'Firebrand' Trevison. Charles Alden Seltzer

      Corrigan laughed with her. “You know what I mean, of course. Take Manti, for instance. Or any new western town. The lowest elements of society are represented; most of the people are very ignorant and criminal.”

      The girl looked sharply at Corrigan, though he was not aware of the glance. Was there a secret understanding between Corrigan and Agatha? Had Corrigan also some knowledge of the rider’s pilgrimages past the car window? Both had maligned the rider. But the girl had seen intelligence on the face of the rider, and something in the set of his head had told her that he was not a criminal. And despite his picturesque rigging, and the atmosphere of the great waste places that seemed to envelop him, he had made a deeper impression on her than had Corrigan, darkly handsome, well-groomed, a polished product of polite convention and breeding, whom her father wanted her to marry.

      “Well,” she said, looking at the black horse; “I intend to observe Manti’s citizens more closely before attempting to express an opinion.”

      Half an hour later, in response to Corrigan’s invitation, Rosalind was walking down Manti’s one street, Corrigan beside her. Corrigan had donned khaki clothing, a broad, felt hat, boots, neckerchief. But in spite of the change of garments there was a poise, an atmosphere about him, that hinted strongly of the graces of civilization. Rosalind felt a flash of pride in him. He was big, masterful, fascinating.

      Manti seemed to be fraudulent, farcical, upon closer inspection. For one thing, its crudeness was more glaring, and its unpainted board fronts looked flimsy, transient. Compared to the substantial buildings of the East, Manti’s structures were hovels. Here was the primitive town in the first flush of its creation. Miss Benham did not laugh, for a mental picture rose before her—a bit of wild New England coast, a lowering sky, a group of Old-world pilgrims shivering around a blazing fire in the open, a ship in the offing. That also was a band of first citizens; that picture and the one made by Manti typified the spirit of America.

      There were perhaps twenty buildings. Corrigan took her into several of them. But, she noted, he did not take her into the store in front of which was the black horse. She was introduced to several of the proprietors. Twice she overheard parts of the conversation carried on between Corrigan and the proprietors. In each case the conversation was the same:

      “Do you own this property?”

      “The building.”

      “Who owns the land?”

      “A company in New York.”

      Corrigan introduced himself as the manager of the company, and spoke of erecting an office. The two men spoke about their “leases.” The latter seemed to have been limited to two months.

      “See me before your lease expires,” she heard Corrigan tell the men.

      “Does the railroad own the town site?” asked Rosalind as they emerged from the last store.

      “Yes. And leases are going to be more valuable presently.”

      “You don’t mean that you are going to extort money from them—after they have gone to the expense of erecting buildings?”

      His smile was pleasant. “They will be treated with the utmost consideration, Miss Benham.”

      He ushered her into the bank. Like the other buildings, the bank was of frame construction. Its only resemblance to a bank was in the huge safe that stood in the rear of the room, and a heavy wire netting behind which ran a counter. Some chairs and a desk were behind the counter, and at the desk sat a man of probably forty, who got up at the entrance of his visitors and approached them, grinning and holding out a hand to Corrigan.

      “So you’re here at last, Jeff,” he said. “I saw the car on the switch this morning. The show will open pretty soon now, eh?” He looked inquiringly at Rosalind, and Corrigan presented her. She heard the man’s name, “Mr. Crofton Braman,” softly spoken by her escort, and she acknowledged the introduction formally and walked to the door, where she stood looking out into the street.

      Braman repelled her—she did not know why. A certain crafty gleam of his eyes, perhaps, strangely blended with a bold intentness as he had looked at her; a too effusive manner; a smoothly ingratiating smile—these evidences of character somehow made her link him with schemes and plots.

      She did not reflect long over Braman. Across the street she saw the rider of the black horse standing beside the animal at a hitching rail in front of the store that Corrigan had passed without entering. Viewed from this distance, the rider’s face was more distinct, and she saw that he was good-looking—quite as good-looking as Corrigan, though of a different type. Standing, he did not seem to be so tall as Corrigan, nor was he quite so bulky. But he was lithe and powerful, and in his movements, as he unhitched the black horse, threw the reins over its head and patted its neck, was an ease and grace that made Rosalind’s eyes sparkle with admiration.

      The rider seemed to be in no hurry to mount his horse. The girl was certain that twice as he patted the animal’s neck he stole glances at her, and a stain appeared in her cheeks, for she remembered the car window.

      And then she heard a voice greet the rider. A man came out of the door of one of the saloons, glanced at the rider and raised his voice, joyously:

      “Well, if it ain’t ol’ ‘Brand’! Where in hell you been keepin’ yourself? I ain’t seen you for a week!”

      Friendship was speaking here, and the girl’s heart leaped in sympathy. She watched with a smile as the other man reached the rider’s side and wrung his hand warmly. Such effusiveness would have been thought hypocritical in the East; humanness was always frowned upon. But what pleased the girl most was this evidence that the rider was well liked. Additional evidence on this point collected quickly. It came from several doors, in the shapes of other men who had heard the first man’s shout, and presently the rider was surrounded by many friends.

      The girl was deeply interested. She forgot Braman, Corrigan—forgot that she was standing in the doorway of the bank. She was seeing humanity stripped of conventionalities; these people were not governed by the intimidating regard for public opinion that so effectively stifled warm impulses among the persons she knew.

      She heard another man call to him, and she found herself saying: “ ‘Brand’! What an odd name!” But it seemed to fit him; he was of a type that one sees rarely—clean, big, athletic, virile, magnetic. His personality dominated the group; upon him interest centered heavily. Nor did his popularity appear to destroy his poise or make him self-conscious. The girl watched closely for signs of that. Had he shown the slightest trace of self-worship she would have lost interest in him. He appeared to be a trifle embarrassed, and that made him doubly attractive to her. He bantered gayly with the men, and several times his replies to some quip convulsed the others.

      And then while she dreamily watched him, she heard several voices insist that he “show Nigger off.” He demurred, and when they again insisted, he spoke lowly to them, and she felt their concentrated gaze upon her. She knew that he had declined to “show Nigger off” because of her presence. “Nigger,” she guessed, was his horse. She secretly hoped he would overcome his prejudice, for she loved the big black, and was certain that any performance he participated in would be well worth seeing. So, in order to influence the rider she turned her back, pretending not to be interested. But when she heard exclamations of satisfaction from the group of men she wheeled again, to see that the rider had mounted and was sitting in the saddle, grinning at a man who had produced a harmonica and was rubbing it on a sleeve of his shirt, preparatory to placing it to his lips.

      The rider had gone too far now to back out, and Rosalind watched him in frank curiosity. And in the next instant, when the strains of the harmonica smote the still morning air, Nigger began to prance.

      What followed reminded the girl of a scene in the ring of a circus. The horse, proud, dignified, began to pace slowly to the time of the accompanying music, executing difficult steps that must have tried the patience of both animal and trainer during the teaching period; the rider, lithe, alert, proud also, smiling