Название | The History of Napoleon Buonaparte |
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Автор произведения | J. G. Lockhart |
Жанр | Языкознание |
Серия | |
Издательство | Языкознание |
Год выпуска | 0 |
isbn | 4057664642578 |
It was after one of these affairs that an old Hungarian officer was brought prisoner to Buonaparte, who entered into conversation with him, and among other matters questioned him "what he thought of the state of the war?" "Nothing," replied the old gentleman, who did not know he was addressing the general-in-chief—"nothing can be worse. Here is a young man who knows absolutely nothing of the rules of war; to-day he is in our rear, to-morrow on our flank, next day again in our front. Such violations of the principles of the art of war are intolerable!"
The Archduke, who governed in Lombardy for the Emperor, had made many a long prayer and procession; but the saints appeared to take no compassion on him, and he now withdrew from the capital. A revolutionary party had always existed there, as indeed in every part of the Austrian dominions beyond the Alps; and the tricolor cockade, the emblem of France, was now mounted by multitudes of the inhabitants. The municipality hastened to invite the conqueror to appear among them as their friend and protector; and on the 14th of May, four days after Lodi, Napoleon accordingly entered, in all the splendour of a military triumph, the venerable and opulent city of the old Lombard kings.
He was not, however, to be flattered into the conduct, as to serious matters, of a friendly general. He levied immediately a heavy contribution (eight hundred thousand pounds sterling) at Milan—taking possession, besides, of twenty of the finest pictures in the Ambrosian gallery.
The conqueror now paused to look about and behind him; and proceeded still farther to replenish his chest by exactions, for which no justification can be adduced from the ordinary rules of international law. With Sardinia he had already reckoned; of the Austrian capital in Italy he had possession; there was only one more of the Italian governments (Naples) with which the French Republic was actually at war; although, indeed, he had never concealed his intention of revenging the fate of Basseville on the court of Rome. The other powers of Italy were, at worst, neutrals; with Tuscany and Venice, France had friendly relations. But Napoleon knew or believed, that all the Italian governments, without exception, considered the French invasion of Italy as a common calamity; the personal wishes of most of the minor princes (nearly connected as these were, by blood or alliance, with the imperial house of Austria) he, not unreasonably, concluded were strongly against his own success in this great enterprise. Such were his pretences—more or less feasible; the temptation was, in fact, great; and he resolved to consider and treat whatever had not been with him as if it had been against him. The weak but wealthy princes of Parma and Modena, and others of the same order, were forthwith compelled to purchase his clemency not less dearly than if they had been in arms. Besides money, of which he made them disburse large sums, he demanded from each a tribute of pictures and statues, to be selected at the discretion of Citizen Monge and other French connoisseurs, who now attended his march for such purposes.
In modern warfare the works of art had hitherto been considered as a species of property entitled in all cases to be held sacred; and Buonaparte's violent and rapacious infraction of this rule now excited a mighty clamour throughout Europe. Whether the new system originated with himself, or in the commands of the Directory, is doubtful. But from this time the formation of a great national gallery of pictures and statues at Paris was considered as an object of the first importance; and every victorious general was expected to bring trophies of this kind in his train. Whether the fine arts themselves are likely to be improved in consequence of the accumulation in any one place of such vast treasures as the Louvre were long exhibited, there has been, and will no doubt continue to be, much controversy. It is certain that the arts of France derived no solid advantage from Napoleon's museum. The collection was a mighty heap of incense for the benefit of the national vanity; and the hand which brought it together was preparing the means of inflicting on that vanity one of the most intolerable of wounds, in its ultimate dispersion.
The Duke of Modena would fain have redeemed the famous St. Jerome, of Correggio, at the price of £80,000; and Buonaparte's lieutenants urged him to accept the money. "No," said he, "the duke's two millions of francs would soon be spent; but his Correggio will remain for ages to adorn Paris, and inspire the arts of France." The prophecy was not inspired. Of one thing there can be no doubt; namely, that the abstraction of these precious monuments of art from the Italian collections was deeply and permanently resented by the Italian people. This sacrilege, as those enthusiastic and intelligent lovers of all the elegant arts considered it, turned back many a half-made convert from the principles of the French Revolution.
Buonaparte remained but five days in Milan; the citadel of that place still held out against him; but he left a detachment to blockade it, and proceeded himself in pursuit of Beaulieu. The Austrian had now planted the remains of his army behind the Mincio, having his left on the great and strong city of Mantua, which has been termed "the citadel of Italy," and his right at Peschiera a Venetian fortress, of which he took possession in spite of the remonstrances of the Doge. Peschiera stands where the Mincio flows out of "its parent lake," the Lago di Guarda. That great body of waters, stretching many miles backwards towards the Tyrolese Alps, at once extended the line of defence, and kept the communication open with Vienna. The Austrian veteran occupied one of the strongest positions that it is possible to imagine. The invader hastened once more to dislodge him.
The French Directory, meanwhile, had begun to entertain certain not unnatural suspicions as to the ultimate designs of their young general, whose success and fame had already reached so astonishing a height. They determined to check, if they could, the career of an ambition which they apprehended might outgrow their control. Buonaparte was ordered to take half his army, and lead it against the Pope and the King of Naples, and leave the other half to terminate the contest with Beaulieu, under the orders of Kellerman. But he acted on this occasion with the decision which these Directors in vain desired to emulate. He answered by resigning his command. "One half of the army of Italy," said he, "cannot suffice to finish the matter with the Austrian. It is only by keeping my force entire that I have been able to gain so many battles and to be now in Milan. You had better have one bad general than two good ones." The Directory durst not persist in displacing the chief whose name was considered as the pledge of victory. Napoleon resumed the undivided command, to which now, for the last time, his right had been questioned.
Another unlooked-for occurrence delayed, for a few days longer, the march upon Mantua. The heavy exactions of the French, and even more perhaps the wanton contempt with which they treated the churches and the clergy, had produced or fostered the indignation of a large part of the population throughout Lombardy. Reports of new Austrian levies being poured down the passes of the Tyrol were spread and believed. Popular insurrections against the conqueror took place in various districts: at least 30,000 were in arms. At Pavia the insurgents were entirely triumphant; they had seized the town, and compelled the French garrison to surrender.
This flame, had it been suffered to spread, threatened immeasurable evil to the French cause. Lannes instantly marched to Benasco, stormed the place, plundered and burnt it, and put the inhabitants to the sword without mercy. The general in person appeared before Pavia; blew the gates open; easily scattered the townspeople; and caused the leaders to be executed, as if they had committed a crime in endeavouring to rescue their country from the arm of a foreign invader. Everywhere the same ferocious system was acted on. The insurgent commanders were tried by courts-martial, and shot without ceremony. At Lugo, where a French squadron of horse had been gallantly and disastrously defeated, the whole of the male inhabitants were massacred. These bloody examples quelled the insurrections; but they fixed the first dark and indelible stain on the name of Napoleon Buonaparte.
The spirit of