Tommy and Grizel. J. M. Barrie

on. I want to know all about it."

      "And yet," Tommy said, puzzled, "I've known noble thoughts come to me when I was listening to a brass band."

      Pym chuckled. "Funny things, noble thoughts," he agreed. He read another passage: "'It was the last half-hour of day when I was admitted, with several others, to look upon my friend's dead face. A handkerchief had been laid over it. I raised the handkerchief. I know not what the others were thinking, but the last time we met he had told me something, it was not much—only that no woman had ever kissed him. It seemed to me that, as I gazed, the wistfulness came back to his face. I whispered to a woman who was present, and stooping over him, she was about to—but her eyes were dry, and I stopped her. The handkerchief was replaced, and all left the room save myself. Again I raised the handkerchief. I cannot tell you how innocent he looked.'"

      "Who was he?" asked Pym.

      "Nobody," said Tommy, with some awe; "it just came to me. Do you notice how simple the wording is? It took me some time to make it so simple."

      "You are just nineteen, I think?"

      "Yes."

      Pym looked at him wonderingly.

      "Thomas," he said, "you are a very queer little devil."

      He also said: "And it is possible you may find the treasure you are always talking about. Don't jump to the ceiling, my friend, because I say that. I was once after the treasure, myself; and you can see whether I found it."

      From about that time, on the chances that this mysterious treasure might spring up in the form of a new kind of flower, Pym zealously cultivated the ground, and Tommy had an industrious time of it. He was taken off his stories, which at once regained their elasticity, and put on to exercises.

      "If you have nothing to say on the subject, say nothing," was one of the new rules, which few would have expected from Pym. Another was: "As soon as you can say what you think, and not what some other person has thought for you, you are on the way to being a remarkable man."

      "Without concentration, Thomas, you are lost; concentrate, though your coat-tails be on fire.

      "Try your hand at description, and when you have done chortling over the result, reduce the whole by half without missing anything out.

      "Analyze your characters and their motives at the prodigious length in which you revel, and then, my sonny, cut your analysis out. It is for your own guidance, not the reader's.

      "'I have often noticed,' you are always saying. The story has nothing to do with you. Obliterate yourself. I see that will be your stiffest job.

      "Stop preaching. It seems to me the pulpit is where you should look for the treasure. Nineteen, and you are already as didactic as seventy."

      And so on. Over his exercises Tommy was now engrossed for so long a period that, as he sits there, you may observe his legs slowly lengthening and the coming of his beard. No, his legs lengthened as he sat with his feet in the basket; but I feel sure that his beard burst through prematurely some night when he was thinking too hard about the ladies.

      There were no ladies in the exercises, for, despite their altercation about noses, Pym knew that on this subject Tommy's mind was a blank. But he recognized the sex's importance, and becoming possessed once more of a black coat, marched his pupil into the somewhat shoddy drawing-rooms that were still open to him, and there ordered Tommy to be fascinated for his future good. But it was as it had always been. Tommy sat white and speechless and apparently bored; could not even say, "You sing with so much expression!" when the lady at the pianoforte had finished.

      "Shyness I could pardon," the exasperated Pym would roar; "but want of interest is almost immoral. At your age the blood would have been coursing through my veins. Love! You are incapable of it. There is not a drop of sentiment in your frozen carcass."

      "Can I help that?" growled Tommy. It was an agony to him even to speak about women.

      "If you can't," said Pym, "all is over with you. An artist without sentiment is a painter without colours. Young man, I fear you are doomed."

      And Tommy believed him, and quaked. He had the most gallant struggles with himself. He even set his teeth and joined a dancing-class; though neither Pym nor Elspeth knew of it, and it never showed afterwards in his legs. In appearance he was now beginning to be the Sandys of the photographs: a little over the middle height and rather heavily built; nothing to make you uncomfortable until you saw his face. That solemn countenance never responded when he laughed, and stood coldly by when he was on fire; he might have winked for an eternity, and still the onlooker must have thought himself mistaken. In his boyhood the mask had descended scarce below his mouth, for there was a dimple in the chin to put you at ease; but now the short brown beard had come, and he was for ever hidden from the world.

      He had the dandy's tastes for superb neckties, velvet jackets, and he got the ties instead of dining; he panted for the jacket, knew all the shop-windows it was in, but for years denied himself, with a moan, so that he might buy pretty things for Elspeth. When eventually he got it, Pym's friends ridiculed him. When he saw how ill his face matched it he ridiculed himself. Often when Tommy was feeling that now at last the ladies must come to heel, he saw his face suddenly in a mirror, and all the spirit went out of him. But still he clung to his velvet jacket.

      I see him in it, stalking through the terrible dances, a heroic figure at last. He shuddered every time he found himself on one leg; he got sternly into everybody's way; he was the butt of the little noodle of an instructor. All the social tortures he endured grimly, in the hope that at last the cork would come out. Then, though there were all kinds of girls in the class, merry, sentimental, practical, coquettish, prudes, there was no kind, he felt, whose heart he could not touch. In love-making, as in the favourite Thrums game of the dambrod, there are sixty-one openings, and he knew them all. Yet at the last dance, as at the first, the universal opinion of his partners (shop-girls, mostly, from the large millinery establishments, who had to fly like Cinderellas when the clock struck a certain hour) was that he kept himself to himself, and they were too much the lady to make up to a gentleman who so obviously did not want them.

      Pym encouraged his friends to jeer at Tommy's want of interest in the sex, thinking it a way of goading him to action. One evening, the bottles circulating, they mentioned one Dolly, goddess at some bar, as a fit instructress for him. Coarse pleasantries passed, but for a time he writhed in silence, then burst upon them indignantly for their unmanly smirching of a woman's character, and swept out, leaving them a little ashamed. That was very like Tommy.

      But presently a desire came over him to see this girl, and it came because they had hinted such dark things about her. That was like him also.

      There was probably no harm in Dolly, though it is man's proud right to question it in exchange for his bitters. She was tall and willowy, and stretched her neck like a swan, and returned you your change with disdainful languor; to call such a haughty beauty Dolly was one of the minor triumphs for man, and Dolly they all called her, except the only one who could have given an artistic justification for it.

      This one was a bearded stranger who, when he knew that Pym and his friends were elsewhere, would enter the bar with a cigar in his mouth, and ask for a whisky-and-water, which was heroism again, for smoking was ever detestable to him, and whisky more offensive than quinine. But these things are expected of you, and by asking for the whisky you get into talk with Dolly; that is to say, you tell her several times what you want, and when she has served every other body you get it. The commercial must be served first; in the barroom he blocks the way like royalty in the street. There is a crown for us all somewhere.

      Dolly seldom heard the bearded one's "good-evening"; she could not possibly have heard the "dear," for though it was there, it remained behind his teeth. She knew him only as the stiff man who got separated from his glass without complaining, and at first she put this down to forgetfulness, and did nothing, so that he could go away without drinking; but by and by, wherever he left his tumbler, cunningly concealed behind a water-bottle, or temptingly in front of a commercial, she restored it to him, and there was a twinkle