The Heavenly Father: Lectures on Modern Atheism. Ernest Naville

the mind and conscience, it remains for us to speak of the heart. Man, an intelligent and free being, has in his reason an instrument of knowledge, and in his conscience a rule for his will. But man is not sufficient for himself, and cannot live upon his own resources. If you inquire what the word heart expresses, in its most general acceptation, you will find that it always expresses a tendency of the soul to look, out of itself, in things or persons, for the support and nourishment of its individual life. Does the question concern the relations of man with his fellows? The heart is the organ of communication of one soul with another, for receiving, or for giving, or for giving and receiving at the same time, in the enjoyment of the blessing of a mutual affection. The heart is in each of us what those marks are upon the scattered stones of a building in course of construction which indicate that they are to be united one to another. The philosopher suffices for himself, the stoics used to say; the heart is the negation of this haughty maxim. From the heart proceeds love, that son of abundance and of poverty, to speak with Plato, that needy one ever on the search for his lost heritage. Love has wings, said again the wisdom of the Greeks, wings which essay to carry him ever higher. Let us extricate the thought which is involved in these graceful figures: Our desires have no limits, and indefinite desires can be satisfied only by meeting with an infinite Being who can be an inexhaustible source of happiness, an eternal object of love. "Our heart is made for love," said Saint Augustine, the great Christian disciple of Plato: "therefore it is unquiet till it finds repose in God." From this unrest proceed all our miseries. Men do not always succeed in contenting themselves with a petty prosaic happiness, a dull and paltry well-being, and in stifling the while the grand instincts of our nature. If then the heart lives, and fails of its due object; if it does not meet with the supreme term of its repose, its indefinite aspirations attach themselves to objects which cannot satisfy them, and thence arise stupendous aberrations. With some, it is the pursuit of sensual gratifications; they rush with a kind of fury into the passions of their lower nature. With others it is the ardent pursuit of riches, power, fame—feelings which are always crying more: More! and never: Enough. And the after-taste from the fruitless search after happiness in the paths of ambition and vanity is not less bitter perhaps than the after-taste from sensual enjoyments. Listen to the confession of a man whose works, full as they are of beauties, are disfigured by so many impure allusions, that the author appears to have indulged, more than most others, in the giddy follies and culpable pleasures of life: