Tarr (Musaicum Rediscovered Classics). Wyndham Lewis

sat staring with a bemused seriousness at the ground.

      “Why should I not speak plainly and cruelly of my poor, ridiculous fiancée to you or any one?—After all, it is chiefly myself I am castigating.—But you, too, must be of the party! The right to see implies the right to be seen. As an offset for your prying, scurvy way of peeping into my affairs you must offer your own guts, such as they are⸺!”

      “How have I pried into your affairs?” Hobson asked with a circumspect surprise.

      “Any one who stands outside, who hides himself in a deliquescent aloofness, is a sneak and a spy⸺”

      “That seems to me to be a case of smut calling the kettle black. I should not have said that you were conspicuous⸺”

      “No.—You know you have joined yourself to those who hush their voices to hear what other people are saying!—Every one who does not fight openly and bear his share of the common burden of ignominy in life, is a sneak, unless it is for a solid motive.—The quiet you claim is not to work in.—What have you exchanged your temper, your freedom, and your fine voice against? You have exchanged them for an old hat that does not belong to you, and a shabbiness you have not merited by suffering neediness.—Your pseudo-neediness is a sentimental indulgence.—Every man should be forced to dress up to his income, and make a smart, fresh appearance.—Patching the seat of your trousers, instead⸺!”

      “Wait a minute,” Hobson said, with a laugh. “You accuse me of sentimentality in my choice of costume. I wonder if you are as free from sentimentality.”

      “I don’t care a tinker’s blue curse about that.—I am talking about you.—Let me proceed.—With your training, you are decked in the plumes of very fine birds indeed. But your plumes are not meant to fly with, but merely to slouch and skip along the surface of the earth.—You wear the livery of a ridiculous set, you are a cunning and sleek domestic. No thought can come out of your head before it has slipped on its uniform. All your instincts are drugged with a malicious languor, an arm, a respectability, invented by a set of old women and mean, cadaverous little boys.”

      Hobson opened his mouth, had a movement of the body to speak. But he relapsed.

      “You reply, ‘What is all this fuss about? I have done the best for myself.—I was not suited for any heroic station, like yours. I live sensibly and quietly, cultivating my vegetable ideas, and also my roses and Victorian lilies.—I do no harm to anybody.’ ”

      “That is not quite the case. That is a little inexact. Your proceedings possess a herdesque astuteness; in the scale against the individual weighing less than the Yellow Press, yet being a closer and meaner attack. Also you are essentially spies, in a scurvy, safe and well-paid service, as I told you before. You are disguised to look like the thing it is your function to betray—What is your position?—You have bought for eight hundred pounds at an aristocratic educational establishment a complete mental outfit, a programme of manners. For four years you trained with other recruits. You are now a perfectly disciplined social unit, with a profound esprit de corps. The Cambridge set that you represent is as observed in an average specimen, a cross between a Quaker, a Pederast, and a Chelsea artist.—Your Oxford brothers, dating from the Wilde decade, are a stronger body. The Chelsea artists are much less flimsy. The Quakers are powerful rascals. You represent, my Hobson, the dregs of Anglo-Saxon civilization!—There is nothing softer on earth.—Your flabby potion is a mixture of the lees of Liberalism, the poor froth blown off the decadent nineties, the wardrobe—leavings of a vulgar Bohemianism with its head-quarters in Chelsea!

      “You are concentrated, systematic slop.—There is nothing in the universe to be said for you.—Any efficient State would confiscate your property, burn your wardrobe, that old hat, and the rest, as infecte and insanitary, and prohibit you from propagating.”

      Tarr’s white collar shone dazzlingly in the sun.—His bowler hat bobbed and out clean lines as he spoke.

      “A breed of mild pervasive cabbages has set up a wide and creeping rot in the West of Europe.—They make it indirectly a peril and tribulation for live things to remain in the neighbourhood. You are systematizing and vulgarizing the individual.—You are not an individual. You have, I repeat, no right to that hair and that hat. You are trying to have the apple and eat it too.—You should be in uniform, and at work, not uniformly out of uniform, and libelling the Artist by your idleness. Are you idle?”

      Tarr had drawn up short, turned squarely on Hobson; in an abrupt and disconnected voice he asked his question.

      Hobson stirred resentfully in his chair. He yawned a little. He replied:

      “Am I idle, did you say? Yes, I suppose I am not particularly industrious. But how does that affect you? You know you don’t mean all that nonsense. Vous vous moquez de moi! Where are you coming to?”

      “I have explained already where I come in. It is stupid to be idle. You go to seed.—The only justification for your slovenly appearance, it is true, is that it is ideally emblematic.”

      “My dear Tarr, you’re a strange fellow. I can’t see why these things should occupy you.—You have just told me a lot of things that may be true or may not. But at the end of them all—? Et alors?—alors?—quoi? one asks. You contradict yourself. You know you don’t think what you talk. You deafen me with your upside-downness.”

      He gesticulated, got the French guttural r with satisfaction, and said the quoi rather briskly.

      “In any case my hat is my business!” he concluded quickly, after a moment, getting up with a curling, luscious laugh.

      The garçon hurried up and they paid.

      “No, I am responsible for you.—I am one of the only people who see. That is a responsibility.”—Tarr walked down the boulevard with him, speaking in his ear almost, and treading on his toes.

      “You know Baudelaire’s fable of the obsequious vagabond, cringing for alms? For all reply, the poet seizes a heavy stick and belabours the beggar with it. The beggar then, when he is almost beaten to a pulp, suddenly straightens out beneath the blows; expands, stretches; his eyes dart fire! He rises up and falls on the poet tooth and nail. In a few seconds he has laid him out flat, and is just going to finish him off, when an agent arrives.—The poet is enchanted. He has accomplished something!

      “Would it be possible to achieve a work of that description with you? No. You are meaner-spirited than the most abject tramp. I would seize you by the throat at once if I thought you would black my eye. But I feel it my duty at least to do this for your hat. Your hat, at least, will have had its little drama to-day.”

      Tarr knocked his hat off into the road.—Without troubling to wait for the results of this action, he hurried away down the Boulevard du Paradis.

CHAPTER II

       Table of Contents

      A great many of Frederick Tarr’s resolutions came from his conversation. It was a tribunal to which he brought his hesitations. An active and hustling spirit presided over this section of his life.

      Civilized men have for conversation something of the superstitious feeling that ignorant men have for the written or the printed word.

      Hobson had attracted a great deal of steam to himself. Tarr was unsatisfied.—He rushed away from the Café Berne still strong and with much more to say. He rushed towards Bertha to say it.

      A third of the way he came on a friend who should have been met before Hobson. Then Bertha and he could have been spared.

      Butcher was a bloody wastrel enamoured of gold and liberty.—He was a romantic, educating his schoolboyish sense of adventure up to the pitch of drama. He had been induced by Tarr to develop