The Curse of the Undead - Selected Vampire Books and Legends. Richard Francis Burton

me then, if he can; he says he has work to do in London which may take him some time. Poor old fellow! I fear that the strain of the past week has broken down even his iron strength. All the time of the burial he was, I could see, putting some terrible restraint on himself. When it was all over, we were standing beside Arthur, who, poor fellow, was speaking of his part in the operation where his blood had been transfused to his Lucy’s veins; I could see Van Helsing’s face grow white and purple by turns. Arthur was saying that he felt since then as if they two had been really married, and that she was his wife in the sight of God. None of us said a word of the other operations, and none of us ever shall. Arthur and Quincey went away together to the station, and Van Helsing and I came on here. The moment we were alone in the carriage he gave way to a regular fit of hysterics. He has denied to me since that it was hysterics, and insisted that it was only his sense of humour asserting itself under very terrible conditions. He laughed till he cried and I had to draw down the blinds lest any one should see us and misjudge; and then he cried till he laughed again; and laughed and cried together, just as a woman does. I tried to be stern with him, as one is to a woman under the circumstances; but it had no effect. Men and women are so different in manifestations of nervous strength or weakness! Then when his face grew grave and stern again I asked him why his mirth, and why at such a time. His reply was in a way characteristic of him, for it was logical and forceful and mysterious. He said:—

      “Ah, you don’t comprehend, friend John. Do not think that I am not sad, though I laugh. See, I have cried even when the laugh did choke me. But no more think that I am all sorry when I cry, for the laugh he come just the same. Keep it always with you that laughter who knock at your door and say, ‘May I come in?’ is not the true laughter. No! he is a king, and he come when and how he like. He ask no person; he choose no time of suitability. He say: ‘I am here.’ Behold, in example, I grieve my heart out for that so sweet young girl; I give my blood for her, though I am old and worn; I give my time, my skill, my sleep; I let my other sufferers want that she may have all. And yet I can laugh at her very grave—laugh when the clay from the spade of the sexton drop upon her coffin and say, ‘Thud! thud!’ to my heart, till it send back the blood from my cheek. My heart bleed for that poor boy—that dear boy, so of the age of mine own boy had I been so blessed that he live, and with his hair and eyes the same. There, you know now why I love him so. And yet when he say things that touch my husband-heart to the quick, and make my father-heart yearn to him as to no other man—not even to you, friend John, for we are more level in experiences than father and son—yet even at such moment King Laugh he come to me and shout and bellow in my ear, ‘Here I am! Here I am!’ till the blood come dance back and bring some of the sunshine that he carry with him to my cheek. Oh, friend John, it is a strange world, a sad world, a world full of miseries, and woes, and troubles; and yet when King Laugh come he make them all dance to the tune he play. Bleeding hearts, and dry bones of the churchyard, and tears that burn as they fall—all dance together to the music that he make with that smileless mouth of him. And believe me, friend John, that he is good to come, and kind. Ah, we men and women are like ropes drawn tight with strain that pull us different ways. Then tears come; and, like the rain on the ropes, they brace us up, until perhaps the strain become too great, and we break. But King Laugh he come like the sunshine, and he ease off the strain again; and we bear to go on with our labour, what it may be.”

      I did not like to wound him by pretending not to see his idea; but, as I did not yet understand the cause of his laughter, I asked him. As he answered me his face grew stern, and he said in quite a different tone:—

      “Oh, it was the grim irony of it all—this so lovely lady garlanded with flowers, that looked so fair as life, till one by one we wondered if she were truly dead; she laid in that so fine marble house in that lonely churchyard, where rest so many of her kin, laid there with the mother who loved her, and whom she loved; and that sacred bell going ‘Toll! toll! toll!’ so sad and slow; and those holy men, with the white garments of the angel, pretending to read books, and yet all the time their eyes never on the page; and all us with the bowed head. And all for what? She is dead; so! Is it not?”

      “Well, for the life of me, Professor,” I said, “I can’t see anything to laugh at in all that. Why, your explanation makes it a harder puzzle than before. But even if the burial service was comic, what about poor Art and his trouble? Why, his heart was simply breaking.”

      “Just so. Said he not that the transfusion of his blood to her veins had made her truly his bride?”

      “Yes, and it was a sweet and comforting idea for him.”

      “Quite so. But there was a difficulty, friend John. If so that, then what about the others? Ho, ho! Then this so sweet maid is a polyandrist, and me, with my poor wife dead to me, but alive by Church’s law, though no wits, all gone—even I, who am faithful husband to this now-no-wife, am bigamist.”

      “I don’t see where the joke comes in there either!” I said; and I did not feel particularly pleased with him for saying such things. He laid his hand on my arm, and said:—

      “Friend John, forgive me if I pain. I showed not my feeling to others when it would wound, but only to you, my old friend, whom I can trust. If you could have looked into my very heart then when I want to laugh; if you could have done so when the laugh arrived; if you could do so now, when King Laugh have pack up his crown and all that is to him—for he go far, far away from me, and for a long, long time—maybe you would perhaps pity me the most of all.”

      I was touched by the tenderness of his tone, and asked why.

      “Because I know!”

      And now we are all scattered; and for many a long day loneliness will sit over our roofs with brooding wings. Lucy lies in the tomb of her kin, a lordly death-house in a lonely churchyard, away from teeming London; where the air is fresh, and the sun rises over Hampstead Hill, and where wild flowers grow of their own accord.

      So I can finish this diary; and God only knows if I shall ever begin another. If I do, or if I ever open this again, it will be to deal with different people and different themes; for here at the end, where the romance of my life is told, ere I go back to take up the thread of my life-work, I say sadly and without hope,

      “FINIS.”

      The “Westminster Gazette,” 25 September.

      A HAMPSTEAD MYSTERY.

      The neighbourhood of Hampstead is just at present exercised with a series of events which seem to run on lines parallel to those of what was known to the writers of headlines as “The Kensington Horror,” or “The Stabbing Woman,” or “The Woman in Black.” During the past two or three days several cases have occurred of young children straying from home or neglecting to return from their playing on the Heath. In all these cases the children were too young to give any properly intelligible account of themselves, but the consensus of their excuses is that they had been with a “bloofer lady.” It has always been late in the evening when they have been missed, and on two occasions the children have not been found until early in the following morning. It is generally supposed in the neighbourhood that, as the first child missed gave as his reason for being away that a “bloofer lady” had asked him to come for a walk, the others had picked up the phrase and used it as occasion served. This is the more natural as the favourite game of the little ones at present is luring each other away by wiles. A correspondent writes us that to see some of the tiny tots pretending to be the “bloofer lady” is supremely funny. Some of our caricaturists might, he says, take a lesson in the irony of grotesque by comparing the reality and the picture. It is only in accordance with general principles of human nature that the “bloofer lady” should be the popular rôle at these al fresco performances. Our correspondent naïvely says that even Ellen Terry could not be so winningly attractive as some of these grubby-faced little children pretend—and even imagine themselves—to be.

      There is, however, possibly a serious side to the question, for some of the children, indeed all who have been missed at night, have been slightly torn or wounded in the throat. The wounds seem such as might be made by a rat or a small dog, and although of not much importance individually, would tend to show that whatever animal inflicts them has a system or method of its own. The police of the division