and cheering prospects, fills with joy, and expands in all the brightness of fancy's variety. The ambition, lures, and conflicting interests of the world, have as yet made no inroad upon the mind; the bosom is a stranger to misery, the tongue to deceit, the eye glows with all the luxuriance of pleasure, and the whole countenance presents an animated picture of health and intelligence illumined with delight. The playfulness or incaution of youth may demand correction, or produce momentary pain; but the tears of infancy fall like the summer dew upon the verdant slope, which the first gleam of the returning sun kisses away, and leaves the face of nature tinged with a blush of exquisite brilliancy, but with no trace of the sparkling moisture which lately veiled its beauty. This is the glittering period of life, when the gay perspective of the future seems clothed in every attractive hue, and the objects of this world assume a grace divine: then it is that happiness, borne on the wings of innocence and light-hearted mirth, attends our every step, and seems to wait obedient to our will.
What a painful reverse may not the retrospective view afford! how unlike is the finished picture to the inspiring sketch. The one breathing the soft air of nature, and sparkling in brilliant tints of variegated hues, serene, clear, and transparent, like the magic pencilling of the heavenly Claude, shedding ambrosial sweets around. The reverse indistinct, and overpowered with gloomy shadows, a mixture of the terrific and the marvellous, like the stormy and convulsive scenes of the mighty genius of Salvator Rosa, with here and there a flash of wildest eccentricity, that only serves to render more visible the murky deformity of the whole.
Horatio had just finished his introductory rhapsody, when the door opened, and my aunt's servant entered with tea and toast: the simmering of the water round the heated tube of the urn, tingling in the ears of Heartly, broke the thread of his narration. There was a pause of nearly a minute, while John was busy in arranging the equipage. "You should have waited till I had rung, John," said my aunt. "Please your ladyship," said John, "you directed me always to bring tea in at six precisely, without waiting for orders." My aunt looked puzzled: "You are right, John, I did; and (addressing Horatio) the fault of the interruption must therefore rest with me." Horatio bowed; the compliment was too flattering to be misunderstood. "Draw the curtains, John," said my aunt, "and make up the fire: we can help ourselves to what we want—you need not wait; and do not interrupt us again until you are rung for." "This is very mysterious," thought John, as he closed to the drawing-room door; and he related what he thought to my lady's maid, when he returned to the servants' hall. "You are, no conjurer, John," said Mrs. Margaret, with an oblique inclination of the head, half amorous and half conceited—"the old lady's will has been signed and sealed these three years; I was present when it was made—ay, and I signed it too, and what's more, I knows all its contents; there are some people in the world (viewing herself in an opposite looking-glass) who may be very differently circumstanced some day or other." John's heart had long felt a sort of fluttering inclination to unburthen itself, by linking destinies with the merry Mrs. Margaret; the prospect of a handsome legacy, or perhaps an annuity, gave an additional spur to John's affectionate feelings, and that night he resolved to put the question. All this Mrs. Margaret had anticipated, and as she was now on the verge of forty, she very prudently thought there was no time to lose. "They are a pair of oddities," continued the waiting-maid; "I have sometimes surprised them both crying, as if their hearts would break, over a new book: I suppose they have got something very interesting, as my lady calls it and Mr. Horatio is sermonizing as usual."—Mrs. Margaret was not far wrong in her conjecture, for when my aunt and Horatio were again alone, she rallied him on the serious complexion of his style.
ENLARGE TO FULL SIZE
CHARACTER OF BERNARD BLACKMANTLE. BY HORATIO HEARTLY.
You shall have it from his own pen, said Horatio. In my portfolio, I have preserved certain scraps of Bernard's that will best speak his character; prose and poetry, descriptive and colloquial, Hudibrastic and pastoral, trifles in every costume of literary fancy, according with the peculiar humour of the author at the time of their inditing, from these you shall judge my eccentric friend better than by any commendation of mine. I shall merely preface these early offerings of his genius with a simple narrative of our school-boy intimacy.
I had been about three months at Eton, and had grown somewhat familiar with the characters of my associates, and the peculiarities of their phraseology and pursuits, when our dame's party was increased by the arrival of Bernard Blackmantle. It is usual with the sons of old Etona, on the arrival of a fresh subject, to play off a number of school-boy witticisms and practical jokes, which though they may produce a little mortification in the first instance, tend in no small degree to display the qualifications of mind possessed by their new associate, and give him a familiarity with his companions and their customs, which otherwise would take more time, and subject the stranger to much greater inconvenience. Bernard underwent all the initiatory school ceremonies and humiliations with great coolness, but not without some display of that personal courage and true nobleness of mind, which advances the new comer in the estimation of his school-fellows. First impressions are almost always indelible: there was a frankness and sincerity in his manner, and an archness and vivacity in his countenance and conversation, that imperceptibly attached me to the young stranger. We were soon the most inseparable cons,{1} the depositors of each other's youthful secrets, and the mutual participators in every passing sport and pleasure.
Naturally cheerful, Bernard became highly popular with our miniature world; there was however one subject which, whenever it was incautiously started by his companions, always excited a flood of tears, and for a time spread a gloomy abstraction over his mind. Bernard had from his very infancy been launched into the ocean of life without a knowledge of his admiral{2} but not without experiencing all that a mother's fondness could supply: when others recapitulated the enjoyments of their paternal home, and painted with all the glow of youthful ardour the anticipated pleasures of the holidays, the tear would trickle down his crimsoned