Pink and White Tyranny. Гарриет Бичер-Стоу

had been part of the wedding furnishing of Grace’s mother, years ago. The great, wide, motherly, chintz-covered sofa, which filled a recess commanding the window, was as different as possible from any smart modern article of the name. The heavy, claw-footed, mahogany chairs; the tall clock that ticked in one corner; the footstools and ottomans in faded embroidery—all spoke of days past. So did the portraits on the wall. One was of a fair, rosy young girl, in a white gown, with powdered hair dressed high over a cushion. It was the portrait of Grace’s mother. Another was that of a minister in gown and bands, with black-silk gloved hands holding up conspicuously a large Bible. This was the remote ancestor, the minister. Then there was the picture of John’s father, placed lovingly where the eyes seemed always to be following the slight, white-robed figure of the young wife. The walls were papered with an old-fashioned paper of a peculiar pattern, bought in France seventy-five years before. The vases of India-china that adorned the mantels, the framed engravings of architecture and pictures in Rome, all were memorials of the taste of those long passed away. Yet the room had a fresh, sweet, sociable air. The roses and honeysuckles looked in at the windows; the table covered with books and magazines, and the familiar work-basket of Miss Grace, with its work, gave a sort of impression of modern family household life. It was a wide, open, hospitable, generous-minded room, that seemed to breathe a fragrance of invitation and general sociability; it was a room full of associations and memories, and its daily arrangement and ornamentation made one of the pleasant tasks of Miss Grace’s life.

      She spread down a newspaper on the large, square centre-table, and, emptying her apronful of flowers upon it, took her vases from the shelf, and with her scissors sat down to the task of clipping and arranging them.

      Just then Letitia Ferguson came across the garden, and entered the back door after her, with a knot of choice roses in her hand, and a plate of seed-cakes covered with a hem-stitched napkin. The Fergusons and the Seymours occupied adjoining houses, and were on footing of the most perfect undress intimacy. They crossed each other’s gardens, and came without knocking into each other’s doors twenty times a day, apropos to any bit of chit-chat that they might have, a question to ask, a passage in a book to show, a household receipt that they had been trying. Letitia was the most intimate and confidential friend of Grace. In fact, the whole Ferguson family seemed like another portion of the Seymour family. There were two daughters, of whom Letitia was the eldest. Then came the younger Rose, a nice, charming, well-informed, good girl, always cheerful and chatty, and with a decent share of ability at talking lively nonsense. The brothers of the family, like the young men of New-England country towns generally, were off in the world seeking their fortunes. Old Judge Ferguson was a gentleman of the old school—formal, stately, polite, always complimentary to ladies, and with a pleasant little budget of old-gentlemanly hobbies and prejudices, which it afforded him the greatest pleasure to air in the society of his friends. Old Mrs. Ferguson was a pattern of motherliness, with her quaint, old-fashioned dress, her elaborate caps, her daily and minute inquiries after the health of all her acquaintances, and the tender pityingness of her nature for every thing that lived and breathed in this world of sin and sorrow.

      Letitia and Grace, as two older sisters of families, had a peculiar intimacy, and discussed every thing together, from the mode of clearing jelly up to the profoundest problems of science and morals. They were both charming, well-mannered, well-educated, well-read women, and trusted each other to the uttermost with every thought and feeling and purpose of their hearts.

      As we have said, Letitia Ferguson came in at the back door without knocking, and, coming softly behind Miss Grace, laid down her bunch of roses among the flowers, and then set down her plate of seed-cakes.

      Then she said, “I brought you some specimens of my Souvenir de Malmaison bush, and my first trial of your receipt.”

      “Oh, thanks!” said Miss Grace: “how charming those roses are! It was too bad to spoil your bush, though.”

      “No: it does it good to cut them; it will flower all the more. But try one of those cakes—are they right?”

      “Excellent! you have hit it exactly,” said Grace; “exactly the right proportion of seeds. I was hurrying,” she added, “to get these flowers in water, because a letter from John is waiting to be read.”

      “A letter! How nice!” said Miss Letitia, looking towards the shelf. “John is as faithful in writing as if he were your lover.”

      “He is the best lover a woman can have,” said Grace, as she busily sorted and arranged the flowers. “For my part, I ask nothing better than John.”

      “Let me arrange for you, while you read your letter,” said Letitia, taking the flowers from her friend’s hands.

      Miss Grace took down the letter from the mantelpiece, opened, and began to read it. Miss Letitia, meanwhile, watched her face, as we often carelessly watch the face of a person reading a letter.

      Miss Grace was not technically handsome, but she had an interesting, kindly, sincere face; and her friend saw gradually a dark cloud rising over it, as one watches a shadow on a field.

      When she had finished the letter, with a sudden movement she laid her head forward on the table among the flowers, and covered her face with her hands. She seemed not to remember that any one was present.

      Letitia came up to her, and, laying her hand gently on hers, said, “What is it, dear?”

      Miss Grace lifted her head, and said in a husky voice—

      “Nothing, only it is so sudden! John is engaged!”

      “Engaged! to whom?”

      “To Lillie Ellis.”

      “John engaged to Lillie Ellis?” said Miss Ferguson, in a tone of shocked astonishment.

      “She laid her head forward on the table.”

      “So he writes me. He is completely infatuated by her.”

      “How very sudden!” said Miss Letitia. “Who could have expected it? Lillie Ellis is so entirely out of the line of any of the women he has ever known.”

      “That’s precisely what’s the matter,” said Miss Grace. “John knows nothing of any but good, noble women; and he thinks he sees all this in Lillie Ellis.”

      “There’s nothing to her but her wonderful complexion,” said Miss Ferguson, “and her pretty little coaxing ways; but she is the most utterly selfish, heartless little creature that ever breathed.”

      “Well, she is to be John’s wife,” said Miss Grace, sweeping the remainder of the flowers into her apron; “and so ends my life with John. I might have known it would come to this. I must make arrangements at once for another house and home. This house, so much, so dear to me, will be nothing to her; and yet she must be its mistress,” she added, looking round on every thing in the room, and then bursting into tears.

      Now, Miss Grace was not one of the crying sort, and so this emotion went to her friend’s heart. Miss Letitia went up and put her arms round her.

      “Come, Gracie,” she said, “you must not take it so seriously. John is a noble, manly fellow. He loves you, and he will always be master of his own house.”

      “No, he won’t—no married man ever is,” said Miss Grace, wiping her eyes, and sitting up very straight. “No man, that is a gentleman, is ever master in his own house. He has only such rights there as his wife chooses to give him; and this woman won’t like me, I’m sure.”

      “Perhaps she will,” said Letitia, in a faltering voice.

      “No, she won’t; because I have no faculty for lying, or playing the hypocrite in any way, and I shan’t approve of her. These soft, slippery, pretty little fibbing women have always been my abomination.”

      “Oh, my dear Grace!”